Category Archives: Thin Slicing a Task

Part 1 of Relaxed Foot Care: Front Feet

In the photo above, Boots noticed that Bridget has the hoofpick and spray bottle in her hand, so she knows it is foot care time, and offers her foot.

‘All behaviors rest on an emotional ediface.’ I don’t know the source of this quote, but it underpins just about everything.

Our aim is to have the horse confidently lift each foot on signal and keep it up for as long as we need it.

Environment:

Work in a space familiar to the horse, where he is usually relaxed; buddies in view but not able to interfere. Horse is not hungry.

Horse at liberty or wearing halter and lead (not tied up). Halter and lead allow us to help him stand square. If the horse can’t stand quietly without being tied, that is a skill to work on first. A familiar mat gives the horse a destination spot for standing quietly. See Number 9 in the Blog Contents Quick Links ( at top of page) if you need to establish confident parking on a mat first.
Ensure the horse is warmed up a bit so it is easier for him to stand on three legs.
Ensure the horse is in a learning frame of mind. If not, encourage activity to use up adrenalin or do relaxing activities he knows well before starting.

It pays to remember that if you are nervous about picking up a horse’s foot, your anxiety pales into insignificance compared with how worried a horse might be if he has not been introduced to foot care with thought to his feelings.

Some horses may have had a bad experience with a particular leg. Be aware that a reluctance to lift a foot, or keep it up, can be due to pain from an old injury, current sore muscles/joints and/or arthritis.

Horses know that if their feet are compromised, they are close to death. It pays to teach ‘picking up feet’ carefully and thoroughly and not leave it to other people. By going through all the steps outlined below, we can also overcome our own natural fear and anxiety about getting hurt.

Our first job is to make sure we can rub and massage the front legs down to the heel with the horse able to stand still in a relaxed manner, totally confident that we are not going to hurt him. With some horses, to keep everything safe and low key, it’s a good idea to use a body extension to rub the legs. We can keep our body erect, stay relaxed, and use a high rate of reinforcement. If we are tense, the horse will be tense.

I’m using a pool noodle to get the horse used to having things rubbed on her legs, the back and front of each leg as well as up and down.

The rate of reinforcement must allow the horse to be continually successful. At first it might be a barely touch of the body extension to a front leg. We start where the horse is, and work forward from that point. See Number 5 in the Blog Contents Quick Links (link at the top of the page) for The Four Stages of Learning.

Use advance and retreat. That means start up high and move down a leg until one of you feels uncomfortable. When you reach either you or the horse’s threshold of comfort, retreat by moving back up to the withers, relax, then advance again. This is called a re-set. You know you have reached a threshold if you feel tension in the horse’s body or you begin to feel anxious or uncomfortable.

Every time we do a re-set, we have a new opportunity to clarify our signal and our intent.

The mindmap below looks at the the tasks involved with front foot hoof care. Note that the first stage, rubbing the length of the leg, is omitted – my mistake.

Stand Square: the prerequisite task of stepping forward and backward, one step at a time, ensures that the horse understands our request to stand squarely. It helps if we routinely ask for square halts in a variety of situations. Each square or almost square halt, on request, earns a click&treat.

Using a mat makes it easier because, as the mat-savvy horse approaches the mat, he knows he will halt with his front feet on the mat. In other words, he has time to mentally and physically prepare himself and often halts squarely to earn his click&treat. Remember, he has four limbs to organize!

When asking the horse to square up, slightly tilt his head away from the front foot you want him to move. Moving his head away frees up the shoulder so he can move the leg.

Knee-Lifts to Touch a Target

Always start by asking the horse to stand squarely. This will help him remain balanced when he lifts a leg.

If we touch a target item gently to the front of the horse’s knee, accompanied by a click&treat, most clicker-savvy horses will quickly learn to raise the knee to touch the target. First, touch it to his knee, click& treat. When that is well established, hold the target a little tiny bit above the knee. He will work out that raising his knee touches the target and earns a click&treat. If he doesn’t, go back to touching the knee gently, click&treat until he makes the connection.

A pool noodle, a plastic bottle attached to a light stick (e.g. bamboo), or a light stick with bubble wrap taped around it, are the sorts of items we can use for knee targets.

#89 HorseGym with Boots demonstrates. Work with just the front feet until you are both totally solid with them. More detail about hind feet will be in the next blog.

Front Feet

If you’ve taught your horse to target his knee to your hand when you stand near him, facing him, he will have already shifted his weight so he can lift his foot, and you can catch hold of his foot while it is in the air.

Some people choose to touch the chestnut as a signal for lifting the foot. If you start with your hand at the withers each time, the horse will most likely soon learn to shift his weight and be already lifting his foot when you reach the chestnut.

It can be handy to teach a concurrent verbal signal such as, ‘Lift’. This is also helpful when we ask the horse to step cleanly over a rail, forwards and backwards.

Before we can gain the horse’s confidence about trusting his foot to our care, we must build up our own confidence. The best way is to do it in short, 3-minute segments, working through a series of thin-sliced questions that might look like the list below for the front feet.

As you play with the slices listed below, you will be collecting feedback on how you feel about each slice, and how your horse feels about each slice. You stay with each slice until the answer to the question is, ‘Yes.’

It could take five minutes to get all ‘yes’ answers with one horse. With another horse, it could take a week or a month of brief 3-minute sessions to get all ‘yes’ answers.

Remember, warmed up muscles will find the strain of standing on three legs and holding up a leg easier.

The rate of reinforcement must allow the horse to be continually successful with what you are asking.

Can I: gently & confidently rub his leg & foot all over with my body extension (stick, pool noodle)? If you can, practice on an experienced horse (or practice on a person) to get the feel for it, if this is new to you.
Will my horse: let me rub his leg and foot with my body extensions? Make sure he is already comfortable with being rubbed over the rest of his body.
Can I: confidently rub his leg & foot with my hand? Start at his withers and rub down only as far as you feel comfortable at that time. Over many tiny sessions, you will get the confidence to rub all the way down.
Will my horse: let me rub his leg and foot with my hand?
Can I: get him to stand so he is balanced before I want to pick up a foot? Have I taught him how to line up squarely to target his front feet to a mat, and/ormove forward and back one step at a time? If not, you want to teach that first.
Will my horse pick up a foot when I ask him to target my hand with his knee … OR slices 7.-9.
Will my horse: take the weight off his right front leg when I run my hand from his withers and down his leg?
Can I: confidently ask him to pick up his foot by touching his chestnut?
Will my horse: pick up his foot when I touch the the chestnut?
Can my horse: keep his balance okay standing on three legs?
Will my horse: let me hold his foot for one second before I release it back to the ground? (Click just before you release, then move to his head to deliver the treat.)
Can I: let my hand and arm holding the foot swing freely with any movement the horse makes with his leg until it stops swinging, at which point I click, gently release the foot and move forward to deliver the treat? (I do this only if I’m feeling safe.) If you feel whole body tension in the horse wanting his foot back, I would release the foot and work on earlier steps. The horse has an emotional block somewhere and we need to winkle it out. (All behaviors rest on an emotional ediface.)
Will my horse: gradually let me hold the foot longer and longer (one second at a time) and stay relaxed until I click&treat?
Will my horse: hold his foot up in a relaxed way for as long as I need it up, waiting for the click&treat?

Boots is targeting her knee to my hand. For the next slice, I would change my body orientation to stand beside her shoulder so when she lifts her foot it is easy for me to ‘catch’ it in my hand.

I build duration of keeping the foot up one second at a time, before I release it gently, followed by a click&treat.

It’s also possible to build duration by reaching back to deliver the treat while holding up the foot. Some people set up a raised tub into which they can toss the treat.

To Make Your Job Much Easier…..

Check out Number 59 in the Blog Contents Quick Links (see top of page), for Counting with the Front Feet. This exercise has the added benefit of developing the horse’s skill of organising his weight to stand on three legs, to a high level.

Successive Approximations and Resets

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The photo above shows one of the approximations we use when teaching trailer loading. Navigating a narrow space alongside the trailer, confidently, is a major step along the way to gaining confidence to enter a trailer.

Successive approximations, simply put, mean that we start with what the horse can offer already and gradually direct and reward each tiny move in the direction of the final behavior we want.

In other words, at the beginning of teaching something new, we click&treat for the slightest approximation of what we want as our final result. Each improved approximation is one tiny slice of the overall task.

When the horse feels ready, we encourage him to do a tiny bit more to gain the click&treat. This whole process of rewarding successive approximations is called ‘shaping a behavior’.

Shaping a Behavior: This is our second session of Free-shaping Head-Lowering

Putting a behaviour on signal/cue: In the next clip, you will see me re-setting the task repeatedly as I show Boots that a click&treat will only be forthcoming if I give the signal/cue for this behaviour, which is dropping my head and shoulders forward. We don’t want the horse forever putting his head down.

Putting Head-Lowering on Signal/Cue

A human example of shaping a behavior is teaching a child to write. The child starts with holding a pencil and using it to make random marks on paper. At some point the random marks become conscious curves and straight lines.

When the time is right, we introduce writing letters of the alphabet. Eventually the child can group letters to make words. Words are then arranged into meaningful sentences. Some children go on to write coherent paragraphs, essays, stories and books.

If the child loses confidence with any of the slices of the process, an element of discomfort creeps in, along with typical avoidance behavior. Not enough practice then results in a poorly shaped skill.

When a horse loses confidence in his ability to understand what we want him to do to earn a click&treat, we get typical avoidance behavior. He shuts down, stops trying – moves away if he can. Keeping the learner’s confidence is the essential role of a teacher.

Writing is an interesting human endeavor that starts at two years old and is still being shaped many years later at high school, tertiary education and beyond. There is always room for improvement.

Another way to look at successive approximations is to think of a sculptor starting with a piece of stone. He works in careful stages until the shape in his mind is visible to the rest of us in the shape of the stone.

In the same way, we gradually tease a series of movements (or stillness) out of a horse to yield the task we want. This is a bit harder than shaping stone because horses have minds of their own!

General Key Points

The more quickly you click&treat, and simultaneously stop any signal/cue, when the horse complies, the faster the horse can learn to recognize just what it is you want.
Once the horse understands your intent, refine your signals/cues and be TOTALLY CONSISTENT with them.
If you keep nagging with a signal/cue by repeating it, you will desensitize the horse and make him disregard the signal. Nagging is an easy habit to get into and hard to break. If the horse does not understand the first time you use the signal/cue, back up in your teaching until he does.
The energy you use to communicate with a signal/cue will change with the situation and what you are asking the horse to do.
To teach with the free-shaping, the horse learns without a direct signal/cue from you to initiate an action because you have set up the environment to make the action you want likely to happen. The horse does the action of his own free will. You mark the action with a click and reward it with a treat. Once the horse offers the behavior reliably, add a signal/cue to it. The signal/cue is usually determined by the nature of the task. It will be unique to you and a particular horse. For the haltering task in the video clip at the end of the blog, I started with the horse’s natural curiosity about the hoop, and shaped the haltering procedure from that.
Just when everything is feeling really good is the time to STOP. Avoid at all costs the urge to do it again to see if we can. Change to something relaxing instead.
One of the key skills of horsemanship is to read the horse accurately to be able to decide on the best activity (or rest) for the moment we are in. It is part of the concept of ‘feel’.
When things go awry (which they will), always go back to where both you and the horse feel confident again, and gradually work forward from there.

When we watch a horse and his trainer perform a complex task, it is not always easy to see the steps the handler took to reach the smooth end behavior. Even if we can find out how the horse was trained, that only tells us about what worked for that horse and that handler.

Here are some questions we have to ask ourselves.

What did the horse know already before learning that task?
How experienced is the handler?
What method(s) of reinforcement does the handler use?
How long have the horse and handler worked together?
How long did it take them to reach this point?
What were the tricky bits along the way?
How often did the horse get confused?
How often did the handler have to go back a few steps and work forward again?

Seeing a horse carrying out a task that grabs our fancy is the beginning of our own adventure. It gives us the inspiration to teach our horse something new. The starting point for any Individual Education Program we set up for a horse will be unique to us.

Here is the definition of thin-slicing again.

Thin-slicing is a shorthand way of saying: split the overall task we want the horse to learn into its smallest teachable parts and teach each part in a way that makes it as easy as possible for the horse to understand.

Resetting a Task

When we teach something new, we are experimenting with our signals/cues and the horse is also experimenting to work out what it is we want him to do. It’s not unusual for things to get a bit complicated and messy.

If either you or the horse lose track of what you are doing, pretend it was perfect, relax (but no click&treat), pause. Count to ten and rotate your shoulders. Then go back to the beginning of the task and try again, starting with your visualization of how a good effort will look and feel.

The magic about pretending it went well (when it actually turned into a mess) is that it dissolves the natural frustration we feel when our communication is not getting through. Horses instantly pick up on the changes in our body when we are frustrated or angry, and will want to move away from the negativity, so any teaching/learning moment is lost.

If we can smile, breathe out and relax our body before the reset, we don’t upset the horse or make him anxious. We simply start again.

When someone tries to teach me something new on a computer or cell phone, they invariably go so fast that I have no idea what they did or what I should be doing. I think that is what often happens with horses.

The following two clips demonstrate teaching with successive approximations. Our sessions were never much longer than three minutes.

First Successive Approximations for Learning to Put on a Halter

In the next video clip, be aware that to make it shorter for easier watching, I cut out the bits where I reach into my pocket, after the click, so it is a bit jumpy. Everyone’s progress will be different.

From the Hoop to the Halter

Thin-Slicing Explained

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Thin-slicing is a shorthand way of saying: Split the overall task we want the horse to learn into its smallest teachable parts and teach each part in a way that makes it as easy as possible for the horse to understand.

As each tiny part of the task becomes ‘ho-hum’ for the horse, move on to the next part. Gradually all of the parts will come together so the overall task is seamlessly carried out with confidence and willingness.

It means starting with the most fundamental lessons and gradually adding complexity, one click&treat at a time, until we have shaped the whole behavior we want.

As each small part, called a ‘slice’, is mastered, we begin to teach the next slice, either separately or as a continuation of the first slice. If taught separately, once the second slice is learned, we link it to the first one.

Proceeding like this, we gradually chain all the slices together until the horse can do the whole task as a continuous movement with one click&treat at the end.

Some tasks, of course, like haltering, saddling or harnessing, mounting up, worming, vet inspection, grooming and foot care, require the horse to stand still.

When we teach these ‘standing still’ procedures, we begin with a release (click&treat) for relaxation during each tiny slice of the overall process. Gradually, as the horse can relax more, we do a bit more before each release (click&treat).

It’s crucial to remember that ‘standing still’ during an unusual situation is not something a horse in the wild would ever do.

Asking a horse to ‘stand still’ while we do all sorts of things to him, is a big ask.

To teach a flight animal to ‘stand still’ on request means we have to actively teach the horse to be inactive.

In other words, the horse learns to be actively inactive. His instinct will be to move his feet if he feels uncomfortable. Good training will give him the trust and confidence to keep his feet still when we ask.

This concept is explored in teaching the art of standing still, or ‘Parking’. It’s important to promptly move to the front of the horse to deliver treat so he doesn’t form the habit of turning toward you. Perhaps start by standing in front of him rather than to the side as in the video clip.

Example 1: Park & Wait

The key to good training of any kind is to keep the horse being continuously successful in his responses to our requests. If the horse understands our request and is comfortable with it, the chances are good that he will respond willingly.

Example 2: Free-shaping standing on a mat.

Example 3: to teach my horse to walk through a square of ground rails filled with squashed plastic bottles (a Horse Agility obstacle that shows up occasionally), I split the overall task into a series of tiny slices. It’s a great exercise to allow the horse to become more confident with putting his feet onto unusual surfaces like tarps, ramps, trailers, bridges, water, balance beams or mattresses.

Example 4: This clip looks at thin-slicing walking through a water obstacle. We start with things the horse is already familiar with. If walking across rails and tarps are new for your horse, that is where you would start and work with until they are ho-hum.

Example 5: This clip looks at free-shaping ringing a bell.

Thin-slicing and consistency are the holy grails of horse training. By using the mark and reward (click&treat) dynamic, we let the horse know what will earn the treat and therefore increase to probability that he will happily do that action (or inaction) again.

ROPE RELAXATION

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ROPES: It’s hard to overemphasize the importance of educating our horses to be totally comfortable with ropes. Our main enjoyment may be to play with our horse at liberty and teach everything using targeting, voice and gesture signals. But sadly, horses in captivity are totally dependent on people for their well-being. Other people may regularly handle our horse or something may happen so that help from other people is needed. In case of fire, flood, or if you are hurt, or your horse must be moved, he will need a solid foundation of rope confidence. If he is sold, we want him to be comfortable with ropes.

If we take our horse out into public places we need him to be relaxed on a lead rope. If we tie our horse up, we have to get him comfortable with that. Rope Confidence includes ropes moving around him, ropes constricting him and ropes touching all parts of his body. The same is necessary if you want to teach your horse long-reining and maybe driving. Sooner or later we are going to drop a rope or rein and it is better if the horse does not see this as a reason to panic, which can lead to running into or over fences, or danger on a road.

#121 HorseGym with Boots in clip called Stick and Rope Confidence shows a way to begin. https://youtu.be/WIpsT4PPiXo

We don’t have to begin with a rope.

There are several elements to Rope Relaxation. #22 HorseGym with Boots in a clip called Rope Relaxation shows some of the elements mentioned in the list coming up. https://youtu.be/6Y34VlUk0Iw

The last part of this clip shows building confidence with dragging ropes.

We want to gain the horse’s confidence to remain parked while we do the following activities.

Swing a second rope (not attached to the horse) near him.
Gently toss the end of a soft rope all over his body, including around behind, under the belly and around the legs. It should feel like horses standing tail to nose swishing flies off each other with their tails. Start with a second rope not attached to the horse, then graduate to using the end of a long lead rope.
When the rope is attached to the horse, make sure you keep a constant drape in the part attached to his halter while you toss the other end around his body. You want to avoid putting touch pressure on the halter.
Toss a coiled rope (not attached to the horse) in the air across him.
Randomly drop a coil of rope (not attached to the horse) onto the ground in various positions around him.

We also want to continue building his confidence with the rope when we:

drag a second rope while we walk along with the horse on a loose lead as in the second video above.
attach a second rope to the horse’s halter which he drags while we walk with him on a loose lead, including walking curves and corners where the dragging rope may touch the horse’s feet or legs, as in the second video above.
If the horse has reason to move when his rope is attached and dragging, we want him to be calm about it.
And eventually, with careful shaping, we can leave the horse ground-tied in different situations.

I’ve created a reason for Boots to walk forward dragging her rope on her own, so if she is ever in that situation, it is not unfamiliar.

Eventually we can practice ground-tying in different situations. The dropped rope and the gesture/verbal WAIT signals tell her that staying in place will eventually earn her a treat.

Here is the link to the complete ‘Ground Tying‘ BLOG: https://herthamuddyhorse.com/2019/10/31/ground-tying/

The Importance of Pause and Wait

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In the photo above, Bridget and Boots are at ‘pause and wait’ while I explain the next part of their task.

How does our horse know when we want him to stand relaxed beside us or when we want him to do something?

It is essential that we learn to manage our body langue to make it crystal clear to the horse when we are asking him to do something and when are in pause/no intent/ relaxed mode.

Horse sensitivity to the body language and intent of others is much more refined than ours because it is their primary language. In humans this ‘reading of body language’ has been dulled because we talk so much.

But we can stop talking and become aware of what our body language is saying to the horse. Body Language includes our orientation to the horse, our energy level, our breathing rate, our heart rate, our body temperature – these all communicate our level of calmness or agitation to the horse. To that we add the intent we hold in our mind.

Once we have a good awareness of our body language, we can begin to use its different aspects to communicate more clearly with our horse.

No Intent

In the photo above I am standing at ‘pause’. My orientation is not directed at the horse, my energy is down. I’m looking nowhere. My hands are quiet laid across my belly. My shoulders are relaxed. My breathing is slowed down, which also lowers my heart rate. My mind is quiet, not thinking of the next thing to do. This posture shows the horse I have no ‘intent’, allowing her to also relax into the ‘wait’ time.

Intent

In the photo above, my body language expresses clear intent that I would like Boots to step across the barrels. My focus is where I want her to go. I’m indicating ‘walk on’ with my outside arm and I’m stepping along with her.

Emotion Exercise

Find a stick and an inanimate object you can hit hard with the stick.

First, hit the object as hard as you can three times. Channel a time when you were angry or frustrated and put those feelings into thrashing the object. Your breathing, blood pressure and temperature will go up.

Second, kneel down beside the object and caress it lovingly. Channel your soft feelings for your horse or any other living creature. When you feel nicely relaxed, go back to hitting the object violently three times. Then kneel down and caress it lovingly.

Repeat a few times. Be sure to do this where it won’t upset your horse, dog, chooks, children, friends, partners, passer-byes or and other farm animal in the vicinity.

Take note of how your emotions mirror your actions. Keep this awareness. Horses need us to be calm and collected, especially when things go awry. If we are not calm and collected then the horse has no chance of being so.

No Intent

We can express ‘pause’ or ‘no intent’ sitting down.

Intent

My energy is up, I’ve asked her to walk with me and and while I maintain the increased energy and keep moving, she will move with me. When I come to a halt, I first drop my energy, release a long breath out and drop my weight down into my butt. And because I’m human, I also say, “Whoa”.

Strongly Reward the Pause or Wait Time

It makes sense to click&treat when the horse moves in the way we are asking. It makes equal sense to reward when the horse can relax into a pause/wait. We are not doing nothing. We are teaching active inaction. It can be difficult for horses to learn when most of their interactions with people caused movement or pain or restriction.

If you have already taught your horse to enjoy putting his front feet on a mat to earn a click&treat, use the mat to start building duration of the pause/wait.

Eventually we can incorporate ‘parking spots’ and have the horse WAIT while we stand in different positions around him. I am in my ‘no intent’ pose in a position where she can see me in her peripheral vision. It takes time to build up the duration. In each new spot start again with a few seconds and work forward from that.

Use a High Rate of Reinforcement

If the horse can stand still for 1 seconds, click&treat. Pay attention to your own body language. Start with whatever time the horse can offer, adding one second at a time before a prompt click&treat. Make sure the horse is not hungry and not needing to move to release pent-up energy.

Keep sessions short enough to maintain calm (you and the horse). Do some ‘pause and wait’ every time you are with the horse.

This video clip looks at using a mat to build duration. Number 9 in the Blog Contents List (link at the top of the page) has a number of detailed videos about using mats.

This video looks at staying parked while the handler moves further away.

A couple of more recent clips.

Precision Leading

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Synchronicity is a fundamental horse behavior. Horses living naturally stay in visual contact and move together. A warning snort by one horse will immediately alert all other horses within hearing. One horse startled into action will immediately be joined by the rest of his group. The body awareness of horses, like that of schooling fish and flocking birds is so acute that even at top speed on uneven terrain they don’t run into each other.

Horse body awareness is so well developed that even in full flight they do not run into each other.
*Photo by Gigi on Unsplash*

It’s possible for us to become part of this incredible sensitivity if we train ourselves to become clear and totally consistent with our body language. Once a horse realizes that our body language is significant and reliable, he tends to watch it closely. If we systematically strive to improve our body language, we will reap the benefits when we lead our horse.

We inevitably need to lead our horses from A to B. We might be leading our horse:

Between paddocks.
Between stable and paddock.
Into and out of stalls.
To and from our training area.
Along a road or track for a walk.
Alongside other horses.
On the uneven road verge or ditch if large or unusual traffic comes along.
Through gates of varying width.
Through a narrow space.
In a new area the horse has not seen before.
Into a familiar area which suddenly has new things in it.
Up and down slopes.
Around obstacles.
Through water.
Across ditches or gullies.
Into and out of a truck or trailer.
Around a vet facility.
Between cars and horse trailers.
Past or among strange horses and strange people.
Past pigs or donkeys or other animals unfamiliar to the horse.
Past loud or aggressive dogs.
Near children.
If we take our horse for walks, we may be in bush or forest with logs to step over, water to cross, other trail users to meet and pass.
If we trail ride, we may have reason to dismount and lead the horse in narrow, unusual and sometimes dangerous places with poor footing.

I’m sure this is not an exhaustive list, but it makes the point that it is definitely in our interest, and in the horse’s interest, to make precision leading part of our horse’s repertoire.

The ‘gates’ in this exercise are pairs of markers set up in a random pattern. The task is to organize the approach to each gate, so the horse can navigate it fluidly. We start with the gates well spread out and roomy to walk through.

I’m using a variety of markers to create a series of ‘gates’. The direction of our body axis is essential information for the horse to know whether he will be going straight, turning toward us or making a counterturn to head toward the next gate (as in video below).

This first short video looks at how we can use clear, consistent changes of our body’s axis as a major signal for the horse.

As always, there are quite a few PREREQUISITES. If you want/need to review any of the key prerequisites, I’ve put direct links to them at the end of this blog.

PREREQUISITES:

Horse responds willingly to ‘walk on’ and ‘halt’ signals in a relaxed manner.
Horse responds to soft rope signals.
Horse backs up willingly with the ‘finesse back-up’ and/or ‘shoulder-to-shoulder back-up‘
The horse understands the significance of the handler clearly changing his/her body axis to indicate direction.

ENVIRONMENT & MATERIALS:

A work area where the horse is relaxed and confident.
Ideally, the horse can see his buddies, but they can’t interfere.
The horse is not hungry.
Halter and lead. A shorter 8-foot lead makes it easier to keep a soft drape in the rope.
A series of five or more gates made with pairs of markers such as cones, tread-in posts, pieces of firewood, rocks, containers of water (5-liter plastic containers of water are especially useful), barrels, jump stands, rags – anything that is safe to use.
Each time we set up this exercise, we can put the gates in a different configuration. The number of gates is only limited by the size of the training area.
Once well established at home, we can expand the idea to new venues.

AIMS:

Handler uses clear, consistent orientation, gesture, voice and halter-touch signals that allow the horse to smoothly navigate through each gate.
Horse begins to seek out the next gate by reading the handler’s body language and gesture signals.
Clear communication for:

Walk on through the gate.
Halt between the ‘gate’ markers.
Halt and back through the gate.

VIDEO CLIP:

#158 HorseGym with Boots: PRECISION LEADING

NOTES and SLICES:

Very short frequent sessions work best. Stay with each slice until it feels ho-hum to both of you.
Before asking the horse to negotiate the gates, walk through them yourself and visualize the order in which you will ask the horse to do them. Also explore the best way to approach each gate from various directions. The less hesitancy in your actions, the easier it will be for the horse to read your intent*. It’s fun, and hugely helpful, to have a second person be your pretend horse. Even better is for you to be the horse and have a friend guide you through the gates using body language only.
Set out five or more gates well spread out, with a good-sized gap for each gate so it’s easy for the horse to walk through.

Walk to each gate in turn and ask the horse to halt between the markers; click&treat each halt. If he wants to stop to sniff and investigate any of the markers, allow him all the time he needs to satisfy his curiosity. Wait with zero intent* for an ‘okay to proceed*’ signal. [Terms with an Asterix (*) are defined in the glossary which you can access through the link at the top of the page.] In this situation, the ‘okay’ signal is when the horse brings his attention back to you. He may also sigh or breath out audibly.
When 1 is smooth, halt in every second gate you come to; click&treat.
When 2 is smooth, halt in every third gate you come to: click&treat.
As the horse shows he is ready to do more, carry on adding one more gate before the halt followed by click&treat, until you can do a whole series with one click&treat at the end of the series.
When 4 is good on one side of the horse, start again with slice 1 on the other side of the horse.
When 4 and 5 feel smooth and light, ask the horse to back up two or three steps after a halt in a gate. Work up to a series of occasional ‘halts followed by a back-up’, in-between walking forward through the gates.
Mix up:
- Walking straight through gates.
- Halting in a gate and walking on.
- Halting in a gate and backing up.
- Trotting through some or all the gates.
- Put gates in different venues and/or use different markers.
We can also use the gate as a stopping place to practice the WAIT.

Pausing in a ‘gate’ to play with increasing the duration of the WAIT GAME.

LINKS TO PREREQUISITES

Zero Intent and Intent: https://herthamuddyhorse.com/2018/11/30/dec-2018-challenge-no-intent-and-intent/

20-Steps Exercise: [#68 in the Blog Contents List] https://herthamuddyhorse.com/2020/09/05/20-steps-exercise/

Smooth Walk-on and Halt Transitions: [#16 in the Blog Contents List.] https://wp.me/p4VYHH-5TT

Soft Response to Rope Signals exercise: [#86in the Blog Contents List.] https://herthamuddyhorse.com/2022/01/03/developing-soft-response-to-rope-rein-pressure/

Smooth 90-degree Turns: [#31 in the Blog Contents List.] https://herthamuddyhorse.com/2019/06/29/smooth-90-degree-turns-handler-on-the-inside/

Smooth Counter Turns: [#35 in the Blog Contents List.] https://herthamuddyhorse.com/2019/09/30/smooth-counter-turns/

Weave Prep – more detail about using our body axis orientation. [My YouTube playlist called Weave and Tight Turns contains more clips about how I gradually developed these skills]: https://youtu.be/dQ4Qkz74pcQ

Finesse Back-Up: [#40 in the Blog Contents List.] https://herthamuddyhorse.com/2020/02/02/finesse-back-up/

Mat Madness

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In the photo above, I’ve asked Boots to put all four feet onto our plywood mat.

With so many new people taking up equine clicker training, I will find some of my favorite blogs from years ago when I started sharing them. The first video clip below demonstrates 22 different tasks we can play using a mat as a focal point. A mat allows us to have a specific conversation with our horse. If we have an exact idea of what we’d like, it is easier to shape the horse toward our goal and reinforce him for each small slice toward the goal behavior. Some further relevant YouTube clips are listed at the end.

Different types of mats are best suited to particular tasks. In this clip we use a plywood board, an old bath mat and pool flotation mat. Rubber door mats are good in that they don’t bunch up like the bath mat does.

The challenge for you is to choose one task and create a training plan to teach the horse as seamlessly as possible. When your first task is mastered, choose another one. Some tasks are much more complex than others. Most of them (but not all) require the horse to know the task before adding the mat into the picture.

Hints: Start with what the horse can already offer. Work in multiple mini-sessions. Three attempts are often ample for one mini-session. Stop when you get a good response or ‘try’. Maybe you can fit several mini-sessions into one longer session when you are doing chores other things with the horse. Work on new tasks one at a time.

Experiment until you and your horse agree on a clear signal for each task. Pay attention to your consistency using the signal. I struggle with staying consistent, but when I achieve it, things suddenly get much better.

Some people life to teach everything at liberty. I like to start most things with halter and lead so I can easily give the horse more clues about what will earn the click&treat, causing less frustration.

List of 22 Tasks: The list below is in the same order as shown on the clip.

1. Horse targets mat as his own idea, at liberty. https://youtu.be/xMaZWt5gK2o

2. Use a gesture to send the horse to a mat.

3. Walk together around the mat before asking the horse to target the mat.

4. Person asks horse to wait, goes to stand on the mat, then returns to the horse.

5. Person asks horse to wait, walks to stand on the mat, then asks horse to recall to the mat.

6. Mat moved to a different venue, encourage horse to target the mat at liberty.

7. Short recall to the mat, handler facing the horse but not standing on the mat.

8. Short back off the mat; handler facing the horse.

9. Back off the mat; handler shoulder-to-shoulder with the horse.

10. Back off the mat; handler behind the horse.

11. Handler on the mat, horse circles to the right and left and halt on the circle.

12. Front feet stay on the mat, yield the hindquarters, from right and left sides.

13. Walk across mat and halt with hind feet on the mat.

14. Yield hindquarters off the mat, from right and left sides.

15. Yield hindquarters onto the mat, from right and left sides.

16. Yield forequarters off the mat, from right and left sides.

17. Yield forequarters onto the mat, from right and left sides.

18. Left front foot onto a mat.

19. Right front foot onto a mat.

20. Right hind foot onto a mat.

21. Left hind foot onto a mat.

22. Handler in front of the horse, ask horse to back both hind feet onto the mat.

These clips may also be helpful or interesting.

#9 HorseGym with Boots, Putting the Mat Target on Cue (on Signal). https://youtu.be/eEGayCdECeQ

#10 HorseGym with Boots, Generalizing Mats. https://youtu.be/wdptBQ0EtK4

#11 HorseGym with Boots, Mat-a-thons. https://youtu.be/Lj9xrwVtRUQ

#15 HorseGym with Boots, Parking with Duration & Distance. https://youtu.be/CYJwu-CyIVE

Starting with a Shy or Timid Horse

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Introduction

It’s tempting to think of horses as big, strong creatures – which they are. But in reality they are just giant squirrels, constantly on the lookout for danger and aware that flight is their best response to anything unusual. So building confidence with every new situation is everything.

Eternal vigilance is what keeps prey animals alive.

A Familiar Feed Dish

Using a familiar feed dish can help if we are working with a shy or timid horse, or one unused to humans. We can use free-shaping to capture the behavior of taking a treat from the feed bucket. If he is not yet interested in eating carrot or apple strips, use handfuls of soaked chaff or whatever bucket-food he is getting, or twists of good quality hay, or freshly plucked long-stemmed grass if you have access to this.

Here is the Thin-slicing for a Possible Training Plan.

Place the feed dish between you and the horse. The horse’s response will show you how close you can be without causing him to move further away.
While watching the horse, be careful not to stare directly at him, but to turn a bit sideways to him and observe him discretely with your peripheral vision.
Wait in a relaxed manner until the horse looks at the feed dish – click and quietly move to the feed dish and toss in a treat. Then immediately move twice as far away as your former position, giving the horse more than the personal bubble size he needs to feel safe enough to approach the feed dish. It’s good if the treat makes a sound when it hits the dish. If the wait time is quite long, take a chair. Sometimes a person sitting in a chair is less threatening than a standing person.
Wait for the horse to retrieve the treat. If he can’t do it yet, move further away or go do something else and come back later. He’ll usually check the dish while you are away.
Approach the feed dish until the horse moves away (if he hasn’t already). As soon as the horse stops moving away, stop as well and shift your body sideways so you are not directly facing him. Watch for him (without staring at him) to look at the feed dish – click as soon as he does and quietly move to the food dish and toss in a treat, then glide away again to a distance that respects the horse’s current personal bubble.
Repeat 10-20 times or as long as the horse shows interest. He will gradually begin to connect the click with the food treat about to be tossed into his dish.
Each horse is different. Some horses easily shrink the size of the space they need to feel safe and soon approach the dish readily. Others will find it harder to build confidence.
It’s possible to do this procedure on the other side of a fence from the horse. This is protected contact for us, but it can also make the horse feel safer from his point of view.
Gradually we can shift the ‘click point’ to wait for a step toward the food dish, then sniffing the food dish. At the same time, we may be able to gradually decrease the distance we have to move away before the horse will retrieve the treat.
Eventually we can sit in a chair with the bucket near us, then right beside us, then on our lap and the horse will come to retrieve his treat from the bucket.
From there, we can introduce our hand into the bucket and get him used to the idea that he can pick food off our hand.
Eventually we can dispense with the bucket.
It’s essential to work with each horse’s timeline, no matter how long it takes. Each horse is unique. If we give him the time it takes to make up his own mind that approaching the dish (and eventually us) results in good things, he will have a positive outlook to our presence.

The treat has been dropped into the green bowl and now the person will move away just a step or two because the horse is confident enough to come to the bucket as soon as he knows a treat has been put into it.

The Twirl and the Whole Sequence

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INTRODUCTION

In the photo above I am doing my twirl at the same time as Boots is doing her twirl. She is always careful to keep an eye and ear back so she knows where I am. As soon as she comes around to face me again she earns a click&treat.

The ‘twirl’ in this context is a turn on the forequarters. A ‘spin’ usually describes a turn on the hindquarters.

It’s great fun to recall our horse and ask him to do a twirl as he comes in. Once Boots knew this task, she enjoyed showing it off, at walk and trot.

The Twirl is the last task of the dance sequence we worked on for the year. Now we can chain all the tasks together. At first we did the tasks in the same order each time. Eventually we could mix them up.

AIMS

To have the horse able to remain calm and connected when we touch a rope to his legs and wrap a rope around his body.
As the horse recalls at liberty, we have a signal for the horse to do one or more twirls during his approach.

PREREQUISITES

As usual, we must have each of the prerequisites in excellent shape so we can smoothly build this multi-part task.
Horse is relaxed with a long rope moved along and wrapped around his body and tossed over his head. #22 HorseGym with Boots: Rope Relaxation. https://youtu.be/6Y34VlUk0Iw. And #121 HorseGym with Boots: Stick & String Confidence. https://youtu.be/WIpsT4PPiXo
Horse and handler have developed a good WAIT. Number 65 in my Blog Contents List. (The link to this is at the top of the page).
Horse responds readily to handler’s ‘recall’ signal. Number 90 in my Blog Contents List. This training plan details mainly teaching the recall. https://herthamuddyhorse.com/2022/05/01/recall-back-up-in-rhythm/. Also: Simple Recall Part 1 at https://youtu.be/XuBo07q8g24. And #240 HorseGym with Boots: Wait and Recall. https://youtu.be/_gxXZ7J7eAE

VIDEOS

#256 HorseGym with Boots: Teaching the Twirl. https://youtu.be/tenhwp6tQmI

MATERIALS AND ENVIRONMENT for THE TWIRL

A training area where the horse is relaxed and ideally can see his buddies, but they can’t interfere.
Horse is not hungry.
Horse and Handler are clicker savvy.
Horse in a learning frame of mind.
Handler is relaxed.
Halter and long lunge line or similar, long enough to wrap right around the horse.

NOTES

As with all our training, this is a task to build up slowly over time, so the horse looks forward to it because it results in a click&treat that he enjoys.
Two or three repeats each training session is plenty. Over weeks and months, it will become a solid part of your repertoire.
If things don’t go well, work out which of the prerequisites needs more development. Complex interactions with our horse simply consist of the basics done really well.
The beginning of video #256 shows a fun way of doing a twirl using a food lure. But I don’t recommend this. To teach a twirl while the horse is moving toward us, or even from a halt standing in front of us, it is much easier for the horse to understand if food only appears at the end of the twirl via a regular click&treat.
Often the most recent thing we are working with becomes the horse’s favorite thing to show off. Be aware that your horse may want to show off his twirl when you are not prepared for it, especially if other people are nearby. He can run his butt into you without meaning to. Also, other people might be threatened when the horse offers to move his butt this way. In other words, be prompt about putting the twirl ‘on signal’ or ‘on cue’. Don’t reward it unless you’ve asked for it.

SLICES

Once the horse is comfortable with a rope touching him all over his body (Prerequisite 1), attach one end to his halter and bring the rope around behind him and along his other side as shown in the video clip.
Ask the horse to wait with the rope around him. Click&treat staying at zero intent, starting with one second and building up to about five seconds.
Face the horse and introduce an arm/hand gesture and a voice signal as you apply a halter touch signal via the rope to cause the horse to turn away from you and turn on the forehand until he faces you again. Click&teat (major celebration).
Each session with the horse, repeat 3 above two or three times. As the horse begins to recognize your arm/hand and voice signals, ease off on the halter pressure via the rope until you no longer need to use it.
Ensure that your basic RECALL is smooth (Prerequisite 3).
When 4 above is smooth, play without the lead rope and slot in a little recall before you ask for the twirl. If it falls apart, simply and quietly reset to using the wraparound lead rope again, as lightly as possible. Horses learn at different rates and handler skills are variable. Usually if we strive hard to perfect our own skill with giving clear, consistent signals, the horse magically improves.

GENERALIZATIONS

Play in different venues.
Play on a slope.
If the horse keenly recalls at a trot, ask for a twirl before he reaches you. Boots would happily fit in two or three twirls, one after the other, before reaching me.
Do half a twirl and morph it into a back-up. This was an interesting Horse Agility challenge from www.thehorseagilityclub.com. Here is the clip:

The Whole Sequence Clip

#281 HorseGym with Boots: All the Slow Dancing Tasks https://youtu.be/mDjUAH6jzbA

The Balancera Exercise

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INTRODUCTION

In the photo above, Boots and I are walking a few steps forward shoulder-to-shoulder. We will then pause forward movement and step backwards an equal number of steps remaining shoulder-to-shoulder.

Horses have an inherent ability to move in synchronization with each other. We can play with this wonderful ability. One way is to devise an exercise where the ‘walk on’ signal balances smoothly with the ‘back up’ signal.

This is fun to work with once both our ‘walk on’ signals and our ‘back up’ signals individually result in fluid moving together shoulder-to-shoulder. We simply bring those two tasks together to form a sequence of dance steps.

We pause forward movement momentarily, so the horse’s body has time to organize itself to step backwards. It can look and feel rough at first, but by spending a short time with it often, the change-over can become calm and polished.

AIM

To fluidly change from walking forward to backing up, staying together in the shoulder-to-shoulder position.

PREREQUISITES

Horse responds willingly to ‘walk on’ signals when the handler is beside his neck/shoulder. See Number 16 in my Blog Contents List: Smooth Walk-On and Halt Transitions. (Access my Blog Contents List via the tab at the top of the page.)
Horse understands touch, voice and gesture ‘back-up’ signals. See Number 40 in my Blog Contents List: Finesse Back-Up.
My Playlist: Backing-up (in my YouTube channel: Hertha Muddyhorse), has further clips which show teaching the back-up in a variety of ways. Click here.

VIDEOS

There is a third video at the very end of the blog.

#173 HorseGym with Boots: Balancera Clip 1 of 2.

#174 HorseGym with Boots: Balancera Clip 2 of 2.

ENVIRONMENT & MATERIALS

A work area where the horse is relaxed and confident.
Ideally, the horse can see his buddies, but they can’t interfere.
The horse is not hungry.
Halter and 8-foot lead (kept loose as much as possible, as we want to use body language for communication, not rope pressure).
A selection of barriers toward which we can walk the horse and ask for ‘halt’.
A safe fence or similar to work beside.
Materials to build a simple dead-end lane. You may have a corner or a fence and an open gate to use as two of the three sides of a dead-end lane.

NOTES

* Boots’ demonstrations on the videos is the sum of many short sessions over a long time. When teaching something new, we stay with each slice of the task until it feels easy and smooth, then move on to add in the next slice.
* Whenever anything feels ‘broken’, go back to the slice where both the horse and the handler feel confident, and work forward from there again. Click&treat at a rate that keeps the horse continuously successful at earning his next click&treat.
* Teach everything again (from the beginning) on the other side of the horse. You can do this with each slice, or you can get it all good on one side and then repeat all the slices on the other side.

SLICES

Check you can ‘walk on’ together fluidly, staying in position shoulder-to-shoulder.
Check you can ‘halt’ together fluidly, staying in position shoulder-to-shoulder.
Set up a lane and walk the horse through it in both directions. Horse is in the lane, handler on the outside.
When 3 above is ho-hum, walk the horse into the lane and ask for a halt about halfway along; click&treat.
Repeat 4 above, asking the horse to wait a second longer before the click&treat, until he comfortably waits up to 4 or 5 seconds.
Block off the lane with a barrier about half a horse’s length inside the lane. Walk the horse into the lane and halt at the barrier; click&treat.
Hold the rope in the hand nearest the horse. Lift your rope hand straight up and jiggle the rope lightly to put a distinctive touch signal on the halter. If you have taught a voice ‘back’ signal, use that as well. At first, watch for any movement backwards, even a body shift back, to click&treat. Since the way forward is blocked off, it will make sense to the horse to step back.
Repeat 6 and 7 above, gradually building up to several steps back.
Once 8 above is good, block off the lane a little further along in stages until the horse is halting right inside the lane. Repeat 6 and 7 above aiming for a fluid, confident back-up out of the lane.
Now we want to switch the halter-jiggle signal to a hand signal. At the same time as you lift the rope hand (nearest the horse) straight up to jiggle the rope, lift your outside hand to the horse’s eye level and make a backward gesture with it. Also use your “back-up” voice signal. Click&treat for stepping back. Return to click&treat for just one or a few steps at first, then gradually all the steps needed to exit the lane.
Repeat, using the outside hand and voice signals BEFORE you lift your rope hand to put jiggle energy into the halter. The moment the horse begins to step back, stop jiggling the rope but ask for another step or two with the outside hand and voice signals.
When the horse moves back readily with just your outside hand gesture and voice signal, fade out the rope-jiggle. It’s there to be used in times of need.
Now we want to combine the steps forward, pause, steps backward with one click&treat after doing both. Walk into the lane, halt at the barrier, signal for the back-up; click&treat for any back-up that is offered. Because we are introducing new complexity (changing a parameter), we relax our criteria for number of steps back.
Gradually, over many very short sessions that always end on a good note, ask for more steps back after the halt before you click&treat. Work up to about 10 steps.
When 14 above is in good shape, practice with a lane of ground rails. Still have a barrier at the front (e.g., a fence). Most horses usually veer right or left when they back up, due to the natural asymmetry of their bodies. One hind leg pushes off harder, so their hind end will veer away from the stronger leg.
By frequent backing through a lane of ground rails, we help the horse organize his body to stay straighter. I regularly use this task as part of our gymnastic work.
Practice with a barrier only on the far side of the horse. This gives you another opportunity to note which way his hind end tends to veer.
Generalize by halting facing a fence or any free-standing barrier, then backing up without the prop of a lane.
When you feel the time is right, ask for a halt away from any barriers, followed by a back-up. Celebrate hugely when you get this. Done with finesse, the horse becomes light and keeps his full attention on your body language so he can maintain the synchronization. I always click&treat after this task.
Gradually build up to 10 steps forward (click&treat) and 10 steps back (click&treat) but vary the number of steps each time you do it. Work toward this over many short sessions.
Once 20 above is smooth, begin the actual Balancera exercise. We’re changing a parameter, so start with about 3 steps. Ask for 3 steps forward, then three steps back before the click&treat.
When 21 above is good, ask for 3 steps, 2 steps, then 1 step forward and back before the click&treat. This is the Balancera. With frequent short practices, the horse becomes more adept at shifting his weight from forward to backing up. This takes considerable energy and effort, so treat it gently. The horse will soon realize that the click&treat happens after the 1 step forward and back, even when you start with ten steps.
When 22 above is smooth, gradually ask for more steps to begin with, then reducing by one step until you are doing one step forward and one step back; click&treat.
Most of all, keep it fun. Stay within the horse’s ability that day.

The Spiral

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INTRODUCTION

Horses on their own tend to move in straight lines unless they are engaged in play or disputes. But they move a lot as they graze and to access water. A study of wild horses in Australia found that mostly they walked. Sometimes they trotted. Occasionally, they cantered or galloped.

Horses in captivity often have restricted freedom of movement. Anything we can do to encourage movement adds color to a horse’s day. This spiral exercise is an interesting task we can make part of our repertoire. It encourages and maintains flexibility.

Horse can only bend laterally (to the side) in three places on their body. (1) from the junction of head and neck and along the neck muscle. (2) at the base of the neck. (3) Between the final lumbar vertebra and the sacrum which consists of five fused vertebrae. Bend in this last area is extremely limited.

The ‘haunches in’ exercise develops the little bend possible between the last lumbar vertebra and the sacrum by the horse learning to stretch a hind leg to step well under the belly as in the next photo.

Horse doing her best to keep her whole body on the arc of the tiny circle she is walking around me. She is placing her right hind leg as far under her belly as she can.

As with all the other tasks that we teach, the key is to do a little bit often. Over weeks and months, the horse’s suppleness will gradually improve and can easily be maintained with frequent short repeats of a variety of stretching tasks.

AIM

The horse moves in a tight curve around the handler who turns on the spot.

PREREQUISITES

Horse and handler smoothly walk together in the shoulder-to-shoulder position with the handler on either the right or left side of the horse. See numbers 16 and 68 in my Blog Contents List at the top of this page.
‘Rule of Three’, which is a way to organize training sessions to maintain high interest and motivation. See Number 46 in my Blog Contents List.

VIDEO

#273 HorseGym with Boots: The Spiral. https://youtu.be/sQ-ELVlIzZA

MATERIALS AND ENVIRONMENT

A training area where the horse is relaxed and ideally can see his buddies, but they can’t interfere.
Horse is not hungry.
Horse and handler are clicker savvy.
Horse and handler in a relaxed frame of mind.
Halter and lead for the teaching phase.
An object to mark the center of a circle.

NOTES

* Start with as large a circle as the horse finds comfortable. If he starts to swing his hindquarters out of the arc of the circle, the circle is too tight for the horse’s current ability to flex laterally.
* Short sessions as often as possible, as well as exercises such as weaving obstacles, figure 8’s, 90-degree turns (Number 31 in my Blog Contents List) all help with lateral flexion.
* Playing with 180-degree turns also helps (Number 23 in my Blog Contents List).
* Click&treat as often as you need in order to keep the horse interested and engaged.
* The horse may be much stiffer in one direction. If one side seems especially difficult for him, check out the possibility of current soreness or historical injuries.

SLICES

Set a marker (not a mat that the horse expects to stand on) into the center of your training area.
Walk the horse in a large circle around the marker with you on his left side, which means your circle will be walking anti-clockwise.
Very gradually reduce the size of the circle each time you come around, in a gradual spiral fashion.
Watch carefully for the point at which the horse’s hind end is no longer following the arc of the circle. That tells you when he is beginning to find it too hard. We don’t want him to develop the habit of swinging his hind end out, so when you reach this point, spiral your circle outwards again.
With frequent short repeats, done amongst other things you are doing with your horse (see Rule of Three – Prerequisite 2), you will be able to gradually achieve tighter circles with the horse keeping his whole body aligned on the curve.
Remember, horses have extremely limited bending at the hip area. In the video you can see how Boots moves her outside leg way to the side so she can draw her inside leg well under her belly to keep herself on the curve of the circle.
When you can turn on the spot beside the marker with your back against the horse’s shoulder, while the horse curves around you, you have achieved the task.
Repeat from the beginning on the horse’s right side. As mentioned in the Notes, you may find one side much stiffer.

GENERALIZATIONS

Play without a marker but in the same area.
Play at liberty.
Play with it in novel venues.
Play on a slope.

Recall to Heel

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INTRODUCTION

This is a fun task we often teach our dogs. We call the horse toward us, then ask him to walk past our side, turn 180 degrees behind us and slot into the ‘heel’ position on our opposite side.

In the photo above, Boots has walked toward me, passed my left shoulder and is about to slot herself into position standing beside my right shoulder.

In the photo below, Boots has walked toward me, passed my right shoulder and is about to slot herself into position standing beside my left shoulder.

Boots is about to step into position beside my left shoulder where she will earn her click&treat. To make it easier for her I can move forward a step or two.

AIM

The horse walks to us, then past us, turning behind us to end up standing beside our shoulder.

PREREQUISITES

Horse and handler have developed a good WAIT. Number 65 in my Blog Contents List which you reach via the tab at the top of the home page.
Horse responds readily to handler’s ‘recall’ signal. See Number 90 in my Blog Contents List: Recall and Back Up in Rhythm.
Horse understands ‘walk on’ voice and gesture signals. See Number 16: Smooth ‘Walk On’ and ‘Halt’ Transitions and Number 68 in my Blog Contents List: 20 Steps Exercise. We want this in place so we can ask the horse to walk past us and around, rather than coming to halt in front of us.
Horse has perfected the 180-degree turn. See Number 23 in my Blog Contents List: 180 Degree Turns.
Horse and handler have developed clear WHOA signals in a variety of situations. See Number 33 in my Blog Contents List: Willing Response to a Voice Halt Signal.

VIDEO

#274 HorseGym with Boots: Recall to Heel. https://youtu.be/Giut6wim9KE

MATERIALS AND ENVIRONMENT

A training area where the horse is relaxed and ideally can see his buddies, but they can’t interfere.
Horse is not hungry.
Horse and Handler are clicker savvy.
Horse in a learning frame of mind.
Halter and 12′ (4m) light lead-rope to start with.

NOTES

* Have the horse warmed up before asking for 180-degree turns.
* You can also teach this using a target, but as is often the case, phasing out the target can present its own challenges if the horse’s mind is fixated on following the target. I prefer to teach with gesture, body language and voice signals, helped at first with a lead rope.
* Check that your WAIT is in good shape.
* Check that your RECALL is in good shape.
* Check that your WALK ON gesture and voice signals are in good shape.
* Check that your WHOA is in good shape.
* Check that your 180-degree turns are in good shape and the horse knows your voice signal for turning (I use “Around”).
* Devise a signal for asking the horse to walk on past you rather than halt in front of you. Practice this with another person standing in for the horse so you can get it fluent. I adapt my WALK ON arm/hand gesture that I use for walking on when we are shoulder-to-shoulder and that seems to work okay.
* I use a halter and lead to initially teach things like this. I can use the lead rope to indicate that I want the horse to walk past me and then turn behind me. That means he never gets confused about what will earn his next click&treat. Once the horse realizes that the click&treat happens when he shows up on my other side, the lead rope is no longer necessary.

SLICES

Halter and light lead on the horse.
Ask the horse to WAIT while you walk a few steps away in front of him. Turn, pause, then ask for a RECALL.
Before the horse reaches you, signal with gesture and voice that you’d like him to walk on past you. As he does, step forward so it is easy for him to make a U-turn behind you. Then walk a couple of steps forward to draw him into a nice position alongside your opposite shoulder: click&treat.
Teach it consistently on one side and when that is smooth, teach again from the beginning on the other side.
As the horse gets fluid with this task, you can gradually not step forward as he comes around. But if he gets lost, always resume stepping forward so he is not ‘wrong’.

GENERALIZATIONS

Work at liberty.
Work in new venues.
Work on a slope.
Recall across rails or through a gap/tunnel or over a tarp.
Teach moving into the heel position after a recall without stepping around behind the handler.

Line Dance Face-to-Face

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INTRODUCTION

Horses move sideways by crossing one pair of feet while the other pair is spread.

The hind feet cross over while the front feet are apart.

Moving sideways in rhythm is not something horses do much in their everyday life. It may therefore take the horse a while to get his legs organized smoothly when we first teach this movement.

You can get a sense of how it feels if you step sideways crossing your legs. While your legs are crossed, spread out your arms. While your legs are apart for the next step, cross your arms. If you’ve never done this before, it is tricky to synchronize at first. Horses have to adjust four legs. I’ve seen horses needing to think hard to get this sorted, so be especially patient and celebrate small successes.

We usually first teach sidestepping in position beside the horse, facing his ribs and asking the front and rear ends to move over independently. We gradually build up this skill until we can ask the horse to move first hind end and then front end – in rhythm, ideally keeping his body in one plane (Prerequisite 1).

Moving sideways encourages suppleness via gymnastic stretching of the muscles. It helps develop the horse’s spatial awareness, his foot awareness and his body awareness.

Sidestepping is useful for safe maneuvering on the ground – negotiating gates and for asking the horse to line up with a mounting block for mounting and dismounting.

It is also a fun maneuver to add into our slow-dancing routine.

AIM

Sidestepping to the left and right with the handler in front of and facing the horse.

PREREQUISITES

Usually we first teach sidestepping facing the side of the horse. For sidestepping away we teach touch and gesture signals at the girth area.

In case you have not yet taught basic sidestepping, Number 29 in my Blog Contents List (link at top of page) presents a detailed training plan for teaching sidestepping with the handler beside the horse as in the photo above.
Horse is relaxed with touch signals given with our hand or a body extension (stick). See #87 HorseGym with Boots: Relaxation with Body Extensions. https://youtu.be/nkwxYwtCP_Y

VIDEO CLIPS

This clip demonstrates a way to teach sidestepping while face-to-face with the handler. #276 HorseGym with Boots: Line Dancing Face to Face. https://youtu.be/wc53IZfUBkc

This next clip puts together the first five tasks of the Slow Dancing routine.

#277 HorseGym with Boots: First Five Dance Moves. https://youtu.be/UW_oE85ZhsM

ENVIRONMENT & MATERIALS

Work area where the horse is relaxed.
Ideally, the horse can see his buddies, but they can’t interfere.
Horse is not hungry.
Handler in a relaxed frame of mind.
Low barrier between horse and handler, a few meters long.
Halter and lead.
Stick to act as a body extension.
Horse well warmed up before asking for these yields.

NOTES

Some people may prefer to have the horse target ribs to a body extension rather than move away from a touch signal given by a body extension. I use the ‘moving away from a touch signal’ because it is easier to give the horse a clear signal while maintaining the position in front of the horse. As well, it’s usually the signal taught as a riding signal for moving sideways.

2. It is also much easier to morph the stick gesture into an arm gesture rather than try to fade out a long hand-held target. I soon didn’t need the stick. I then gradually toned down my arm gesture as the horse learned to tune in to my intent and my body language of crossing over my own feet plus a voice signal, “Across” and the direction of my body moving.

3. I like to begin new tasks with a rope and halter but use touch on the halter via the rope as little as possible. The halter and lead are there in case the horse needs clarity about what I am expecting him to do. After a while I lay the rope over the horse and when that is all smooth I work at liberty.

4. Most horses will find this easier on one side. Aim to eventually become equally smooth on both sides. Check out Right-Side Neglect* and Right-Side Anxiety* in the Glossary.

5. At first, be happy if he can only sidestep with his body at a 45-degree angle to the barrier. With frequent short practices, he will develop the muscles and flexion to be straighter. What you see Boots doing in the video clips has been built up over many years with frequent flexion practice in different guises.

6. It’s important to warm the horse up with general activity before asking for yields like this.

7. If the horse shows resistance to a specific move, it is essential to get muscles and joints checked out. Arthritis and/or past injuries may restrict or severely limit certain movements.

8. As we gradually develop and then maintain these sidestepping exercises, our horse’s flexibility will gradually improve.

9. Doing a little bit often gives the most reliable results. As usual, we are teaching a habit in response to a signal. We never want to make the horse sore or reluctant.

SLICES

Find or set up a low barrier a few meters long. In the video I used a long plank, but a low fence or a rope/tape between two tall cones or other uprights would do the job.
The handler is face-to-face with the horse, with the low barrier between them. Gently use a long stick to create a touch/gesture signal at the girth area to ask the horse to sidestep from left to right, away from the touch/gesture signal.

At first, click&treat for any inclination to step sideways. As the horse catches on to the idea, gradually ask for more until you are able to click&treat every time the horse reaches the end of the barrier or markers you’ve set up. The end of the barrier gives the horse two ‘destinations’ where he knows he will stop and get his click&treat. Like us, horses like to know what is going to happen before it happens.

3. Repeat 2 above going from right to left.
4. Repeat 2 and 3 above until the horse is smoothly sidestepping a few meters to both the right and left. As mentioned in the notes above, he may find one side harder. Accept what he is able to do and work gradually from there.
5. When 4 above is ho-hum, use ground rails as a barrier between you and the horse. The purpose of the barrier is to let the horse know that stepping forward is not part of the task.
6. When 5 is good, ask the horse to step the front feet across the ground rails and ask him to sidestep along the ground rails. This will help him stay straight rather than inch forward or backwards.
7. When 6 is smooth, ask for sidestepping face-to-face with no barrier between you.
8. When communication is excellent, play in different venues.
9. When it all feels ho-hum, play at liberty.

GENERALIZATIONS

Play at liberty
Play in different venues
Play on a slope

Develop ‘the box’ exercise as in this clip. The clip was made a while ago when I first taught Boots about sidestepping with me while I was facing her: #275 HorseGym with Boots: Thin Slicing ‘The Box’ Movement. https://youtu.be/1CiUBJQf-JM

RECALL & BACK UP IN RHYTHM

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INTRODUCTION

Having smooth ways of asking a horse to back away from us and to come toward us on request is worth its weight in gold. We teach each of these separately and then meld them together into rhythmic dance steps to use as a suppling exercise.

AIM

The horse distinguishes clearly between our signals for backing up and coming toward us (recall) and readily repeats a few steps of each in a rhythmic fashion.

PREREQUISITES

Horse has learned a solid WAIT. See Number 65 in my Blog Contents List at https://herthamuddyhorse.com/2020/12/16/the-wait-game/
Handler has developed clear, consistent back-up signals so the horse backs up readily when face-to-face with the handler. See Number 40 in my Blog Contents List for details about teaching backing up. https://herthamuddyhorse.com/2020/02/02/finesse-back-up/

VIDEO

#271 HorseGym with Boots: Recall & Back with Rhythm. https://youtu.be/7TVgr6_oXlI

The next clip puts together the first four slow-dancing moves we’ve worked on: Bow, Line Dance in position, Do-si-do to change sides, Rhythmic back-up and recall.

MATERIALS AND ENVIRONMENT

Handler in a relaxed frame of mind.
Two or more rails. Low markers at the ends of the rails can be helpful at the beginning. A safe fence is also helpful to keep the horse straight.
Halter 12′ (4m) long, light lead during the teaching process.

NOTES

Before starting this task, we need a solid WAIT (Prerequisite 1).
We first teach a solid face-to-face back-up in a variety of situations using a high rate of reinforcement, so it becomes a favorite task for the horse. Ideally, we do a little bit every time we are with the horse (Prerequisite 2).
The slices in this training plan outline teaching the recall and then putting the recall and back-up together in a rhythmic way.
Teach everything on both sides of the horse.
Use a rate of reinforcement that keeps the horse continually successful.
Essential to keep a float (smile) in the rope unless using it momentarily to clarify our intent for the horse.
Keep sessions short in among other things you are doing with the horse.

SLICES

Set up your rails (or hose or rope) as in the photo in the Introduction. Use a fence on one side if you can.
Walk the horse parallel to the ground rails furthest from the fence, while you walk between the rails and the fence. At the end of the rails, ask him to make a U-turn toward the fence and step into the lane created by the fence and rails. Walk backwards to draw the horse to you. Click&treat when he reaches you. The fence will encourage him to make a precise U-turn rather than a loose and sloppy one. Set the width of the gap to suit the horse’s current flexibility.
Gradually send him around the end of the rail from further away, as illustrated in the video clip, until you can stay with your feet stationary at one end of a rail.
As he makes each U-turn, add a consistent voice signal. I say “Around” for the turn.
As he begins to come toward you, develop a clear, consistent body language signal and a voice signal. I say “Come In” for the recall and bring both arms forward and down to make a round shape with my arms.
When it all feels smooth, use a pair of rails away from a fence.
When 6 is ho-hum, use just one rail.
When 7 is ho-hum, use just a low marker to send the horse ‘around’.
Now we want to tidy up our WAIT task so we can ask the horse to stay parked while we walk away – so we can recall him (Prerequisite 1).
Once the recall is solid in lots of situations, we want to either teach or polish our back-up while we are face-to-face with the horse (Prerequisite 2).
Once we have clear, consistent back-up body language and voice signals established, and the horse responds willingly, we can begin to put the back-up and the recall together in a rhythmic fashion.
Set up two parallel rails about a meter apart. Ask the horse to wait at one end of the rails; click&treat. Then ask him to recall between the rails; click&treat. Walk a loop together and repeat a couple of times.
Ask the horse to walk between the rails and halt between the rails. Then ask him to back up a step or two; click&treat. Then another step or two; click&treat. Then recall him forward again, between the rails. Walk a loop and reset a couple of times.
When it feels right, ask for a recall; click&treat, then ask for a back-up; click&treat. Work with just a few steps at first. As the horse becomes more adept, gradually increase the number of steps, but stay within the horse’s ability.
Ask the horse to walk with you almost all the way through the lane of rails so you can ask for the back-up first; click&treat. Then recall; click&treat.
Once 15 is smooth, chain together one back-up and one recall before the click&treat (or one recall and one back-up).
Work toward chaining two repeats of back and recall. Then maybe three repeats before the click&treat. But always stay within the horse’s capability. Rushing will wreck things.
When it is ho-hum using the parallel rails, do the task without them. Go back to Slice 14 and work forward from there.

GENERALIZATION

Play with it in different venues.
Play on a slope.
Add one or more rails which the horse crosses during the recall and back-up.

Dancing the Do Si Do

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INTRODUCTION

Once the horse and handler have mastered smooth forequarter yields and smooth hindquarter yields, we can build the DO SI DO. It consists of asking for a hindquarter yield first. Then, as the horse’s hind end is moving away, we stand upright and move back slightly so the horse brings his head through, and we end up in his other eye.

It is a way of changing sides by the horse doing the moving. Once that is achieved, we add a yield of the forequarters.

If the horse’s lifestyle keeps him supple, this series of movements is a good stretching and bending exercise. If the horse finds it hard, we have useful feedback to use in our planning.

AIM

The horse is able to execute a smooth 360-degree hindquarter yield followed immediately by a smooth 360-degree forequarter yield.

PREREQUISITES

Horse and handler agree on signals to yield the hindquarters. See Number 83 in my Blog Contents List.
Horse and handler agree on signals to yield the forequarters. See Number 84 in my Blog Contents List.

VIDEOS

#270 HorseGym with Boots: Do Si Do. https://youtu.be/EJ2w_sX_uOk

MATERIALS AND ENVIRONMENT

A training area where the horse is relaxed and ideally can see his buddies, but they can’t interfere.
Horse is not hungry.

NOTES

Use a rate of reinforcement (how often you click&treat) that allows the horse to easily work out exactly what he has to do to earn his next click&treat.
As the horse begins to understand the sequence of movements, gradually move the click point along until eventually there is one at the end of the whole series of movements.
Whenever the horse gets ‘lost’, immediately return to click&treat for what he can do and work forward gradually from that spot.
Do a little bit often, as this is hard work for the horse.
Be aware that when we give signals with the non-dominant side of our body, they may not be as clear and precise as when we use the dominant side of our body. We can improve this once we are aware of it. In the same way, the horse may find yielding in one direction more difficult. If you notice a difference, begin teaching using the direction he finds easier. Later, do a few extra repeats on the difficult side.

SLICES

Ask the horse to yield is hindquarters with body language, energy and a gesture signal (and voice if you like – I use the word “Away”) about a meter out from his side. Move along with him, keeping your relative position and using ‘constant on’ signals (body orientation, arm gesture and energy) until you want him to stop (at which point you stand up straight and stop all signals). Click&treat.
Click&treat each single step away at first, then gradually work toward click&treat for a full 360 turn. How long it all takes to get smooth with this part of the task depends on previous training and how clear our signals are.
At some point, stop following the hindquarters around, stand upright in one spot and move back a bit so that the horse can bring his head through the space in front of you, which puts you on his other side – in his other eye. Click&treat. Spend the time (via many short sessions) to get this part smooth.
Teach 1-3 above from the beginning on the horse’s other side. He may find one direction harder.
When 1-3 above are in good shape, gently build and consolidate your forequarter yield by itself until you have a smooth 360-degree turn on the haunches. Start with click&treat for one good step and build from there.
Repeat 5 above on the horse’s other side. Again, he may find one direction harder.
When all the above are going well, after completing slice 3 (and click&treat on completion of slice 3), ask for the forequarter yield. Just a step or two at first, before a click&treat, but gradually work toward the full turn on the haunches.
Work toward a 360-degree hindquarter yield (turn on the forehand) followed immediately by a 360-degree forequarter yield without a click&treat stop in the middle. We can call it achieved when a full 360-degree yield in both directions is ho-hum.
Work with 8 above starting on the other side of the horse.

GENERALIZATION

Practice in many different places.
Practice on a slope.
Start with forequarter yield and morph into hindquarter yield.
Once we have the simple bow, line dancing in place with the front feet, and the do si do mastered, we can chain the three tasks together.

The Simple Bow

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INTRODUCTION

It’s fun to teach a simple bow to use at the beginning and end of a movement routine. The bow itself becomes a clue for the horse that a chain of tasks is about to begin and equally it tells him when the chain of tasks is finished.

We can teach the simple bow by capturing any downward movement of the head with a click&treat. Or we could use ‘luring’ while changing our posture as we put a treat on the ground, plus add a voice signal.

AIM

The horse mimics the handler’s bow from the waist by lowering his head, then raising it again.

PREREQUISITE

Horse and handler are clicker savvy.

VIDEOS

This clip uses the process of luring, which is detailed in the thin-slicing steps below.

#269 HorseGym with Boots: Simple Bow. https://youtu.be/vwtxTdWaRRQ

These two clips show the process of free-shaping.

#257 HorseGym with Boots Head Lowering 1. https://youtu.be/AoqtJj2X1bU

#258 HorseGym with Boots: Head Lowering 2. Putting it on signal. https://youtu.be/Ol-BHB1QCnw

MATERIALS AND ENVIRONMENT

A training area where the horse is relaxed and ideally can see his buddies, but they can’t interfere.
It can help to park the horse on a mat, if he knows about mats, to let him know that moving his feet is not required.

NOTE

When we use the luring with food system, we will be placing a treat on the ground and we don’t want to put it on sand or loose dirt. If that is all you have available, perhaps use a mat or similar on which to put the treat.

SLICES (for teaching with luring)

Stand the horse in a spot where he feels comfortable; click&treat. Maybe have his front feet parked on a mat.
Stand shoulder-to-shoulder with the horse; click&treat.
Practice a bit of duration standing quietly together at zero intent with head forward; click&treat for x number of seconds, depending on where you are with developing this task.
Quietly remove a treat from your pouch or pocket, ideally during a moment the horse is busy eating his previous treat, so he doesn’t notice you getting the treat.
Show the horse the treat in your hand then bow from the waist to put the treat on the ground for the horse to find.
Wait until he lifts his head and has eaten the treat. Repeat, adding a voice signal to go with your body language. If you’ve previously taught head-lowering you may already have a voice signal.
Once the horse responds to your body language and voice signals, click as the head goes down, but feed the treat as the head comes up again as you straighten your body. For this we don’t want ‘duration’ of keeping the head down.
Teach on both sides of the horse.

GENERALIZATION

Practice in many different places.
Practice around different distractions.
Incorporate into any routines you do as ‘begin’ and ‘end’ points.

Placing the Feet using a Single Rail

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INTRODUCTION

In the photo above we are using a line of 5-liter containers as our ‘rail’.

This is another exercise that helps a horse with proprioception – knowing where his feet are, what they are doing, and how much energy is required.

Equally, it is a superb exercise for the handler to refine communication skills. All training with a horse is about building a mutual language. If we are consistent with our body language and energy changes, the horse will use these as his main cues for following our lead. For further refinement we add gesture signals and perhaps voice signals.

Sometimes people think, “Oh, I’ll try that”. They do an exercise once or twice and think that it’s ‘done’. They totally miss the point that exercises like this are little workouts for both handler and horse that need to be done often, always stiving for more refinement of handler communication until it feels like magic with the horse at liberty.

For this exercise there are five different basic tasks, but since we do them in the horse’s left and right eyes, we have ten tasks. Then we consolidate the tasks by doing them in two directions for each eye, giving us a total of 20 tasks.

Once the five basic tasks are mastered, there are eight refinements we can add. Doing these on either side of the horse gives a total of 16 refinements.

This series of tasks also makes a good warm-up or cool-down exercise. And they can be stretching and accuracy exercises if time is short to do other things.

AIMS:

Handler works on using clear, smooth ‘walk on’, ‘halt’, ‘wait’ and ‘back up’ signals using a single rail as a focal point.
Handler uses ‘Intent and Zero Intent’ body language to create short WAIT times between requests.
Horse develops confidence with walking across a rail (or similar).
Horse gains confidence standing with a rail (or similar) under his belly.
Horse practices placing his feet carefully in response to handler signals.

PREREQUISITES:

Horse leads smoothly beside the handler’s shoulder. See Number 68 in my Blog Contents List. The link for my Blog Contents List is at the top of the page.
Handler and horse agree on ‘Intent and Zero Intent’ signals. See Number 10 in my Blog Contents List.
Handler and horse agree on clear ‘walk on’ and ‘halt’ signals. See Number 16 in my Blog Contents List.
Handler is aware of The Rule of Three. See number 46 in my Blog Contents List.
Horse and handler agree on a back-up signal, either with the handler turning to face the horse – See Number 40 in my Blog Contents List, or the handler staying in the shoulder-to-shoulder position – See the first clip in Number 32 in my Blog Contents List.
Handler knows to stay with each small task until it is ho-hum, before asking for a different task.

VIDEOS:

#267 HorseGym with Boots: One Rail Basics. https://youtu.be/wMwBqiaBruI

#268 HorseGym with Boots: One Rail Refinements. https://youtu.be/L1fdlegEHFo

ENVIRONMENT & MATERIALS:

A work area where the horse is relaxed and confident.
Ideally, the horse can see his buddies, but they can’t interfere.
A single rail or several single rails (or similar) laid out a good distance apart.
Halter and lead or liberty. A light, shorter lead is easier to manage.

NOTES:

A little bit of these tasks during one training session is plenty. If it’s all done quietly with no fuss or drilling, the horse will think on it and remember what behaviors earn a click&treat. The Rule of Three can be useful.
Asking a horse to lift a front foot to back across a rail means that he is moving it back against the pressure of his whole body which is not easy. Ignore any touching of the rail at this stage as the horse draws a leg back. Frequent short practices will strengthen the muscles and ligaments so lifting the foot up and back becomes easier for the horse.
To help the horse strengthen, and maintain the strength, to lift his feet easily, we can lay a raised rail or similar in a gateway that the horse uses regularly during his everyday life. I’ve done this with two gates, and it seems to do a good job at helping to maintain suppleness. I leave a small gap for my wheelbarrow to squeeze through.
When confusion arises, it is because we are not clear enough or are going faster than the horse is able to absorb the new learning. Horses working for a food reward are usually super-observant of all our body language as well as carefully taught and executed voice and gesture signals. We must continually strive to ‘speak’ clearly with our body language, orientation and gestures every time we request an action (or inaction). Otherwise, the horse will only ‘hear’ a mumble and be confused, just as a person mumbling to us is frustrating and makes us give up trying to understand.
Once all the tasks are going smoothly, we can mix them up in any order, which teaches us to be crystal clear for the horse and has the horse watch us carefully to pick up the next signal that will lead to a click&treat.
When we use the less dominant side of our body, our body language and gesture signals tend to be less clear until we become super conscious of what we are doing. If you are right-handed and haven’t usually done much on your horse’s right side, there will be a lot of learning going on for both of you.
I find it useful to take written memo cards out with me when first doing a series of moves like this.
In-between moving, build it WAIT time before asking for the next movement. I.e., MOVEMENT – WAIT (x number of seconds) – MOVEMENT.
In the video clips I only show each request once to keep the clip short. When in the teaching (acquisition*) phase, three repeats in a row is usually a good number to work with.
If the horse finds one of the slices difficult, spend as many short sessions as necessary to build his confidence before asking for anything new.

SLICES:

Walk right over the rail, halt a few paces beyond the rail, click&treat. Walk a loop and repeat a couple more times. Or you could have more than one rail laid out in your training area and walk to each rail in turn to get the repeats. I used one rail in the video clips for ease of filming with a set camera.
Halt with the rail under the horse’s belly, click&treat; pause for a WAIT, walk on forward over the rail, walk a loop (or move to next rail) so you can repeat a couple of times.
Halt and WAIT before stepping over the rail, click&treat; pause and WAIT, walk on over the rail and into your loop or on to the next rail.
Halt immediately after all four feet have stepped over the rail, click&treat; pause and WAIT, walk on into your loop or to the next rail.
Halt with the rail under the horse’s belly, click&treat. Pause and WAIT, ask the horse to back his front feet across the rail, click&treat; pause, walk on forward over the rail. Be gentle teaching this. If you have taught a ‘Lift’ voice signal for foot care it can be useful here.
Repeat 1-5 above but this time approach the rail(s) from the opposite direction.
Repeat 1-5 above walking on the horse’s right side.
Repeat 7 above (on his right side) in the opposite direction.

GENERALIZATIONS:

Work in different venues.
Repeat slices 1-5 trotting.
Play at liberty once you’ve built up good communication for each task.
Work on a slope.

Walk all four feet over the rail and halt. Back only the hind feet over the rail; wait; walk forward again.
Walk all four feet over the rail and halt. Ask the hind feet to back over the rail, then the front feet.
Approach the rail but turn in front of the rail to set up the horse to halt/wait with his hind feet at the rail but not over it.
As 3 above, then ask the horse to back all four feet across the rail.
If you’ve taught sidestepping (see Number 29 in by Blog Contents List), ask the horse to step his front feet over the rail at one end and sidestep along the rail. If you are facing the horse’s ribs ask him to sidestep away from you. You can also ask him to sidestep toward you if you’ve taught this previously. You can also build a signal for sidestepping along a rail while you are face-to-face with the horse.
Straddle the rail. See Number 67 in my Blog Contents List.
Ask one front foot to stand across the rail and WAIT. See if you can do it with either foot. Then either ask the horse to lift the foot back over the rail or walk on forward.
Back one hind foot over the rail and wait in that position; walk forward. Work to be able to do this with either hind foot.

Mainly, HAVE FUN developing your communication skills.

Developing Soft Response to Rope/Rein Pressure

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Photo above shows how we started teaching voice signals for turning right and left using a target. When the voice signals were established, I added a light rope touch – creating a multi-signal.

INTRODUCTION:

It’s not uncommon for a horse to have bad feelings or mixed emotions about halters and ropes. My book, WALKING WITH HORSES has a detailed section about developing a horse’s willingness to put his nose into a halter. This is a task that needs thoughtful teaching.

Confidence with halter and lead rope is critical to help horses deal well with life in captivity. Essentially, we want putting a halter and rope on our horse similar to putting on our ‘work clothes’ – an outfit or uniform suitable for the type of work we do. When we work for an organization or with other people, we adjust our behavior to what is appropriate at our job.

In the same way, a horse carefully educated about halters and ropes will recognize that he is wearing his ‘uniform’ and relate it to certain ways of behaving. Mainly, it limits his behavior choices. Ideally it also encourages him to pay careful attention to requests made via messages send along the rope.

We can use the rope to send text messages. But, obviously, we must first carefully teach the horse what the ‘letters’ of our text mean. The lighter the pressure of our ‘texting’, the lighter the horse’s responses can be. In other words, the horse can only be as light in his responses to rope messages as we are light in sending them.

A rope is a way of ‘holding hands’ with our horse, not a tether kept tight to stop the horse escaping our influence. There is nothing so heartbreaking as see a gasping dog at the end of a tight leash or a horse struggling to understand why the tightness of the rope won’t go away, no matter what he does.

The key to lead rope handling is that the rope is always slack except for the brief moments it is sending a message to the horse. The instant the horse complies with our request, the slack is returned to the rope. It is the instant release of rope pressure plus the simultaneous click (and the accompanying treat) that enables the horse to understand which task we are requesting.

AIMS:

To have the horse comfortable standing in a safe corner.
To teach a ‘head straight’ anchor task that precedes our request to turn the head.
Use a target to teach head flexion to right and left; no rope.
Add ‘right’ and ‘left’ voice signals to the task.
Teach soft lateral flexion (turning the head right or left) using gentle touch on the halter via a rope until it feels equally smooth to the right and the left.
Generalize the task to different places and situations.

PREREQUISITES:

Horse is comfortable wearing a halter. (See Number 7 in my Blog Contents List. The link is at the top of the page.)
Horse is comfortable with a lead rope.
Horse and handler are clicker savvy.
Horse understands standing on a mat with duration. (See Number 9 in my Blog Contents List.)
For the early sessions, it’s helpful to have the horse standing with his butt in a safe corner so that backing up and swinging the hind end away are not options. The first slices will therefore involve making sure the horse is comfortable and relaxed standing in a corner.

ENVIRONMENT & MATERIALS:

A work area where the horse is relaxed.
Ideally, the horse can see his buddies, but they can’t interfere.
A safe corner the horse can stand in confidently. A safe corner is one where there is no chance of the horse putting a leg through wire or rails if he steps back or sideways. Hedges, sides of buildings or a corner made with barrels or jump stands plus rails tend to be safest. Even a raised rail or a log behind the horse with a small barrier on the far side of the horse might be enough of a corner.
A familiar mat to ‘station’ or ‘park’ the horse.
A familiar hand-held target.

GENERAL NOTES

When eventually using the touch signal via the rope or rein, be ready to click&treat for even the tiniest turn of the head at first. If we miss the horse’s first attempt to solve a puzzle, he can think his idea was wrong, and it can take a while for him to try it again.
When we lead, long-rein or ride a horse, it does not take much movement of the head to cause the horse to change direction. What we are doing here is not an extreme flexion exercise. It is an exercise to see how softly we can give what will become our ‘please change direction’ signals once the horse is moving.

SLICES:

A: STANDING COMFORTABLY IN A CORNER

Introduce the horse to each corner in small, easy steps. Thin-slice the process to what your horse needs. Use a familiar mat to indicate where you would like his front feet to be. Three kinds of corners are shown in the videos clips.
If the horse readily yields hindquarters and forequarters we can use these to adjust his position (see Numbers 83 and 84 in my Blog Contents List).
Or we can lead him through the corner and back him into it.
If using a rail, we can walk him over the rail and halt with the rail behind him.
Play with as many safe corners as you can find or set up, to generalize the ‘corner task’ to different situations.

B: TEACH AN ANCHOR TASK

Video clips

Clip 1: on right side of horse

Clip 2: on left side of horse

NOTES:

In the same way that music is made up of notes and the pauses between the notes, we must have pauses between asking the horse to repeat the same task. Because the horse is at halt for this challenge, the anchor task creates the pauses between our requests.

We begin teaching the anchor task once the horse is comfortable standing in a corner, on a mat, with reasonable duration.

An anchor task is what we do to ‘set the stage’ for what we will do next. For example, when I play with targeting body parts to my hand with Boots, our anchor task is lifting a front knee to my hand. It tells her what game we are about to play. Another ‘stand quietly waiting’ anchor task might be to always hang a special nose target in the spot you would like the horse to stand (park) while you tack up.

As an anchor task for this behavior, I’ve chosen to rest my nearest hand lightly on Boots’ withers while she keeps her head forward. It is the position my hand would be if I were to lift the reins in preparation to giving a signal while riding. You might prefer a different anchor task.

In our case, this is a bit tricky because I use the same anchor position I use when we do belly crunches while standing beside the horse. The handler’s body orientation is often a large part of an anchor task.

I decided that Boots is far enough along in her training to learn to pause in this anchor position and wait for the next signal to find out whether a crunch or head flexion is the hot topic of the moment. You’ll see that we have a couple of conversations about this.

SLICES:

Stand beside horse’s withers.
Lightly rest your near hand on the withers.
Click&treat when the horse’s head is straight, or he is in the process of moving his head into the ‘straight’ position.
Step forward to deliver the treat so the horse keeps his head straight, then step back into position beside the withers.
Repeat until the horse confidently stays facing forward until you click&treat for 3-4 seconds.

C: LATERAL FLEXION TO A TARGET and D. THE VOICE SIGNAL

Covered in video clips 1 & 2 as above. Clip 2 is on the left side of horse.

Hold the target out of sight behind your back and review the anchor task.
When the horse stands reliably with his head forward in the anchor position, bring the target forward so he has to turn his head a little bit to touch it: click&treat & step forward so the horse straightens his head to receive the treat, putting the target out of sight behind your back.
Step back beside the withers and put your hand back on his withers: click&treat for head forward until that is firmly established again (3-4 seconds). Be patient about establishing (and frequently re-establishing) this step because clever horses will want to skip straight from your anchor (hand on withers) to telling you that they know what to do – turn toward you (as Boots does in Clip Two).
Repeat 2 and 3 above until the horse reliably waits for you to produce the target before turning his head. If he turns without your signal, spend more click&treat on facing forward. Make sure you keep the target out of view behind your back. If bending is harder, spend more click&treat on asking for the bend.

D. ADD VOICE SIGNAL

NOTES:

You will obviously want different voice signals for right and left. Voice signals need to be short, clear, and sound different from other voice signals you use. I use “and Gee” for right. I use “and Left” for left. “Haw” for left sounds too much like “Whoa” which we use a lot. The “and” in front of the key word is a bit of a preparatory signal that lets the horse know a request is coming. My voice emphasis is on the key word.

Some horses do better if you teach something thoroughly on one side, then repeat from the beginning on the other side.
Some horses may cope well with doing a little bit on each side from the beginning.
Some handlers do better when teaching the task thoroughly on one side first.

E. RESPONSE TO ROPE OR REIN SIGNALS

Video Clip 3 introduces the rope:

Stand beside the horse’s ribs just behind the withers, facing forward, rope in the hand closest to the horse. Keep a drape or ‘smile’ in the rope. Ensure that the horse can stay facing forward with relaxed body language for 3-4 seconds in the presence of the rope: (click&treat).
When 1 above is ho-hum, say your voice signal and gently use both hands to ‘milk’ the rope, putting light pressure on the halter, looking for the slightest ‘give’ of the horse’s nose toward you. Release (click&treat). Step forward to deliver the treat in a way that has the horse straighten his head again.
Work with 1 and 2 above until the horse waits for the touch signal on the halter and willingly yields his nose. If he turns before you give the rope signal, spend more click&treat time on keeping the nose forward.
If he begins to turn his head as soon as you move back into position behind his withers, also go back to click&treat for a straight head.
Some horses catch on very quickly. Others may need multiple short sessions.
Teaching a horse with no rope experience is usually easier than teaching a horse who has had rough treatment with ropes. In the second case, you must adjust your training plan to help overcome any anxiety the horse carries from previous handling.

GENERALIZATION

Video Clip 4 includes generalizations:

Once the whole task is smooth and ho-hum on both sides of the horse, move away from the corner but still use a mat. Do the task in a variety of different places.
Once 1 above is good in a variety of places, omit the mat and again work in a variety of places and spaces.
Replace the rope/halter touch signal with a distinctive hand signal that can be used to draw the horse right or left at liberty.
Once the horse understands the halter touch signal via the rope, plus the voice signal, the anchor task can morph into just standing quietly together.
Use the touch and voice signals while in motion to change direction, keeping the pressure on the rope as light as possible.
Building a strong history of response to directional voice signals is most helpful if you are planning to teach long-reining and if you take part in Horse Agility.
These five short clips called Soft Rein Response give further ideas about how we can generalize the task further using reins but without being mounted.

Line Dancing with the Front Feet

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Introduction

An interesting aspect of horse anatomy is that their shoulder blades are not linked to each other with bone. Horse shoulder blades are embedded in muscles, tendons and ligaments. The spine passes between them. In other words, horses have no equivalent to our collar bone.

This ‘line-dancing’ exercise helps keep the muscles and ligaments in the shoulder area supple.

We can introduce this task once our horse knows the tasks of yielding the forequarters on request and targeting the shoulder to our hand. We ask for one movement yielding the near front leg away from us and a second movement bringing the near front leg back into its normal position.

AIM

When we cross our leg toward the horse we’d like him to move his near front leg across in front of his far front leg. When we uncross our leg and draw away from him, we would like him to bring his leg back into normal position.