Tag Archives: thin-slicing

The Planning Process

Our training behavior and the horse’s response behavior are totally intertwined.

Creating a detailed but flexible training or ‘shaping’ plan is essential for successful progression. A good plan helps us develop our training skills, and through our skills we show the horse how to relate confidently to what people ask of him.

A written plan lets us to look both forward and backward, giving us a good idea of where we have been as well as where we are heading.

If we keep records of each session, we can easily see where we must tweak our plan; where we must slow down and where it is going smoothly.

Difference between a Training Plan and an Individual Education Plan (IEP)

A Training Plan is an outline of the possible thin-slices (click points) that we might be able to use to teach a horse a particular skill. We can share training plans with other people to adapt to their own horses in their own environment.

A Training Plan is the starting point for writing an Individual Education Program (IEP) that suits a specific handler, the specific horse and the specific training environments that they have available.

An Individual Education Program (IEP) is a Training Plan carefully customized to suit the character type, age, health and background experience of the individual horse to be educated.

The IEP must also consider the same factors in relation to the handler. For example, although I was athletic in my youth, bionic knees now set a limit to how fast and far I can move.

My book, How to Create Good Horse Training Plans has much more detail than I can fit into this blog post.

If you would like  a hand developing your next plan after reading this post, send me an email at: herthamuddyhorse@gmail.com and I’ll be happy to have a look at it.

Summary of the Planning Process

  1. Decide Your Overall Objective

Everything we do with our horse needs to be designed to increase his confidence with the human-dominated world he has to live in. If we are watching and listening, the horse will usually tell us what we should work on next to reach the overall objective we have set.

Training that relates to the care, welfare and safety of all horses includes:

  • Haltering.
  • Rope relaxation and calmness.
  • Leading along and backing up.
  • Staying parked at a target or ground-tied.
  • Grooming.
  • Feeding time behavior.
  • Specifics like safely navigating gates and other tight spots.
  • Understanding the handler’s various leading or guiding positions.
  • Hoof care.
  • Vet procedures.
  • Being tied up.
  • Ground-work skills.
  • Gymnastic exercises for general fitness.
  • Road and traffic confidence.
  • Walking or driving out without other horses.
  • Walking or driving out with other horses.
  • Water and hill confidence.
  • Trailer loading, travelling and unloading if we intend to go elsewhere or if we need to evacuate due to flood, fire, earthquake
  1. Scope your Overall Objective

A. Decide on your Overall Objective

Now is the time to create a mind map or make a list of all the aspects of teaching  our overall objective that we can think of. We write down all our ideas, large and small, without giving them a value judgement at this point. Also pick the brains of other people you trust, especially if they also use positive reinforcement training.

  1. We then use the mindmap/list to come up with a set of TOPICS that relate to and underpin our overall objective.
  2. Next, we must put our TOPICS into a logical order of progression.
  3. Then we must decide which items on our mindmap/list are GOALS which fit under our various TOPIC headings.
  4. Then we organize the GOALS within each TOPIC into an order that seems to make sense.

B. Next we define and sort specific GOALS that fit under our TOPICS.

If our overall objective is complex, we achieve it by first teasing out the topics involved as in the mindmap above. Then we decide what goals fit within each topic.

If we let the ideas ferment in our mind for a while and revisit them over several days, we usually end up with a more comprehensive plan. Every time I revise my initial lists or mindmaps, I have a few more ideas to add or I see new connections between things that I didn’t notice before.

  1. Break Down Each Goal

It is helpful to have an overview of the whole planning process. We can outline the decreasing complexity of what we are teaching like this:

  • overall objective (most complex)
    • topics
      • goals within the topic
        • tasks to achieve a specific goal
          • thin-slices to achieve each task. (least complex)

If we read this from the bottom up, thin-slices allow us to achieve a task. Several tasks allow us to achieve a goal. The goal is part of a larger training topic. Good training in all the topics allows us to achieve our overall objective.

It’s important to set tasks that can be achieved in a relatively short time frame. Some goals might be so small that they easily become one task.

On the other hand, a major goal may take months or years to achieve. But the individual tasks leading to that goal should be small enough so that the horse and the handler have a continuous experience of small achievements.

  1. Define the Tasks that will Achieve each Goal

For each goal we teach a set of related tasks. When we have achieved all the tasks for each goal in a topic, we have mastered that topic. All the topics together achieve our overall objective.

To review where tasks sit, let’s quickly revisit this outline of the decreasing complexity of what we are teaching:

  • overall objective e.g. FOR YOU TO DECIDE.
    • topics are all relevant to teaching confidence with the overall objective.
      • goals which all relate to a specific topic
        • tasks we need to master to reach a goal
          • thin-slices organized to achieve each task.

Defining specific tasks is made easier by using a format called the ABCD method.

A = Audience (of our teaching), B = exact Behavior we are seeking, C = in what Conditions will we ask for the specified behavior, D = what Degree of proficiency does the behavior need to achieve our purpose.

A = Audience: your horse is the audience of your teaching. Think of the horse’s character type and what best motivates him. What do you think he may find easy or hard? If you are coaching another person, consider the character type of the person too. If you are working by yourself, consider your own character type.

B = Behavior: exactly what do you want to see when the horse is carrying out the task the way you want? Sometimes as well as seeing, we can feel the horse’s response through the rope or reins, or we feel his body energy, relaxation or tension. Additionally, how do you want your signals for the horse to look and feel?

C = Conditions: in what venues, with what props, in what environment(s)?

D = Degree of Perfection or Proficiency: how are you going to measure what you are doing? Decide on how long, how many strides, how many rails, zero tight lead-ropes, how far, how fast?

Once you have taught the basic task, it can be further developed to be performed more proficiently or to a higher standard as well as in different contexts and environments.

When you describe each task with these ABCD points in place, your Individual Education Plan will progress nicely.

Not defining tasks clearly is a major hurdle to good planning and good training outcomes.

5. Brainstorm Possible Thin-Slices for Each Task

Now all your thinking about your defined tasks can be put to work to create a brainstorm mind map or list of the smallest parts (slices) that make up each task.

We can begin this part of the planning by writing down all the possible slices of the task as they came to mind, without putting them in any specific order.

Remember, it’s easy to have too few slices, but we can never have too many. The more we can keep the horse feeling successful, the more he will enjoy his sessions (and so will we). If the horse is not being successful, we must adjust our plan so he can be almost continuously successful.

Pretty much everything we ask horse in captivity to do is entirely unrelated to their natural life in the wild. If we always keep this in mind during our training, it is easy to cherish each small accomplishment toward our final objective.

6. List your thin-slices in an order that might work

Once you have a brainstormed list/mindmap of the smallest slices you can think of, it’s time to put them into an order that might work nicely for you and the horse.

If the slices have been clearly thought out on paper, it’s easier to know what we are doing while we’re out with the horse. We can stay in the moment and our mind is free to interact with the horse rather than wonder what we are doing next.

Pocket cue cards with the slices listed in order can be helpful. I generally use these if I’m working on a complex task.

None of the sequences in a plan are written in stone. We get important feedback from each session with the horse. Either things went smoothly, or we need to tweak something.

Maybe we need to spend a lot more time on a certain slice. We are always free to add, delete, expand or move our ideas around.

When we have thin-sliced all the tasks for all the goals in each topic leading to our overall objective, our Training Plan is written! More accurately, the first version of a Training Plan for the overall objective is written.

We don’t have to write the whole plan all at once. We can simply choose the first topic to work on, set the goals for that, work out the tasks needed to achieve one of the goals, then thin-slice the tasks one at a time.

Thin-slicing tasks gets easier as we practice it. We get better at imagining all the pieces that make up the puzzle we have set for ourselves and the horse.

7. Venues, Props and Time

Think about:

  • The training venue(s) you have available.
  • The time you can spend with your horse.
  • How long you think it may take the horse to learn the task you are currently working on?
  • How long might it take the horse to learn all the tasks relating to the goal you are presently working on?
  • What props and helpers do you have available?

You outlined the Conditions for teaching when you defined your task with the ABCD format. Now is the time to work out the detail of where and when and how you can set up the conditions that will make the teaching and learning as easy as possible for you and your horse.

This is especially important if you must book venues or check when your helper(s) will be available.

  1. Decide How You Will Document Your Progress

As part of your Training Plan, decide how you will keep a record of what you’re doing, when you did it and how it went during each session.

My book, How to Create Good Horse Training Plans: The Art of Thin-Slicing outlines a variety of ways to document progress. There are digital record-keeping formats that some people find useful. One possibility is illustrated below.

This format has numbered spaces to record ‘session scores’ – one for the horse and one for the handler, to fill in after each training session. This chart has spaces to record 18 training sessions.

The format above has the benefit of being quick to fill in. Most of us have busy lives into which we must fit our horse time. Once our mind switches over to other parts of our life, it is easy to forget the detail of what we specifically did with our horse and how the session felt. The horse and the handler each get a ‘score’ which is just a shorthand way of recording a ‘session assessment’.

We can use symbols or emoticons to indicate how we felt, how we thought the horse felt and weather details (make sure you create a key for your symbols). Hot, cold, wind, wet all affect how a session goes. If we train in various places, we can have a symbol for each place. If there is a time-break in our training due to life and/or weather interfering, we can note this as well.

The sort of detail mentioned above is priceless when we look back on it. We can see how many repeats we did to get from introduction of a new task to getting it fluent and generalized to different situations.

If we keep charts like this in our tack room or car there is an increased chance that we will fill it in right away while the session is still fresh in our mind.

The following chart shows one possible way to score each session’s progress. Some people may prefer a ten-point scale so more nuances can be recorded.

It probably works best for each person to make up a scoring details page that best suits their environment and their horse and how they like to record things.

Note that the ‘score’ is just a quick way to define our assessment of a session. It helps indicate where we are while working through a process.

There is no other value judgement added to the score numbers. For some tasks the handler may stay at ‘1’ for a while until he/she has sorted out the best way to introduce an idea to the horse.

Every task we undertake will have its own time-frame to move from Score 1 to Score 5, depending on the many variables that relate to the horse and the handler.

A possible scoring (session assessment) range may look something like this:

   Score    Horse’s Score (session assessment)      Person’s Score (session assessment)
      1 Situation and signals are unfamiliar to the horse. Experimenting to find best props/gear, best orientation, clearest signal and best timing.
      2 Horse is experimenting with responses to find those that yield a click&treat.

 

Gear, body orientation and body language, voice and other signals are developing to be as clear as possible for the horse.
      3 Noticeably more fluent with the requested movements (or stillness).

 

Signals are becoming smoother. Beginning to link one or more thin-slices of a complex task.
      4 Getting it right in a familiar area most of the time. Feeling the rapport of two-way communication with the horse.

 

      5 Desired responses are reliable in various situations and venues. Signals are fluid and consistent.

 

Remember, the ‘scores’ are session assessments which are simply points along a continuum ranging from first introduction to something new all the way to smooth execution of the task. We are assessing the session, not critiquing it.

Most things we want to do with a horse is a trick/game to the horse – something he would rarely do on his own. To teach the rules of our games fairly we need to be aware of the following questions that underpin all training.

  • What thin-slices do I needed in order to teach this horse this task?
  • How little or how much does this horse already understand about the task?
  • What gaps are there in my knowledge, gear handling and training skills that I should address first?
  • Am I aware of how am I orientating my body in relation to the horse?
  • How consistent are my signals?
  • How good is the timing of my release (click&treat)?
  • How good and consistent are my rope handling skills?
  • How well and consistently do I handle my body extensions (including rope/reins)?
  • How good am I at using my breathing and core body energy to show intent or relaxation?

The horse can only be as smooth as the handler is smooth. The horse can only learn as smoothly as we can teach smoothly.

9. Experiment with Horse and Self to Find a Starting Point

This is where you find out whether your proposed thin-slices are thin enough and whether you have thought through the prerequisites carefully enough. The aim is to begin each task at a point where both you and the horse are relaxed and confident.

You can, of course, do gentle experimentation all the time during the planning process. If you mostly work with the same horse, your starting point for a specific task may become obvious while you are doing other things.

For example, if your horse is not able to easily lift each leg in turn to touch a target, then he may find it difficult to sort out his balance on three legs when you want to tend a foot. So addressing this would be a starting point for relaxed hoof care.

10. Create your Individual Education Program (IEP)

Now is the time to tailor your Training Plan by considering the character type, health, age, fitness level, and background experience of your horse and yourself.

You already considered this to some extent when you thought about the Audience portion of the ABCD used for defining your task.

Consider the time you can put into the project. Be careful to link your expectations realistically to the time you have available to be with the horse.

Your experimentation may show that your Training Plan is too ambitious, and you need to slow down and do more thin-slicing of certain parts. Or you may discover that the horse already knows more than you realized, allowing you to move quickly through some of the foundation lessons from your IEP.

It is important to still work through the exercises that already feel easy, rather than leave them out.

You may discover that your horse finds something particularly difficult, so you give that more time and attention. Life, weather or injury may interfere, forcing you to adjust the time frame.

As mentioned earlier, it’s important that the tasks you set are achievable in a relatively short time frame. Each small success is worth its weight in gold for motivation to keep learning, for both the handler and the horse.

You may decide that some of your defined tasks are too large, so you go back to redefine them, slice them more thinly, until you have tasks that you can master in a comfortable, shorter time frame.

11. Tweak Your Individual Education Program (IEP)

Every horse, every handler, and every horse-handler combination are unique. What works magically with one horse may be a total dead-end with another horse. Each horse brings new challenges and triumphs.

Every session with a horse gives you valuable feedback and new ideas. Things that don’t work are just as valuable as things that do work. By using a pre-planned set of thin-slices, we avoid a lot of unfocused activity that confuses the horse and leads to handler frustration.

Inevitably, we’ll still get confusion. The IEP is always a work in progress. Tweak it as you get new information by listening to your horse, and when you make new connections as you think through a challenge.

CONCLUSION

A good plan does the following:

  1. Decides on the overall objective and expresses it clearly.
  2. Scopes the topics that fall withing the overall objective and decides which topic might be best tackled first.
  3. Works out the individual goals that are part of each topic and decides on an order in which you will tackled the goals – but stays flexible.
  4. Carefully defines the tasks you need to master in order to achieve each goal and decides the order in which you will work with the tasks. You might work to develop elements of one, two or three different tasks during one training session.
  5. Diligently thin-slices each task into its smallest teachable/clickable portions and organizes these slices into an order that will probably make sense to the horse. Again, we must stay flexible and adjust our training to the horse that shows up on the day.
  6. Experiments gently with the horse to find a starting point at which you both feel comfortable. We do this for each task within each goal.
  7. Sets up your Individual Education Program (IEP), once you know your starting point, by customizing your plan to suit the horse you are working with.
  8. Tweaks your IEP to make learning easier for the horse any time you and the horse are not being continually successful most of the time. A vibrant planner is always thinking of different ways to approach things. If we are listening, the horse usually shows us the direction we should take.

HOW LONG WILL IT TAKE?

 

Movement Routine 3 – Fence for Focus

Photo: Walking concentric circles is part of this routine.

INTRODUCTION

For Movement Routine 3 we are back to using a fence as a focal point to initially build the routine. A fence helps the horse maintain straight movement. It also makes it easy to establish beginning and end points for each circle in this sequence of tasks.

AIMS

  • Transitions from walking forward into finesse back-ups.
  • Walking concentric circles.
  • Stay and Wait.

PREREQUISITES

  1. Smooth ‘walk on’ and ‘halt’ transitions staying shoulder-to-shoulder. (See Related Resources 1 at the end of this post.)
  2. We have taught the finesse back-up. (See Related Resources 2 at the end of this post.)
  3. Handler has developed a clear ‘Zero Intent’ signal so the horse knows when standing quietly is what is wanted. (See Related Resources 3 at the end of this post.)
  4. While walking shoulder-to-shoulder, the horse follows the movement of the handler’s body axis away from the horse to move into a circle. (See Related Resources 4 at the end of this post.)
  5. We have taught the horse to ground-tie. (See Related Resources 5 at the end of this post.)

ENVIRONMENT AND MATERIALS

  • A work area where the horse is relaxed and confident.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • The horse is not hungry.
  • Halter and 10′ (3m) or longer lead.
  • A safe fence or similar. A safe fence or barrier is one the horse can’t put his foot/leg through if he suddenly steps back. Tape fences can work well with some horses – NOT electrified.

VIDEO CLIPS

With halter and lead:  https://youtu.be/BHSztrpA8oo

 

At liberty: https://youtu.be/O0dpTo6mXSs

NOTES

  1. Memorize the sequence of tasks by walking the pattern without the horse and then visualizing the sequence often.
  2. The number of steps you take walking forward is not important. I tend to not take many steps when making the video clips to keep the viewing time short. I sometimes suggest a number of steps, but please suit that to your horse and your environment.
  3. However, the number of steps I suggest for moving backwards is significant. Horses don’t naturally do a lot of stepping backwards. We want to stay with only 2-3 steps at first, and gradually, over many short sessions, build it up one or two additional steps at a time. We want to avoid making the horse sore.
  4. While teaching this routine, or revisiting it after a long time, I generally click&treat for each part of each task. When the routine feels familiar, I move the click point along so we are doing more before a click&treat. Each horse will be different and each time doing the pattern will be different. I like to move the click points around a bit to stop the horse anticipating a treat at a specific point every time.
  5. The key to all these tasks is to keep a continuous drape in the lead rope, using halter pressure via the rope only momentarily for additional guidance. Most of our guided shaping comes via our body position, gestures, breathing, energy level and voice signals.

TASKS

  1. On the horse’s left side, with the horse nearest the fence, walk forward maybe ten steps, halt for a second or two, then turn into a finesse back-up – asking for 2-3 steps back. Repeat two more times (three times in total).
  2. Walk a large circle (handler on the inside). At the point along the fence where you began the large circle, switch to walk a medium-sized circle. Reaching the same spot again, carry on walking a small circle. The circle sizes will depend on the space you have and how flexible your horse is. Start with large circles and gradually make them smaller as indicated by the increasing suppleness of the horse.
  3. Ask the horse to HALT alongside the fence, either ground-tied or put the rope over his neck/back. Then ask him to WAIT while you walk away about ten steps with your back to the horse. Turn to partly face the horse and take up your ‘Zero Intent’ body position for x number of seconds. Then walk back to the horse; click&treat. Gradually (over lots of short sessions with this routine) work up to a WAIT of ten seconds or more.
  4. Walk forward shoulder-to-shoulder with the horse, then turn into a finesse back-up without a halt first. With practice this can get lovely and fluid.
  5. Repeat the whole sequence of tasks walking on the horse’s right side.

GENERALIZATIONS

  1. Practice alongside different fences/walls/hedges if you can.
  2. Once the horse shows that he knows the pattern, play with it at liberty along a fence using the same signals you have used all along.
  3. Once the routine is smooth along the fence, play with it out in the open first with a lead rope, then at liberty. Alternate on which side of the horse you begin the routine.

Note that during backing up, horses usually push harder with one hind leg, so their hind end tends to veer away from the stronger leg. You may want to teach a gesture signal that allows you to regain straightness.

Experiment with how your position to the right or the left of the horse’s head affects his backing up.

RELATED RESOURCES

  1. Smooth Walk and Halt transitions: https://wp.me/p4VYHH-5TT
  2. Finesse Back-Up: https://wp.me/p4VYHH-5XL
  3. ‘Zero Intent’ and ‘Intent’: https://wp.me/p4VYHH-5RO
  4. Smooth 90-Degree Turns: https://wp.me/p4VYHH-5VM
  5. Ground Tie: https://wp.me/p4VYHH-5WX

 

 

 

Movement Routine 1 – Fence

Photo: Standing with ‘no intent’ at halt is part of these five chained tasks.

INTRODUCTION

This is the first of a series of movement routines we can do with only a fence and an open working area. The routines put together many of the individual skills and movements that my resources have looked at so far.

The key purpose of these routines is to encourage handlers to work on the precision of their signals in a relaxed manner.  The routines require the handler to pay close attention to refining his/her signals to improve timing, clarity and softness. A horse can only be as precise as we are precise. A horse can only be as soft as we are soft.

Each routine has five elements that are chained together into a pattern of movement. Horses are pattern learners and, like all of us, like to know what will happen before it happens. We tend to forget that horses living natural lives in the wild are totally in control of all their actions.

We can increase the positive feeling of ‘certainty’ by teaching these routines in a light-hearted but methodical way. Boots usually picks up a new pattern after three-six repeats over three days. Some horses will be quicker, and some will take longer.

Other reasons for playing with these routines:

  1. They are a way to keep skills we have already taught current in our repertoire.
  2. They give a way of interacting with our horse when time is short, we don’t have time to set up objects and obstacles, we don’t have access to objects and obstacles, or we are past the point of lugging around heavy rails and other objects.
  3. They include movement tasks we can do between working on stationary tasks, so giving the horse a good mix of activities.
  4. They make excellent cool-down routines after energetic riding or groundwork.

I’ve called them ‘routines’ because gymnasts first learn the individual elements of a performance and then form the elements into a ‘routine’. First each element is mastered emotionally, intellectually and physically. Then the routine is put into brain memory. Then it is practiced until it is also in muscle memory.

All this is a little bit tricky because doing a routine with a horse involves two brains and two sets of muscles.

After jotting down a plan for a possible routine, I try it out with Boots multiple times. The feedback I get from Boots and myself always shows that the initial plan needs a lot of changes. Most of the changes concern my body position plus when and how I give the signal for each part of the action.

AIM

Smooth execution of a series of five individual tasks chained together:

  • ‘Walk on’ and ‘halt’ repeated three times;
  • Change of direction and side of horse (so horse remains nearest the fence);
  • ‘Stay’ while handler backs away from the horse to the end of rope (keeping a drape in the rope);
  • Horse Waits for ___ seconds;
  • Recall.

PREREQUISITES

  1. Smooth ‘walk on’ and ‘halt’ transitions staying shoulder-to-shoulder. (See Related Resources 1 at the end of this post.)
  2. Handler has developed a clear ‘No Intent’ signal so the horse knows when standing quietly is what is wanted. (See Related Resources 2 at the end of this post.)
  3. Change of direction plus changing side of horse the handler is on. (See Related Resources 3 at the end of this post.
  4. Horse and handler agree on clear ‘stay’ signals. (See Related Resources 4 at the end of this post.)
  5. Horse has learned to ‘wait’ until handler gives a new signal or clicks&treats. (See Related Resources 5 at the end of this post.)
  6. Handler and horse agree on a clear ‘recall’ signal. (See Related Resources 6 at the end of this post.)

ENVIRONMENT AND MATERIALS

  • A work area where the horse is relaxed and confident.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • The horse is not hungry.
  • Halter and 10′ (3 m) or longer lead.
  • A safe fence line to work alongside. It can be straight, curved or the inside or outside of a round pen fence.

VIDEO CLIP

https://youtu.be/HqyJA_E7waY

NOTES

  1. Since I don’t find memorizing a sequence of tasks easy, I use a ruler as a fence and practice the movements with my small toy hippopotamus. Then I walk the sequence outside by myself, practicing the signals I will use, accompanied by an invisible unicorn.
  2. While working out the plan with Boots’ help, I’ve usually managed to confuse her to some extent, so once the plan feels right, I wait a few days before starting to do the final version with her. Meanwhile we have been practicing the tasks separately.
  3. For the first task, walk as few or many steps as you like. I walked only a few steps in the video to make it easier to film. Vary how long you stand at halt before asking for the next walk transition. Work to get the ‘walk on’ transition with raising your chest, breathing in deeply plus your voice signal. Work on refining your body language and voice signal for each halt.
  4. How often you click&treat depends on where you are with each skill. I always begin with click&treat for each portion of each task. As the horse gets the hang of what we are doing, I move the click point along so the horse does more for each click&treat. I like to eventually be able to do the whole chain with one click point at the end.
  5. As with everything, we keep the sessions short in among other things we are doing. I often do it just once, sometimes twice and rarely three times in a row.
  6. There is no need to rush through the chain of tasks. Walk slowly. Give the horse time put the pattern into his mind and from there into his muscle memory.
  7. Stay’ means that the horse understands that you can walk away while he stays put. ‘Wait’ means that the horse is able to keep standing still for a specific length of time until you click&treat or give another signal. They may appear to be the same at first glance, but teaching/learning ‘Wait’ with duration is a skill set that goes beyond the idea of ‘stay’ for a short period.
  8. For the ‘wait’ task, gradually work up to ten seconds, but be sure to stay well within the time the horse is comfortable with. Better to recall sooner rather than after the horse moves. If he moves, go back to working on the ‘wait’ task by itself for several days. In the video clip, you will note that on the day we filmed at liberty, Boots found it hard to relax into the ‘wait’. There was a lot of commotion including a huge noisy hedge clipping machine working close by.
  9. The more time we spend playing with exercises like this, which look relatively simple on the surface, the more positive spin-offs there will be to the other things we do with the horse.

SLICES

  1. Memorize the sequence of tasks.
  2. Play with each of the skills separately until you and the horse feel fluent. This might take one session or a long time if some of the tasks are new to you.
  3. Walking with the horse nearest the fence, chain the first two tasks together (3 x walk & halt plus change of direction and sides).
  4. When 3 is smooth, chain the last three mini-tasks together (stay plus wait plus recall).
  5. When both 3 and 4 are going well, chain it all together.
  6. Always adjust your rate of reinforcement (how often you click&treat) to what the horse is able to offer on the day. If he seems unsure, click&treat more of the slices. If he is showing keenness and understanding about what comes next, use your voice to praise and move the click&treat further along the chain.

We can’t expect our horse to be the same every day, just as we are not the same every day. Good training adjusts what we do to what the horse is telling us. Some days it will feel very smooth. Other days parts will feel sticky. This is normal ebb and flow.

The day will come when you do it all with one click and treat at the end, but it may not happen again the day after that. Horses read our tension or relaxation in a nanosecond. Often what is happening with the horse relates to ourselves, our emotional state, and how the horse perceives us that day.

Other times, the horse may be tired or anxious due to rough weather or other changes in his external and/or internal environment.

GENERALIZATIONS

  1. If you usually start walking on the horse’s left side, start instead walking on his right side. Be aware of keeping your signals equally clear on the side you use less often.
  2. Practice alongside as many different fences as you can.
  3. Once the horse shows that he knows the pattern, play with it at liberty along fences using the same signals you have used all along.
  4. Once the routine is smooth along the fence, play with it out in the open, first with the lead rope and then at liberty. Alternate on which side of the horse you begin the routine.

RELATED RESOURCES

  1. Smooth Walk and Halt transitions: https://wp.me/p4VYHH-5TT
  2. ‘Zero Intent’ and ‘Intent’: https://wp.me/p4VYHH-5RO
  3. Changing Sides in Motion: https://youtu.be/3oqPs4LM5AM
  4. Park and Wait (Stay): https://youtu.be/UvjKr9_U0ys
  5. Wait Duration: https://youtu.be/jVn3WBuqpno
  6. Recall Clip 1: https://youtu.be/XuBo07q8g24     Recall Clip 2: https://youtu.be/5BQCB2Fe5RE

 

 

 

 

 

 

 

 

 

 

One Step at a Time

Photo above: Boots gained the confidence to step up on this balance beam by being rewarded for venturing one step at a time. After many short, successful sessions, she felt secure enough to target individual legs to my hand.

INTRODUCTION

The skill of being able to ask your horse to move one specific foot at a time is worthy of time and attention. It is a task that can be used and refined when riding or doing groundwork, including Horse Agility competition. It starts with being able to visualize the pattern in which horses move their feet.

Carefully observe the footfall sequences when horses walk, back-up, trot and canter. Reviewing slow motion video is best. Learn the footfall (foot-rise) for walk and trot, one gait at a time. When they are clear in your mind, add the canter.

Get down on all fours so you can mimic the pattern with your limbs. That helps put the patterns into your deep memory. Once you can easily replay the memory tape for each gait in your mind, you can give your horse much clearer signals.

Perfecting this helps to build the feel you need in order to time your riding or leading signals to the horse’s feet.

This is a great task for teaching us to carefully note the horse’s intent and time our click&treat to the moment a foot is lifting. The ability to see and feel footfall (foot-rise) is a huge bonus in a horse training kit.

It is actually the moment of foot-rise that we need to learn because it is only when the foot is lifted that we can influence where it goes next. Therefore during this exercise we want to click&treat as the foot is lifting.

Directing our horse’s feet one at a time has many uses. For example:

  • Cleaning/trimming feet.
  • Positioning for mounting.
  • Backing into stalls/wash bays.
  • Breed and showmanship classes .
  • Leading through narrow spaces.
  • Trailer loading and unloading.
  • Precision riding or long-reining/driving.
  • Placing a foot for an x-ray.
  • Precise mat or hoop work.
  • Pedestals.
  • Bridges.
  • Water obstacles.
  • Horse Agility obstacles
  • Getting out of tricky situations on the trail.
  • Stepping up and down a pedestal or balance beam or bridge.

PREREQUISITES

  1. Horse and handler are clicker savvy.
  2. The horse responds willingly to light pressure on the halter via the lead rope. (See ‘Related Resource’ 1 at the end of this post.)
  3. We have taught the ‘finesse back up’. (See ‘Related Resource’ 2 at the end of this post.)

ENVIRONMENT AND MATERIALS

  • A work area where the horse is relaxed and confident.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • The horse is not hungry.
  • Halter and lead. A shorter lead is easier to use for this task.

AIM

To create signals for asking the horse to move either front foot one step at a time, both back and forward.

VIDEO CLIP

https://youtu.be/http://A6RUNijvf18

NOTES

  1. Ensure the horse is in a learning frame of mind.
  2. Keep each session working with short – three minutes is plenty. Three minutes of focused work over many sessions will get you the result without lapsing into human or horse frustration.
  3. To lift and move a front foot, the horse must first shift his balance to take the weight off that foot.
  4. Unless the horse is pacing, the hind feet move in unison with the diagonal front foot.
  5. I’m not good with left/right or 3-dimensional thinking so it took me a long time to get these moves firmly into my muscle memory. I had to learn to carefully note where the horse’s feet were and how he was balanced before I asked a foot to move. Then I could decide which way I needed to tilt the horse’s head to move a particular foot.
  6. Remember to click&treat the moment the foot is lifting during this exercise.

SLICES

One Step Back

In order to lift his right front foot, the horse must shift his weight to his left shoulder and slightly back.

  1. Face the horse, slightly to the right side of his head and orientate your belly button toward his nose (when his head is straight).
  2. Hold the rope about an arm’s length from the halter, lightly draped, in the hand nearest the horse’s shoulder (rope hand).
  3. Reach across with the other hand (sliding hand) and slide it gently up the rope toward the halter. If you’ve taught a ‘back’ voice signal, use it as well.
  4. At some stage, you will reach a point of contact to which the horse responds.
  5. When you reach the point of contact tilt his nose/neck slightly to the left and put a bit of backward pressure on the halter. Release immediately when you feel his intent to move back (click&treat). Relax, then ask again.
  6. When you get a whole step, release (click&treat), relax. Maybe rub him if you are not using Clicker Training and he likes to be touched. If you get more than one step, accept it, reward it, and then adjust your signal so it has less energy.

Some horses may at first respond by leaning forward into the backward pressure you are putting on the halter. They are not ‘wrong’ because moving into pressure is a natural horse response. They are also not wrong because they don’t yet understand what you want.

If your horse leans into the pressure:

  1. Take up a power position (feet shoulder-width apart, one slightly ahead, hips dropped).
  2. Hold the rope in the hand nearest the horse, about 2’-3’ from the halter with a bit of slack in it.
  3. Reach across with your other hand and softly run it up the rope toward the halter until you meet resistance from the horse.
  4. At that point, simply ‘hold’ just strongly enough to make the horse feel unbalanced.
  5. The moment he shows the slightest tendency to shift backwards to regain his balance, release the pressure (click&treat).
  6. Repeat. If you are clear and consistent and release (click&treat) promptly, the horse will soon read your body language energy and intent and step back before you can even slide your fingers up the rope.
  7. During multiple short practices, also introduce a voice ‘back’ signal.

When you reach a reliable response as in 6 above, you have created a gesture signal you can use at liberty to ask the horse to step back. Keep the gesture exactly as it was, i.e. running your hand up an imaginary rope.

When you have one step back at a light signal, ask for two steps back. It’s important to ‘release’ the halter pressure slightly after the first step, then increase the pressure slightly to ask again for the second step before a bigger release (click&treat).

Once that is smooth, ask for three steps, then four, and so on until you have as many individual steps as you like. Release the pressure at each step, then apply it again lightly to ask for another step. The horse will soon read the intent in your body language and will step back by reading your ‘intent’.

Pressure on the rope will no longer be necessary except maybe in unusual situations of high stress. In such situations the horse will have an advantage over horses who don’t understand this part of the task because he will remember what the rope pressure means and how to respond to it.

To move his left front foot back, tilt his nose/neck slightly to the right, i.e. always tilt the nose away from the foot you want him to move.

If the horse tends to push forward into the handler, it can help to have a rail in front of the horse or start in a blocked-off lane, so that stepping back is the easiest and common-sense thing to do.

When backing from the halt feels easy, we can expand and generalize the task by walking along beside the horse, halting and smoothly pivoting into position to face the horse and ask him to back up. Teach this first along a safe fence to encourage the horse to back up in a straight line.

One Step Forward

To move one step forward, tilt his nose slightly away from the foot you want to move (to take the weight off it) and put gentle forward pressure on the halter.

GENERALIZATIONS

Be sure to teach ‘one step at a time’ standing on the horse’s left side and on his right side. If he finds one side harder, work at bit more on that side.

Most people find giving signals with their less dominant hand harder as well. When each side feels the same, you’ve reached a big milestone.

When we can use a light signal to ask the horse to glide from walk into a halt, then as we turn to face him, we can ask for an individual step back or forward, we have achieved our task.

Eventually, get him to put a specific front foot on things. Start with a largish item like a doormat or a piece of carpet. Work toward smaller things like paper plates, Frisbees and leaves, then higher things like stumps, steps, pedestals, ramps, balance beams, hoof stands if he doesn’t already know all these things.

Be aware that once the horse is close to the object, he can’t see it, but is working from memory. The area directly under his head/neck is a blind spot.

Be particular but not critical. Always relax, pause and reset if the horse gets confused. After a good effort, go away from the site and do other things the horse already knows.

Then come back to moving one foot until you get another good effort. Don’t drill. After you’ve had two or three good attempts, stop and come back to it another time.

The essence of this teaching is that you create mutually-understood signals that communicate to the horse about moving individual feet.

This clip shows some possible generalizations.

RELATED RESOURCES

  1. Blog: Soft Response to Rope Pressure: https://wp.me/p4VYHH-5Sq
  2. March 2018 Challenge; Backing Up Part 2; FINESSE BACK-UP https://youtu.be/safxxu90lkA

 

GROUND-TYING

INTRODUCTION

Having a horse stop and wait when his lead rope is dropped onto the ground is useful for management around home as well as out on the trail. It pops up occasionally as a challenge in Horse Agility competitions.

SAFETY

When first teaching this I prefer to use a wide webbing or leather halter. If the horse moves he may step on his rope and react by jerking his head up. With a wide halter there is less chance of spinal trauma. Alternately, we can attach the rope to the halter with a bit of wool that will break in such a situation.

I also suggest using a soft, thick rope not longer than 12 feet. If something causes the horse to move, it’s better if there isn’t a long, thin rope chasing him.

First we must of course make sure that the horse is totally relaxed with ropes dragging all around his body and legs. He must be cool with ropes moving in front of him, behind him and dragging alongside while attached to his halter.

PREREQUISITES

  • Rope relaxation and rope calmness in various situations. (See ‘Additional Resources’ 5, 6, and 7 at the end of this post.)
  • Able to stand still in relaxed mode while things are happening around him. (See ‘Additional Resources’ 8, 9 and 10 at the end of this post.)
  • Stop willingly to target his front feet to a mat. (See ‘Additional Resources’ 1 at the end of this post.)
  • Smooth ‘walk-on’ and ‘halt’ transitions staying beside the handler on a draped lead rope. (See ‘Additional Resources’ 2 at the end of this post.)
  • Willing response to a “Whoa” voice signal. (See ‘Additional Resources’ 3 at the end of this post.)
  • Smooth ‘back-up’ with the handler beside the horse or in front facing the horse. (See ‘Additional Resources’ 4 at the end of this post.)

ENVIRONMENT & MATERIALS

  • A work area where the horse is relaxed and confident.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • The horse is not hungry; he’s had ample time to graze or eat hay right before the training session.
  • Halter and lead kept loose (draped) as much as possible, because as much as possible, we want to use body language for communication, not rope pressure.
  • Two or more familiar mats.
  • A second rope.

AIM

When we drop the lead rope and give our horse a ‘wait’ hand signal, we would like him to stay parked in that spot until we return.

VIDEO CLIPS

#72 HorseGym with Boots: Ground-tie Clip 1 GETTING STARTED:

 

#73 HorseGym with Boots: Ground-tie Clip 2 ANOTHER VENUE:

NOTES

  1. Boots’ demonstration on the video clips is the sum of many short sessions over a long time. When teaching something new, we stay with each slice of the task over as many short sessions as necessary until it feels ho-hum (easy and smooth). Then we link in the next slice.
  2. Teach the whole process from the horse’s left side, then teach it again walking on his right side. Alternatively, teach each slice on both sides before adding in the next slice.

SLICES

  1. Walk on the horse’s left side with a loose lead toward a mat. Hold the horse’s lead rope in the hand nearest the horse. Carry a second rope in your other hand.
  • Halt with the horse at the mat using your halt voice signal and body language.
  • Drop your second rope on the ground under the horse’s nose.
  • Allow him to satisfy his curiosity about it (sniff it, put a foot on it, and so on); relax (click&treat.)
  • Keep a drape or ‘smile’ in your actual lead rope.

Pick up the dropped rope and walk together to another mat, or walk a large loop that returns you to the same mat.

Looking for: Horse halts with front feet on the mat and remains relaxed when the second rope is dropped and picked up again.

If you set up a circuit of several mats, you can move from mat to mat.

Remember to do something easy the horse already knows and build in ‘down time’ in between bursts of activity with this new task.

If you have a circuit of several mats, do the circuit once. Then do something else that’s easy and come back to the circuit again if it feels right to do more.

  1. As 1, but without using mats. Everything stays the same except that we have removed the prop of the mat or mats. It may help the horse at first if you walk the same circuit as you walked when you were using the mat(s). Halt and drop the second rope where the mats were during the previous lessons.

Once the horse seems to recognize the dropped rope as a place to stop and stand, gradually generalize to dropping the second rope in new places.

  1. As 2, but now drop the lead rope itself: relax as the horse halts; pause for a second or two, with neutral (no intent) body language. We want to begin building duration into the time the horse stands quietly after the lead rope is dropped. Be sure to click&treat well before the horse shows any tendency to move.

Looking for: Horse halts when you use body language and voice signal plus drop the lead rope and relax (click&treat). Horse relaxes too.

  1. It’s helpful if we can ground-tie the horse after we’ve asked him to back up. Ask the horse to back up and while he is backing drop the lead rope and at the same time use your halt voice signal, relax (click&treat) when the horse halts. Intersperse these requests with walking forward.

Looking for: Horse backs up on request and halts with the handler’s voice halt signal plus the dropped rope.

  1. Experiment to see what happens when:
  • Walking along you slow to a halt and gently drop the lead rope without using your voice signal as well.
  • If you have developed clear body language to communicate that you are going to stop, the horse will respond to just your body language and the dropped rope.
  • Relax (click&treat) at the first sign of a halt.

If the horse finds this difficult, leave it out for now and maybe return to it as part of your generalization when he knows the ground-tying task better.

Looking for: Horse brings himself to a halt when the handler halts and the rope is gently dropped in even in the absence of a voice signal.

  1. Bring back the mats and the second rope. Ask the horse to jog (or trot) with you and halt with you when you halt beside the mat. Use your voice signal plus drop the second lead rope from the jog. When it feels smooth, phase out the second rope and drop the horse’s lead rope.

Looking for: Horse willingly halts at the mat from jog/trot when the handler halts, gives the voice halt signal and drops the lead rope.

  1. Slices 1-6 above have the handler stopping with the horse. Now we want to generalize the skill so the horse stops when rope is dropped plus stays parked while handler keeps walking. Ask the horse to halt at a mat, drop the lead rope, and use your ‘wait’ signal to let the horse know you want him to remain parked while you walk away from him. For the ‘wait’ I use a gesture and voice signal at the same time.

For the early lessons with this generalization, it’s good to use a circuit of mats again, until you see that the horse understands the new nuances of the task consistently over several sessions.

Walk with a loose lead toward a mat. Halt with horse at the mat using:

  • Halt voice signal
  • Dropped lead rope
  • Give your voice and gesture ‘wait’ signals Then walk forward a few steps away from the horse.
  • Turn to face the horse and take up a neutral (no intent) body language position – place both hands flat over your belly button, drop your shoulders and have a soft focus not looking at the horse.
  • Wait a second or two, be sure to return before the horse even thinks about moving. Count the seconds. Start with one second and don’t wait longer until one second is completely okay with the horse.
  • If the horse moves, gently return to him, pick up the lead rope, walk together in a relaxed manner and start again. This is a re-set. Don’t make the horse feel wrong. He can’t be wrong because he doesn’t yet know what you want. Next time don’t go as far away and return to him sooner rather than waiting that extra moment.
  • Pick up the lead rope and walk on to the next mat to repeat, or walk a loop to return to the same mat.

Looking for: Horse halts at mat and remains there confidently while the handler walks on a few steps, turns, pauses, and walks back to the horse.

  1. Gradually walk a few more steps away from the horse and increase how long you wait before returning to the horse; relax (click&treat). Click&treat after you return to the horse.

If he loses confidence, immediately return to the distance and time he can cope with. Add distance and duration very slowly – one second and/or half a step at a time over many, many short sessions.

Looking for: Horse stays with the mat and the dropped rope until the handler returns.

  1. This slice asks the horse to halt at the mat while you keep on walking without stopping first. You drop the lead rope and use  your voice & gesture ‘stay’ signals but you don’t halt yourself – you keep on walking.

If the horse has been mainly watching your body language as his signal to halt, it could be hard for him at first until he realizes that,

  • the mat
  • dropped lead rope
  • voice signal

all mean he still should halt, even if you keep moving.

The Task: Walk toward a mat with a loose lead. When you reach the mat, simultaneously:

  • use your halt voice signal
  • drop the lead rope
  • give your ‘wait’ signal without stopping your feet when the horse stops
  • walk on a few steps.

Turn and face the horse, then:

  • wait a second or two
  • return to the horse
  • relax (click&treat).

Pick up the lead rope and walk on to the next mat.

Looking for: Horse stays halted on the mat while the handler walks on, halts, turns, pauses and walks back to the horse.

Play with this by gradually moving further away from the horse.

  1. Still using a mat, play with 9 above at the trot. Handler keeps jogging forward while the horse halts on the mat.
  2. Repeat 9 above without the mat, at walking pace.
  3. Repeat 9 above without the mat at jog or trot.
  4. Make sure the horse is comfortable when you leave from his left eye and from his right eye. Spend a bit more time with the harder side, if there is one.

Further Generalization

Generalize ground-tying to new venues and around new distractions, as long as it’s safe. Include mats initially if it helps the horse, then phase them out.

Additional Resources

  1. Blog: Using Mats: https://wp.me/p4VYHH-5S9
  2. Blog: Smooth ‘Walk On’ and ‘Halt’ Transitions: https://wp.me/p4VYHH-5TT
  3. Blog: Willing Response to a Voice Halt Signal: https://wp.me/p4VYHH-5R9
  4. Video Clip: #27 HorseGym with Boots: Good Backing = Good Leading: https://youtu.be/M6gxa2iriQ8
  5. Video Clip: #121 HorseGym with Boots; Stick and Rope Confidence: https://youtu.be/WIpsT4PPiXo
  6. Video Clip: #22 HorseGym with Boots; Rope Relaxation: https://youtu.be/6Y34VlUk0Iw
  7. Video Clip: #60 HorseGym with Boots; Rope Calmness: https://youtu.be/9WC_7d8M6lQ
  8. Video Clip: #22 HorseGym with Boots: The Art of Standing Still: https://youtu.be/F4Rn9kIc7FQ
  9. Video Clip: October 2017 Challenge: Park and Wait: https://youtu.be/UvjKr9_U0ys
  10. Video Clip: #22 HorseGym with Boots: Parking with Commotion: https://youtu.be/M6p5w8QZaIA

 

 

 

 

 

 

 

 

SMOOTH COUNTER TURNS

INTRODUCTION

This flexion activity follows on from teaching the 90 and 180-degree turns when the handler is on the inside of the turn. Now we want to develop a smooth turn when the handler is on the outside of the turn; counter turns.

When we are on the inside of a turn, we teach ourselves to slow down but maintain energy to give the horse time to organize his longer body and four legs to negotiate the larger arc of the turn without losing forward motion.

When we are on the outside of the turn, we have to travel a bigger arc than the horse to get around the turn. If we ‘hurry’ our strides it can cause the horse to hurry around the corner too, leaving us behind. Or our ‘hurrying’ may block the horse and he halts or moves away.

Ideally, we want the horse to slow his turn so we can negotiate our wider arc without stress.

Boots and I did a lot of experimentation to get this flowing smoothly. I have new knees, so it is hard for me to hurry myself around the turn. When we started the task in the shoulder-to-shoulder position, I ended up beside her butt after the corner.

It was time to re-think and play with possibilities. Eventually it became obvious that adjusting our leading position, so the horse’s nose was beside my shoulder, made the whole thing much more manageable.

In my book, Walking with Horses, I did a detailed exploration of the eight basic body positions or orientations we use when communicating with our horse. Each of these of course has many nuances of angle. Here are the eight positions:

  1. Walking directly in front of the horse, with our back to the horse.
  2. The horse is beside us with his head at our shoulder.
  3. Shoulder-to-shoulder with the horse.
  4. Walking beside the ribs, just behind the withers, where we would be if riding.
  5. Walking or standing alongside the horse’s rump, as for tending hind feet or brushing tail.
  6. Walking behind the horse as in long-reining.
  7. In front of the horse, facing him.
  8. Facing the horse’s ribs, as in saddling or lunging.

Eventually Boots and I worked out that the first slice we needed for counter turns was to review our signal for staying in Leading Position 2 – where my shoulder stays beside the horse’s head.

Much of our recent work has been using Leading Position 3 – shoulder-to-shoulder, but it didn’t take long to review and update the gesture signal we used for walking together with my head beside her ears.

PREREQUISITES

  1. Horse and handler are clicker savvy.
  2. Horse responds willingly to ‘walk on’ and ‘halt’ signals while keeping his head next to the handler’s shoulder. (See ‘Related Resources’ at end of this post.)
  3. Handler understands the skill of shifting his/her body axis toward the horse as a signal for turning when the horse is on the inside of the turn. Practice this first without the horse. If you have a willing human helper, have them be the horse so they can give you feedback about the clarity of your body orientation signal just prior to navigating each corner. (See ‘Related Resource’.)
  4. Handler understands the skill of navigating the bigger arc of the turn without raising his/her energy so much that it influences the horse to either speed up or stall out. This can also be practiced with another person standing in for the horse.

MATERIALS AND ENVIRONMENT

  • A work area where the horse is relaxed and confident.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • The horse is not hungry.
  • Halter and lead (kept draped as much as possible, as we want to use orientation and body language for communication, not rope pressure).
  • Safe stretches of fence along which you can walk in position beside the ears, keeping the horse between the fence and the handler to encourage straightness.
  • Four markers. The markers can be anything safe. In the beginning, it’s easiest if the markers are relatively large, so the horse sees the sense in walking around them rather than across or through them. Barrels, tall cones, tread-in posts if working on grass, or if these are not available, cardboard boxes can do the job.
  • Four rails to set up in a square or rectangular shape with one of the large markers set into each corner.

AIMS

  1. To have the horse and handler execute fluid, smooth counter turns when the horse is on the inside of the turn; handler on the LEFT side of the horse.
  2. To have the horse and handler execute fluid, smooth counter turns when the horse is on the inside of the turn; handler on the RIGHT side of the horse.

VIDEO CLIPS

Clip 1:

Clip 2:

NOTES

  1. What you see Boots doing in the video clips is a result of many very short sessions over a long time. I always strive to improve the timing of my body axis turned toward the horse as a signal for the counter turn.
  2. If the horse has been resting or contained, it is important to walk around for a general overall body warm-up before asking for this sort of flexion. A relaxed road walk or moving over rails and weaving obstacles make great warm-up exercises.
  3. It’s important to teach each slice on both the left and right sides of the horse.
  4. Quite often it is harder for the horse and/or the handler when they are using the non-dominant side of their body. With patience and extra practice on the harder side, it will start to feel more equal.
  5. Signals given with the handler’s non-dominant side are often not as fluid or well-timed as signals given on the dominant side. Once we become aware of this, we can focus on it as necessary.
  6. As with most things, progress without causing soreness is best made by doing a few counter turns every session; never turning it into drilling.

SLICES

Stay with each slice until if feels easy for both handler and horse.

  1. Walk along a safe fence with the horse between the handler and the fence. Keep a nice drape in the lead rope. For this slice, we are not yet focusing on keeping a position beside the ears. Our focus is the horse walking calmly and willingly along the fence. Occasionally ask for a halt; click&treat.
  2. When 1 feels smooth, put yourself into position beside the horse’s ears while you are at the halt; click&treat (still halted). Then ask for ‘walk on’ and see how well you can maintain the shoulder/ear position (I’ll refer to this as just the ‘ear position’ from now on).
  3. If the horse tends to want to walk behind you, he may have been taught to lead mainly by staying behind, so treat this gently. Slow down with him to stay by his ear; click&treat when you achieve the position. Ask for only a couple of steps in ‘ear position’ before you halt; click&treat. We want to gradually have him realize that being in the ‘ear position’ is what elicits the click&treat.
  4. If the horse tends to forge ahead, it makes more sense to me to use a body extension to block the forward surge, rather than to ‘correct’ with pressure on the rope.
  • A horse with the habit of cutting in front of the person leading is not in a good place in terms of getting along with people. If the horse has been taught to lead by following a hand-held target or walking calmly between stationary targets, this problem may never arise. You may want to go back and work on these skills before continuing with this exercise.
  • If your horse has been traumatized by stick objects in the past, the prerequisite task now becomes to build his confidence with body extensions before proceeding any further. (See ‘Related Resource’ 6 at the end of this chapter.)
  • Note: I am a fan of using targets for many things, but they can become a problem when the training does not progress to developing the relevant skills so a target is no longer needed.
  • In the first video clip, I use my arm to indicate a halt. Eventually this arm signal will no longer mean halt; it will instead be our signal for communicating that we are about to do a counter turn.
  • If the horse has the habit of surging ahead and is not traumatized by sticks, simply use a stick to put motion energy out in front of him to block his surge, followed by click&treat when he stops surging / stays beside you. This is an example of ‘combined reinforcement’. We use negative reinforcement to help the horse quickly understand the answer we need. The instant he finds the answer, we click&treat. There is no need to touch the horse with the body extension. We only use it to disturb the air in front of the horse by moving it up and down.
  • If the horse is full of energy, for whatever reason, the way forward is to give him opportunity to run off the energy so he can regain focus on the quieter work you want to do. Every horse is different and every training situation is a new combination of environment and events.
  • He will learn to keep the ‘ear position’ both while moving and when you ask for the halt. Eventually your raised arm will be enough and the body extension becomes redundant. If you feel your ‘halt’ could be improved, see Getting a Smooth Halt in Many Situations: https://wp.me/p4VYHH-5R9

5.   Work with ‘walk on’ and ‘halt’ in the ‘ear position’ until it feels fluid in a variety of places and  with the handler walking on either side of the horse.

6.  When 5 is smooth, set up your rectangle of ground rails with a bulky object at each corner. Make the square/rectangle as large as you like. The one in the video clip is small for easier filming. As you approach a corner of the rectangle, turn your body axis toward the horse and raise your outside arm as you did previously for the halt.

The horse will feel your energy as you continue to step the arc around the corner and realize you are not stopping. Click&treat as soon as you come around the corner. If the horse does halt when you raise your arm, use some of your ‘walk on’ multi-signals to let him know that you are not stopping.

7.  At first, click&treat after each corner. Gradually change to every second corner, and so on. Eventually vary the number of corners done before the click&treat. I don’t often ask for more than four corners in a row before the click&treat.

8.  Change direction (and therefore side of the horse) often. This is a fairly concentrated flexion exercise and we don’t want to make the horse stiff.

9.  When 7 is going well, remove the rails and use just the corner markers.

10.  When 9 is going well, put markers at random throughout the training area Walk toward one and adjust your position so you can ask for a counter turn around it. I couldn’t fit this into the video clip, but it is an easy way to include a few counter turns in any training session.

GENERALIZATIONS

  1.  Set out a row of markers to weave for practicing your ‘drive’ and ‘draw’ body axis changes to really consolidate the idea for both of you. (See ‘Related Resources’ 2 and 3 at the end of this post.)
  2. Set out markers around which you can do figure eight patterns, which combines the counter turn with the turn where you are on the inside. (See ‘Related Resource’ 4 and 5 at the end of this post.)
  3. When everything is going smoothly, we can increase the challenge by asking for 180-degree counter turns (U-turns). We achieve this by keeping our body axis turned toward the horse for longer.

These are fairly extreme flexion tasks, so be gentle and only ask for a couple at a time at first. A few done often will certainly increase suppleness but be careful if your horse has (or might have) joint, stifle or arthritis issues. Always make sure the horse is well warmed up.

4.  Eventually, we can ask for 360-degree counter turns around a marker. At first, a barrel or cluster of markers may make it easier because the turn is wider. With practice, the horse will get adept with tighter turns, but please note the cautions in 3 above.

5.  Freestyle Counter turns: When it feels right, begin to ask for 90-degree counter turns without markers. If these fall apart, you have feedback about which slice to return to in order to regain the horse’s confidence and willingness. Usually we have to ask for less or in other words, raise the rate of reinforcement.

6.  Morph the freestyle counter turns into a quiet, relaxed circle with the handler on the outside, then gradually change that into a tidy turn on the haunches. It may look messy at first, but with practice can become lovely and fluent.

7.  Back-Up Counter Turns: Ask the horse to back up with you for a few steps, then ask for a counter turn; click&treat. These may also feel messy at first, but once you and the horse get synchronized via many mini-practices, they will become more and more exact. When one of these feels good, ask for two in a row before the click&treat.

Then do three in a row and finally four in a row so you have backed a complete square. I count our steps back and usually do the turn after every third or fourth step. If you are consistent with the number of the steps back before you ask for the turn, you will find that horses are excellent at counting. Teach again on the horse’s other side, which will probably feel quite different due to handler and horse asymmetry.

RELATED RESOURCES

  1. Blog: Smooth ‘Walk On’ and ‘Halt’ Transitions: https://wp.me/p4VYHH-5TT
  2. Video Clip: #170 HorseGym with Boots: Body Axis Orientation Signals: https://youtu.be/mjBwyDsVX6Y
  3. Video Clip: #70 HorseGym with Boots ONLY HORSE WEAVES: https://youtu.be/AhwwC783Kh0
  4. Video Clip: Figure 8: https://youtu.be/QrberCzAO6c
  5. Video Clip: Figure 8 at Liberty: https://youtu.be/0HXfJTv15eY
  6. Video Clip: #121 HorseGym with Boots: STICK & ROPE CONFIDENCE: https://youtu.be/WIpsT4PPiXo

 

 

The Balancera Exercise

INTRODUCTION:

Horses have an inbuilt action pattern for moving in synchronization with each other. One way to play with this wonderful ability is to devise an exercise where the ‘walk on’ signal balances rhythmically with the ‘back up’ signal.

First, we ensure that our ‘walk on’ and ‘back up’ signals, used individually, give us fluid movement together staying shoulder-to-shoulder. Then we link these two tasks together to form a sequence of dance-like steps.

While walking forward, we pause momentarily before shifting our energy to step backward. The pause gives the horse time to re-organize his body to step back with us. The message to shift gears must travel a lot further in a horse than in our smaller body. Also, the horse has four legs to organize, so it is important to build in a pause long enough for the horse to accomplish the change.

It can look and feel rough at first, but by spending a short time with this exercise often, the shift from forward to reverse gear can become fluid and polished. The two video clips below show the stages of training that Boots and I went through.

PREREQUISITES:

  1. Horse and handler are clicker savvy.
  2. Horse responds willingly to ‘walk on’ signals and walks in a relaxed manner with the handler beside his neck/shoulder. (See ‘Related Resources’ 1 at end of this post.)
  3. Horse responds easily to ‘back-up’ signals and walks backward willingly with the handler staying in position beside his neck/shoulder. (See ‘Related Resources’ 2 at end of this post.)
  4. Horse and handler understand the ‘Zero Intent’ dynamic. (See ‘Related Resources’ 3 at end of this post.)

ENVIRONMENT & MATERIALS:

  • A work area where the horse is relaxed and confident.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • The horse is not hungry; he’s had ample time to graze or eat hay right before the training session.
  • Halter and lead (kept draped as much as possible, as we want to use body language for communication, not rope pressure). If the horse already backs up easily with the handler in the shoulder-to-shoulder position, you can teach this task at liberty.
  • A selection of barriers which we walk toward and ask for a ‘halt’.
  • A safe fence or similar to work alongside.
  • Supports and rails to build a dead-end lane.

AIM:

To smoothly change from walking forward ten steps to backing up ten steps in a straight line, staying together in the shoulder-to-shoulder position.

VIDEO CLIPS:

Balancera Clip 1 of 2: #173 HorseGym with Boots

 

Balancera Clip 2 of 2. #174 HorseGym with Boots

NOTES:

  1. The slice numbers on the clips don’t correspond to the slice numbers below.
  2. Boots’ demonstration on the video is the sum of many short sessions over a long time. When teaching something new, we stay with each slice of the task over as many short sessions as necessary until it feels ho-hum (easy and smooth). Then we move on to the next slice.

SLICES:

  1. Ensure that you can ‘walk on’ together fluidly toward a destination, staying in position shoulder-to-shoulder (as for this whole exercise).
  2. Ensure that you can ‘halt’ together fluidly, staying in position shoulder-to-shoulder.
  3. Set up a lane and walk the horse through it in both directions. The horse walks inside the lane, handler walks on the outside.
  4. When 3 is ho-hum, walk the horse into the lane and ask for a halt about halfway along; click&treat. Do this in both directions.
  5. Repeat 4 above, asking the horse to wait a second longer before the click&treat, until he can comfortably wait 4 or 5 seconds while you relax with Zero Intent.
  6. Block off one end of the lane with a barrier placed about half a horse’s length inside the lane. Walk the horse into the lane and halt at the barrier; click&treat.
  7. Hold the rope in the hand nearest the horse. Lift your rope hand straight up and jiggle the rope lightly to put a distinctive touch signal on the halter. If your horse already understands a voice ‘back’ signal, use this as well. Watch for any movement backwards, even a body shift back; click&treat. If your horse already responds reliably to a back-up gesture and/or voice signal, you can probably teach this at liberty.
  8. Walk the horse into the lane again, to halt at the barrier; click&treat. Repeat 7 above, gradually building up to several steps back.
  9. Block off the lane a little further along so the horse is halting with his whole body inside the lane. Repeat backing out, aiming for a fluid, confident back-up of 5-6 steps. Make sure the handler remains shoulder-to-shoulder with the horse during the backing steps.
  10. Now we want to switch the halter jiggle signal to a hand signal. As you lift the rope-hand straight up to jiggle the rope, also lift your outside hand to the horse’s eye level and make a backward gesture with it. And use your voice signal. Click&treat for any stepping back.
  11. When 10 is good, repeat, using the outside hand and voice signal BEFORE you lift your rope-hand to put jiggle energy into the halter. The moment the horse begins to step back, stop jiggling the rope but ask for another step or two with the outside hand and voice signals.
  12. When the horse moves back readily with your outside hand gesture and voice signal, fade out the rope-jiggle. You have taught what it means, and it is there as a reminding-signal in times of need.
  13. Now we want to combine walk forward, pause, back-up with one click&treat after the whole task. This is the Balancera. Walk into the lane, halt at the barrier, signal for the back-up; click&treat for any back-up that is offered. Because we are introducing new complexity, we relax our criteria for number of steps back.
  14. Gradually, over many very short sessions that always end on a good note, ask for more steps back after the halt before you click&treat. 5-6 steps are good during the learning process.
  15. Practice with a lane of ground rails. Most horses will tend to veer right or left when they back up, due to the natural asymmetry of their bodies. One hind leg pushes off harder, so their hind end veers away from the stronger leg. By frequent backing through a lane of ground rails or between barrels, we help the horse organize his body to stay straighter. I often practice this slice as part of our regular gymnastic work.
  16. Practice with one barrier on the far side of the horse but still halting at a barrier. This gives you another opportunity to note which way his hind end tends to veer.
  17. Work on all the above on both sides of the horse. Each slice has two parts – handler in the left eye and handler in the right eye.
  18. When you feel the time is right, repeat 15 and 16 without a barrier at the end of the lane or along the fence.
  19. Play with halting facing a fence followed by a back-up without the prop of a lane or rails.
  20. When you feel the time is right, ask for a halt away from any barriers, followed by a back-up. Celebrate hugely when you get this. Done with finesse, the horse becomes light and keeps his full attention on your body language so he can maintain the synchronization. I always click&treat after this task.
  21. Gradually build up to 10 steps forward and 10 steps back but vary the number of steps each time you do it. He will be listening for your click to know when he can stop backing.
  22. Whenever it feels ‘broken’, go back to whatever slice the horse feels confident with and work forward from there.
  23. Ask for two ‘forward & back’ repeats before the click&treat.
  24. Ask for three ‘forward & back’ repeats before the click&treat.

GENERALIZATIONS:

  • Adopt doing the Balancera between two ground rails as a regular part of your gymnastic warm-up and cool-down routines.
  • Play with this in new venues.
  • Play with it around new distractions.
  • Play at liberty.
  • Play with it to and from paddocks or while out on a walk.
  • Play with it on slopes, both backing down and backing up the slope.
  • Play with it long-reining using your voice and hand signal from behind the horse rather than beside him.
  • If you ride, play with it ridden. You can use the straight upward jiggle of your rope or rein to remind the horse about what you want, along with your voice signal and your body weight shift signal. If you use a cordeo (neck rope) while riding, you have probably already taught a touch signal with that for the back-up. If you begin by riding into a corner, it will easily make sense to the horse that you want him to back up.

RELATED RESOURCES:

  1. Blog: Smooth Walk-On and Halt Transitions: https://wp.me/p4VYHH-5TT
  2. Playlist: Backing-Up: This is the link to the first clip in the playlist: https://youtu.be/wZ7hnFSkxUU
  3. Blog: ‘Zero Intent’ and ‘Intent’: https://wp.me/p4VYHH-5RO

PLACING THE FEET ACCURATELY USING A RAIL

This task continues the attention we gave the ‘halt’ and ‘walk on’. We also add a ‘back up’ and pay a bit more attention to ‘wait time’.

There are five different tasks, but since we do them in the horse’s left and right eyes, they are actually ten tasks. Then we consolidate the tasks by doing them in two directions, so we have a total of 20 tasks, or 10 tasks which each have two variations.

Once all the tasks are going smoothly, we can mix them up in any order, which teaches us to be crystal clear for the horse and has the horse watch us carefully to pick up our next signal.

When confusion arises, it is because we are not clear enough. Horses working for a food reward are usually super-observant of all our body language as well as carefully taught voice and gesture signals.

When we use our less dominant side, it’s common for our body language and gesture signals to be less clear until we become more conscious of what we are doing. If you haven’t usually done much on your horse’s right side, there will be a lot of learning going on.

PREREQUISITES:

  • Horse leads smoothly beside the handler’s shoulder. (See Additional Resource 1 at the end of the post.)
  • Handler and horse agree on clear ‘walk on’ and ‘halt’ signals. (See Additional Resource 2 at the end of the post.)
  • Horse and handler agree on a ‘back up’ signal. (See  Additional Resources 3 & 4 at the end of the post.)

ENVIRONMENT & MATERIALS:

  • A work area where the horse is relaxed and confident.
  • Horse is not hungry.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • Halter and lead or liberty.
  • A rail. I use a round rail in the clip, but using a half-round rail that doesn’t roll is ideal to teach this. Or we can put blocks under a round rail. In the clip, I put my foot on it to stop it rolling.
  • One or two of these tasks during one segment of a training session is plenty. If it’s all done quietly with no fuss or drilling, the horse will think on it and remember what behaviors will earn a click&treat. It works best to do a little bit often.

AIMS:

  1. Handler works on smooth ‘walk on’, ‘halt’ and ‘back up’ signals using a single rail as a focal point.
  2. Handler builds small pauses into the work to encourage the horse to relax while waiting for the next set of signals.
  3. Horse develops confidence with standing over a rail under his belly.
  4. Horse has practice to place his feet carefully in response to handler signals.

VIDEO CLIPS:

With halter and lead:

 Liberty

NOTES:

  1. In the video clip, I change between left eye and right eye for each task. An option is to teach them all smoothly with the handler on one side of the horse and then teach them again from the other side.
  2. I didn’t film the tasks using a mat destination between repeats of the task, but when first beginning to teach the tasks, it can help to have a familiar mat some distance from the rail and head to it for an extra click&treat between repeats.
  3. For challenges like this with multiple parts, I find it useful to carry a written memo card in my pocket.

SLICES:

  1. Walk right over the rail, halt a few paces beyond the rail (or at a destination mat/target), click&treat.
  2. Halt with the rail under the horse’s belly, click&treat; pause, walk on forward over the rail.
  3. Halt before stepping over the rail, click&treat; pause, walk on over the rail.
  4. Halt after all four feet have stepped over the rail, click&treat; pause, walk on.
  5. Halt with the rail under the horse’s belly, click&treat. Pause, ask the horse to back his front feet over the rail, click&treat; pause, walk on forward over the rail. If you have not taught backing up, add this slice later when the horse already backs confidently in different situations.

GENERALIZATION:

  • Approach the rail from different directions.
  • Put the rail in different venues.
  • Use different rails.
  • Do it at liberty or add halter and lead if you taught at liberty.
  • Work on a slope.
  • Use a similar exercise to get a horse comfortable with stepping into and out of a hoop on the ground with front feet, then with back feet.

ADDITIONAL RESOURCES:

  1. Video clips: #29 HorseGym with Boots: Leading Position 3 with a Circle of Markers: https://youtu.be/jtTnlvn0SjE. #85 HorseGym with Boots: Walk On, Halt, Back Up: https://youtu.be/PS01zopa6J0.  #30 HorseGym with Boots: Leading Position 3 Duration Exercise: https://youtu.be/kjH2pS1Kfr8
  2. Blog & video: Smooth ‘Walk On’ and ‘Halt’ Transitions: https://wp.me/p4VYHH-5TT
  3. Video clip: #41 HorseGym with Boots: Back Up Standing in Front of the Horse: https://youtu.be/AtTCA85e8l4
  4. Video clip: Shoulder-to-Shoulder Back Up: https://youtu.be/wZ7hnFSkxUU

 

 

 

 

 

 

 

 

 

Target Chin to Hand: Begin Targeting of Body Parts

Targeting body parts is fun to do when we are short on time or it’s too hot, wet, cold, or muddy to be out and about, which is often the case in January.

I’ve started with targeting chin to hand, because it is probably the easiest one to establish the IDEA of targeting a body part to our hand. It gives us a simple task to practice good timing of the click, plus consistent treat-delivery that keeps or returns the horse’s head to facing forward.

PREREQUISITES:

  1. Horse confidently touches his nose to a variety of different targets held in a variety of positions. In other words, he seeks out the target.
  2. Horse confidently touches his nose to our outstretched fist in a variety of positions and with us standing beside him or in front of him.
  3. Handler has developed a clear ‘zero intent’ body language stance. (See Related Resources 1.)
  4. Horse understands the handler’s ‘zero intent’ position, by remaining calmly facing forward for several seconds, rather than turning toward the treat pouch or pocket when the handler stands beside the horse’s neck. There are training plans for these prerequisite skills in my book: “How to Begin Equine Clicker Training” (See the link to BOOKS at the top of the screen).

I have to presume that everyone is already familiar with the basics of clicker training, since the new shaping plans I share here build on those basics. If you are not familiar, the information in the book is a great place to start.

ENVIRONMENT:

  • Horse is not hungry, so he can focus on what we are teaching, rather than the treats.
  • Horse at liberty in an area he finds comfortable.
  • Ideally, herd mates in view but not able to interfere.

AIMS:

  • The horse willingly moves his chin to touch our hand held toward his chest from his chin.
  • The handler becomes more confident with slipping into and out of a ‘zero intent’ posture. (See Related Resources 1 at the end of this post.)

NOTES:

  1. Play with this in very short sessions. Stop when it feels good. Sessions can be before or between other things that you are doing.
  2. Have the short sessions as frequent as possible. Every day is good, twice a day is even better.
  3. Stick with one body part until you and horse are totally ho-hum with it.
  4. When you are ready to introduce a second body part, the PROCESS is exactly the same as the one outlined below for the chin.
  5. To introduce another body part, begin each session with the one(s) you have already taught, then suggest the new spot by touching it: click&treat, and progress through the same thin-sliced process.

VIDEO CLIP:

SLICES:

  1. Touch the flat palm of your hand to the horse’s chin; click&treat.
  2. Repeat several times so the horse can make the connection between the ‘touch’ and the click&treat.
  3. Hold your hand a tiny distance back from the chin (toward the horse’s chest) and wait for the horse to close the distance so he touches your hand: click the instant you feel the touch & treat plus celebrate largely (happy praise and a triple treat or jackpot).
  4. If you do slice 3 above, and the horse does not make the connection, resume with slice 2.
  5. Once the horse is making the connection over a tiny distance, gradually increase the distance one millimeter at a time.
  6. Early on in your teaching program, start each new session with a touch to the chin, to remind the horse about which task you are doing.
  7. Once the horse clearly understands the task, take up the ‘zero intent’ position between repeats, to build a bit of ‘wait duration’ between your requests. Build up the ‘wait time’ in one second increments.
  8. Some horses will develop a little signal to tell you when they have finished chewing and are ready for a repeat. (See Related Resource 6.) Watch out for these and value them by doing a repeat. Boots illustrates this in the video clip.

GENERALIZATION:

We can use how the chin (lower lip) feels to our touch to estimate the horse’s relaxation level. It’s easier to feel the chin (lower lip) tension than to see it when we are actively doing things with the horse.

While interacting with the horse, occasionally pause and feel his chin (lower lip). A soft, floppy lower lip suggests a horse relaxed about what is going on.

With increasing anxiety, the lip tightens, so it might be:

  • Very Loose
  • Moderately loose
  • A little bit tight
  • Quite tight
  • Very hard indeed.

Likewise, as anxiety reduces and relaxation returns, a tight lip will loosen up.

Add Pics of chin

A very relaxed, loose chin/lower lip.

A tighter chin/lower lip. When with the horse, it is easier to feel the difference than to see it.

RELATED RESOURCES:

  1. Blog: ‘Zero Intent’ and ‘Intent’: https://wp.me/p4VYHH-5RO
  2. Blog: Target Shoulder to Hand: https://wp.me/p4VYHH-5SH
  3. Blog: Target Hindquarters to our Hand: https://wp.me/p4VYHH-5Tk
  4. Blog: Target Flexions: https://wp.me/p4VYHH-5Ty
  5. Blog: Seeking the Horse’s Consent Signals: https://wp.me/p4VYHH-5RV

 

RAINY DAY and STALL REST ACTIVITIES

INTRODUCTION:

These activities are all based on equine clicker training. Please see my book, How to Begin Equine Clicker Training: Improve Horse-Human Communication if you would like to investigate clicker training with horses. Details of my books are on the ‘BOOKS’ page link above. The books are all available via Amazon.com. Topics in the books contain free links to relevant YouTube video clips.

I keep the clips short – most are under five minutes. Each relates to a specific skill. Keeping them short makes them easier to find and review.

Each of the activities listed below has one or more accompanying video clips. Depending on the reason a horse is on stall rest, some  tasks may be a more useful than others.

  1. Nose to Target

This is fully discussed and explained in the book mentioned above. It is usually one of the first tasks when we introduce clicker training with horses.

Once the horse understands that touching his nose to a target held out by the handler earns him a click&treat, and he has a strong history of reinforcement for the task, we can use it to gradually develop flexion.

This clip shows a way to introduce the ‘nose to target’ task with the handler in protected contact (i.e. on the other side of a barrier). It’s good to use protected contact until we know how the horse responds to food being part of the training process. https://youtu.be/Rat3P1pGKjU

  1. Head Lowering (and Head Up)

This illustrates the process of free-shaping a behavior. Free-shaping means that we wait for the horse to do something it naturally does (e.g. lower the head) and ‘mark’ that behavior with a click&treat. It’s important to accurately ‘mark’ and treat each little approximation toward the final behavior we want, so timing of the click and smooth treat delivery are necessary. It’s helpful to work on these away from the horse by asking another person to stand in for the horse.

Clip One: https://youtu.be/AoqtJj2X1bU

Clip Two: https://youtu.be/Ol-BHB1QCnw

Clip Three: https://youtu.be/CYhgwlmrfps

  1. Okay to Repeat Signals and Grooming with ‘Okay to Repeat’ Signals

This post contains the background and video clip links.  https://wp.me/p4VYHH-5RV

  1. “Intent and Zero Intent”

This post contains the background and video clip links. https://wp.me/p4VYHH-5RO

  1. Target Feet to Mat and Duration on the Mat

This post with clips introduces the idea of mats. https://wp.me/p4VYHH-5S9

  1. Target Flexions

This post contains the background and video clip. https://wp.me/p4VYHH-5Ty

  1. Target Chin to Hand

Clip: https://youtu.be/Fsigp8wB0LU

  1. Target Shoulder to Hand

This post contains the background and video clip. https://wp.me/p4VYHH-5SH

  1. Targeting Body Parts Overview

This clip shows an overview. Each body part would be taught separately following the outline for targeting chin or shoulder to our hand, as in items 7 and 8 above. https://youtu.be/tFGvmRRYdHQ

  1. Bell Ringing

Clip: a thin-slicing technique to teach bell ringing: https://youtu.be/wBdJMgtHU6A

Clip: bell and horn playing: https://youtu.be/pHvgJxJsmc4

  1. Picking Things Up

This clip looks at a first lesson: https://youtu.be/EDGRpM2yLBo

This clip is with a horse a bit further into the process. https://youtu.be/FCQrlMc01RE

This clip shows the skill generalized to picking up and carrying a feed bucket. https://youtu.be/zRM8kO992EY

The two clips below demonstrate the final slices of our process for learning to retrieve a cap tossed away.

Clip 1: https://youtu.be/bvRkCk___3M

Clip 2: https://youtu.be/hMIB5mlx65E

  1. Willing Haltering

Clip showing ‘halter prep’ using a hoop.  https://youtu.be/WKeLxfpBFAo

This post contains the background and video clip. https://wp.me/p4VYHH-5Sw

  1. Relaxation with Body Extensions

Clip: https://youtu.be/nkwxYwtCP_Y

Clip: Stick and Rope Confidence: https://youtu.be/WIpsT4PPiXo

  1. Balance on Three Legs

Clip: https://youtu.be/x1WKppV3N_0

  1. Clean all Feet from One Side

Clip: https://youtu.be/UMyApCj9wBQ

  1. Hoof Stand Confidence

Clip: https://youtu.be/khsEm1YBtLs

  1. Head Rocking

Clip: https://youtu.be/-2VjmbfkfS4

  1. One Step at a Time

Clip: https://youtu.be/wStHxqNs7nk

  1. Soft Response to Rope Pressure

This post contains the background and video clips. https://wp.me/p4VYHH-5Sq

  1. In-Hand Back-Up

Clip: https://youtu.be/6YYwoGgd_0Y

  1. Step Aerobics

This post contains the background and video clip. https://wp.me/p4VYHH-5Sf

  1. Foot Awareness (Proprioception)

Some of the little tasks in this clip can be done in a restricted space. https://youtu.be/7bEkFk0w_gk

  1. Counting

This clip looks at the beginning of teaching ‘counting’: https://youtu.be/2os0DTE2SoE

  1. Kill the Tiger

This clip shows the final task. It was thin-sliced to first teach it. Be aware that some horses might generalize this bit of fun to pulling off their saddle pads unless you put it on cue or ‘on signal’. https://youtu.be/M8vzn1JsR_k

  1. Bursting Balloons

This clip shows Smoky after a few sessions when he is just beginning to get the hang of it. https://youtu.be/Md7ui1DejaI

  1. Target Hindquarters to our Hand

https://wp.me/p4VYHH-5Tk

 

180-Degree Turns

INTRODUCTION:

I learned this exercise from Alex Kurland. It seems simple but is enormously useful in maintaining both physical and mental suppleness for the horse and handler.

It also serves to practice our ‘walk on’ signals and allows us to consolidate our ‘halt’ signals each time we approach the mat, with special emphasis on our voice ‘whoa’ signal.

It is a super exercise to check the flexibility of our horse and we may also gain insight into the flexibility of our own body as we improve the timing of shifting our body axis on the approach to each marker. We are usually more flexible bending either right or left, just like horses are.

If we consistently do short bursts of this exercise over many sessions, we’ll notice that it gets easier and easier to do tighter, elegant 180-degree turns (unless horse or handler are restricted due to past injury or arthritis).

PREREQUISITES:

  1. Horse and handler are clicker savvy.
  2. Horse willingly moves to target his front feet on a mat. (There is a relevant link under ‘Addition Resources’ at the end of this post.)
  3. Horse responds willingly to ‘walk on’ and ‘halt’ signals when the handler is beside his neck/shoulder. (There is a relevant link under ‘Addition Resources’ at the end of this post.)
  4. Handler understands the skill of maintaining ‘forward energy’ at the same time as slowing down to give the horse time to scribe the bigger arc of the turn. This can be improved by practice with another person standing in for the horse. We have to remember that the horse has four legs to organize and a long body that more resembles an ocean-liner than a ballerina.
  5. Handler is aware of using the orientation of his/her body axis as a key body language signal for the horse.

ENVIRONMENT & MATERIALS:

  • A work area where the horse is relaxed and confident.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • The horse is not hungry.
  • Halter and lead (lead kept loose as much as possible. We want to use orientation and body language for communication, not touch signals via the rope, but we may use these when we first teach teach this pattern).
  • 6 or 8 markers set out in a relatively large circle. The markers can be anything safe: cones, stones, pieces of firewood, tread-in posts if working on grass, jump stands, barrels, 5-liter containers of water, cardboard boxes, rags. In the beginning, it’s easiest if the markers are relatively large, so the horse sees the sense in walking around them rather than across or through them.
  • Different-colored markers make it easier to keep track of where we are heading and where we have been. If they are the same size and shape, they give continuity to the development of the horse’s fluidity since it needs the same body adjustment around each marker. Therefore, identical markers are best to first teach this exercise.
  • Different-sized markers encourage the horse to vary his body adjustment to navigate each one, so they are a good generalization.
  • A familiar mat placed in the center of the circle.

AIMS:

  1. To have the horse and handler execute fluid, smooth 180-degree turns (U-turns) with the horse on the outside of the turn; handler on the LEFT side of the horse.
  2. To have the horse and handler execute fluid, smooth U-turns – horse on the outside of the turn, handler on the RIGHT side of the horse.
  3. Handler becomes super conscious of the position and timing of his/her body axis orientation to signal the turn coming up.

VIDEO CLIP:

NOTES:

  1. What you see Boots doing in the video clip is a result many very short sessions over a long time. I’m  always striving to improve the timing of my body axis turned away from the horse as a signal for the turn.
  2. If the horse has been resting or contained, it’s important to walk around for a general overall body warm-up before asking for this sort of flexion. A companionable walk or moving over rails and weaving obstacles are good warm-up exercises.

SLICES:

  1. Walk on the left side of the horse to target the mat in the middle of the circle; click&treat.
  2. Focus on one of the markers ahead of you of the circle and ‘walk on’ toward it. Ensure that you walk off together by using all your ‘walk on’ multi-signals. We don’t want the horse surprised and left behind.
  3. Walk around the marker and back to the mat; click&treat.
  4. Did you manage to keep up your energy while walking the inner curve around the marker? If we let our energy drop, the horse can fade out too. In the learning phase, it can help to raise our knees as in ‘marching on the spot’ to keep our energy up, as demonstrated in the video clip.
  5. Not only does the horse have further to travel, he must organize two pairs of legs and a non-bendy torso to navigate the corner, so we have to give him time.
  6. At first the U-turns might be wide and/or sloppy. Don’t worry, you will both gradually improve if you stick with the task over many short sessions.
  7. The horse will soon work out that each time you go around a marker, you head straight back to the mat where he will earn another click&treat. This realization motivates him to begin making his U-turns more efficient and elegant.
  8. As you begin the change of direction at each marker, turn the axis of your body away from the horse. This will become a body language signal you can eventually use later in many different situations and to communicate at liberty.
  9. Add a voice signal at some point. I use “Round”. Choose a word that is short, clear, and not used in other contexts.
  10. As you notice improvement in his flexion during the turns, you can begin to selectively click&treat nice tight ones as he comes out of the turn, then carry on for another click&treat at the mat.
  11. After each return to the mat (click&treat), choose a different marker and repeat.
  12. After navigating all the markers walking on the left side of the horse, repeat walking on his right side. Once around each marker on each side of the horse is usually enough of this exercise during one session.
  13. Often it is harder for the horse and/or the handler when they are using the non-dominant sides of their bodies. With patience and extra practice on the harder side(s), it will start to feel more equal.
  14. Signals given with the handler’s non-dominant side are often not as fluid or well timed as signals given on the dominant side. Once we become aware of this, we can focus on it as necessary.

GENERALIZATION:

  1. The first generalization is to repeat walking on the horse’s right side.
  2. Begin to focus on using body axis orientation in other contexts such as weaving obstacles
  3. The clip below demonstrates how Boots and I use my body axis orientation to work on flexion during our walks down the road.

ADDITIONAL RESOURCES:

Blog: Using Mats: Parking and Stationing and Much More: https://wp.me/p4VYHH-5S9

Blog: Smooth ‘Walk On’ and ‘Halt’ Transitions: https://wp.me/p4VYHH-5TT

 

WALK and HOCK GYM with OBSTACLES

INTRODUCTION:

A horse training area without obstacles is like a playroom without toys. When we have a collection of obstacles, each one allows us to have a conversation with our horse.

It’s much easier if our horse lives with us and we can set up and change obstacles as convenient, as opposed to having to book time to use a training area.

However, we can amass a collection that is relatively easy to set out, pick up, transport and store. Rags make excellent markers and can be set out to weave or act as a rail or delineate a lane. Smaller cones are easy to set out, collect and store.

Tarps can be folded to different sizes or rolled up to stand in for a rail. If you have use of an indoor arena or it is not a windy day, a collection of cardboard boxes that can be nested for easy storage are useful to act as destinations, create novel gaps, outline lanes or act as rails.

Ropes can take the place of rails to create lanes. Hoops are light and easy to move and store. I prefer hoops made of hose and joined with doweling (or a twig the correct size).

If your horse is boarded, there may be available gear that is not too heavy to move to create circuit. If you have a grazed area for training, tread-in posts have many uses and can be paired with tape to create reverse round pens or high-sided lanes. Some people may have trees, banks, ditches, bridges, stumps, slopes and/or natural water to incorporate into circuits.

Circuit activities like this are great as warm-up or cool-down exercises, or just to give horses a stretch of continuous movement and a bit of mental stimulation.

PREREQUISITES:

  1. Horse and handler are clicker savvy.
  2. Horse responds willingly to ‘walk on’ and ‘halt’ signals when the handler is beside his neck/shoulder, on both sides of the horse. (See LINKED RESOURCE 1. at the end of the post.)

ENVIRONMENT & MATERIALS:

  • A work area where the horse is relaxed and confident.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • The horse is not hungry.
  • Halter and lead (kept loose as much as possible, as we want to use body language for communication, not rope pressure).
  • A circuit of objects and obstacles. Ideally some to step over for hock flexion, lanes to walk through, gaps to negotiate, unusual surfaces to walk across, slopes if possible, hoops to step into, markers to weave, pedestals to put one or two front feet on, and so on. If your horse likes to pick things up, add that as an element of your circuit.

AIMS:

  1. To have the horse and handler and horse fluidly navigate a circuit of objects and obstacles at the walk with the handler on the LEFT side of the horse.
  2. To have the horse and handler and horse fluidly navigate a circuit of objects and obstacles at the walk with the handler on the RIGHT side of the horse.

VIDEO CLIP:

NOTES:

  • The horse in the video clip is an old hand at negotiating circuits and the circuit in the clip is a basic one.
  • This activity refines ‘walking together shoulder-to-shoulder’ with a draped lead rope or no lead rope. A key is to first establish solid, mutually understood, ‘walk on’ signals that ensure you step off together. It is a common habit for the handler to begin walking without ensuring that the horse is stepping off at the same time. (See LINKED RESOURCE 1. at the end of the post.)

SLICES:

  1. Make a list of obstacles available and draw a diagram of where you might put them in your training area.
  2. Experiment gently to find your horse’s response to each obstacle: Either one a day or a couple each session, whatever suits your time and facility.
  3. For horses new to this sort of activity, introduce one obstacle at a time and add a new one when he his totally confident with the previous ones.
  4. If the horse is an old hand at this sort of activity, set up your designed circuit. Move on to generalizations once walking around the basic circuit is fluid on both sides of the horse.
  5. Sometimes I use three, four or five obstacles and do various things with each one, or sometimes I set up a longer circuit like the one in the clip which has twelve obstacles.
  6. If new to the activity, stay with each new obstacle until the horse is ho-hum with it. For example, if it takes one session for the horse to be comfortable with a new object or obstacle, and you add a new one each session, you can have a circuit of twelve obstacles after twelve sessions. Or you can do two different things with six obstacles.
  7. But: some obstacles will be harder and take longer than one session to establish comfort and willingness. As long as we always start where the horse shows confidence, and we proceed in small slices when he shows he is ready to do more, things usually progress well.
  8. Success breeds success. Over-facing and going too fast destroy confidence and the willingness to try again. If you notice you’ve done this, simply relax and go back however far you need to go to where the horse is confident and slowly work forward again.
  9. When it all flows smoothly while you are on the horse’s left side, start again on his right side.

GENERALIZATIONS:

  1. Add in the occasional halt, either between obstacles, in a lane, across a rail, on a pedestal, in front of a rail, just after stepping across a rail, between uprights, with front or back feet in a hoop. Decide beforehand how long your halts will be. Start with one second and work up gradually to five or ten seconds. Once you have duration, ask the horse to ‘wait’ while you move away and/or around him. (See LINKED RESOURCE 4. at the end of the post.)
  2. Add in the occasional back-up between uprights, through a lane, before reaching the next obstacle, backing front feet over a rail, backing all four feet over a rail. (See the LINKED RESOURCES 5. and 6. at the end of this post for training plans relating to backing up.)
  3. Ask for sidestepping away from you or toward you along a rail. (See LINKED RESOURCE 1. at the end of the post.)
  4. Walk a small circle to do the same obstacle twice.
  5. Change your leading position so you are in front of the horse and he walks behind you. See the LINKED RESOURCES 8. at the end of this post
  6. Add the occasional trot between or over selected obstacles.
  7. Long-rein the circuit. (See my Long-Reining book on the ‘Books’ page.)
  8. If you lunge, ask for continuous trot through a series of obstacles set up so your rope doesn’t catch on them. I like to trot an obstacle, then have horse trot a circle around me while I move into position for trotting over or through the next obstacle. This is an exercise that allows continuous sustained movement without being dead boring.

LINKED RESOURCES:

  1. Blog: Smooth ‘Walk On’ and ‘Halt’ Transitions. https://wp.me/p4VYHH-5TT
  2. Blog: Sidestepping: https://wp.me/p4VYHH-5RL
  3. Blog: Step Aerobics: https://wp.me/p4VYHH-5Sf
  4. Video Clip: Park & Wait: https://youtu.be/UvjKr9_U0ys
  5. Video Clip: Backing Up Clip 1: https://youtu.be/6YYwoGgd_0Y
  6. Video Clip: Backing Up Clip 2: https://youtu.be/safxxu90lkA
  7. Video Clips: This is the first clip in a playlist series about using hoops. https://youtu.be/AfDIAQSOmE0
  8. Video Clip: first of two clips to teach walking in front of the horse. https://youtu.be/n8uZOtO5hEc

 

 

 

Gaining Fluidity without Drilling

Questions:

  1. How do we become truly fluid with a specific task or series of tasks?
  2. How can the handler practice a clear, consistent signal or group of signals?
  3. How can we engage the horse to willingly carrying out tasks confidently at our request?

It’s natural to want to ‘practice’ to get better. It’s especially challenging when it’s the handler that needs/wants the practice in order to improve:

  • Optimum body orientation.
  • Moving easily between ‘no intent’ and ‘intent’ body language.
  • Gesture signal clarity.
  • Consistent voice signal.
  • Timing of the click to truly mark the desired behavior.
  • Prompt treat delivery.

The temptation is to get the horse to ‘do it again’ so we can practice. However, if a horse had carried out a complex task to a good standard, does it make sense to him to have to do it again right away?

Probably not. He may instead think that he didn’t get it right the first time. He may try a different variation in good faith and become confused if it does not result in a click&treat.

We acquire a complex task by teaching it via thin-slicing. The ACQUISITION STAGE is finished when our signals are relatively consistent, and the horse’s response is accurate about 90% of the time. Then we enter the STAGE OF BUILDING FLUIDITY with the task. (There is a link at the end of this post about ‘The Four Stages of Learning’.)

Gaining fluidity, with new thought processes or with new movements, means building up nerve connections. The only way to build up nerve connections is to apply our full attention to repeating the learning process.

Once we have a general idea about what we are learning, we focus our attention on the detail by reviewing the new skills often enough to put them into our long-term mental memory and our muscle memory.

This involves repetition. How we do the repetition can vary.

Not recommended – DRILLING:

Drilling involves repeating something over and over. Good point: it will become habitual. Bad point: it can kill enthusiasm for both that task and learning anything else by drilling.

For example, horses who are routinely made to move endless circles in a round pen, or constantly repeat dressage movements, often form an aversion to going into a round pen or arena.

Recommended – CHERISHING EACH MINI-OBJECTIVE:

To put a behavior into the horse’s long- term memory and have it ‘on signal’ or ‘on cue’ seems to be best done with 1-3 repeats each session over the number of days, weeks, or months that it might take, depending on the complexity of the final objective.

If the horse does a behavior to a pleasing standard the first time we ask, it is often a good idea to wait until the next session or later in the same session before asking for it again.

Helpful – Visualizing:

There is evidence (human studies) to suggest that if we focus on clearly visualizing the muscular movements needed to achieve an outcome, the brain views this as almost as good as actually doing it.

We can’t know whether horses visualize things, but my experience with teaching horses in mini-sessions (1-3 repeats) suggests that they do seem to ‘mull over’ new learning and bring a brighter response the next time we do it.

This is especially noticeable if we can have a short repeat most days. Once the horse shows a good knowledge of a task, a break of 2-3 days between requests often brings even more keenness to have ‘another go’ to earn a special high-value treat.

My horse, Boots, has a distinct little smug expression when she nails something especially well, earning approbation, applause, and a triple treat, jackpot, or special treat like a peppermint.

Helpful – SIMULATION:

To improve our expertise with the task, we can ask another person to stand in for our horse so we can practice developing clear signals and build up our mental and muscle memory for our part of the equation. The horse can only be as smooth in his responses as we are smooth and clear (fluid) with our signals.

If we are lucky enough to have an older, more experienced horse available, we can practice with him so we can be more coherent for a young or new horse.

A Possible Solution

To have a way of steadily improving the fluidity of challenging tasks, I decide on what mini-objectives I want to play with today, before we begin a session.

I pocket the exact number of higher-value treats to cover those objectives; usually one peppermint for a spot-on effort. In addition, I have unshelled peanuts or carrot strips for good attempts. This stops me from being tempted to ‘do it again’ once we have a peppermint-worthy response.

I also carry (horse pellets) for getting organized with resets and for when we do more relaxing things between the main mini-objective for that day.

In a way, it’s an example of getting more by doing less.

The video clip below shows three examples. They are either fun tricks to keep us amused, moving and supple, or they are Horse Agility tasks that are getting rather tricky because we have reached the higher-level ‘walk only’ class. Instead of increasing task difficulty with trot or canter, the tasks get more convoluted.

I’ve chosen relatively complex tasks. To reach the point shown in the video, the prerequisites for each task were taught with thin-slicing over a long time.

Example One

One peppermint for a 180-degree turn and back through a gate. Previously she learned a 360-degree turn by following the feel of a rope, then learned hand and voice signals and willingly did it at liberty during a recall. Some people teach this using a target. Boots also has had lots of practice backing up when I stand behind her, including months of long-reining training.

Example Two

A jackpot of five rapid treats for backing 8 steps in a straight line to end up in a 2.5-foot space between a barrel and me on a mounting block or between two barrels. In one session I did this once in each direction, so she could earn two peppermints. She knows ‘park and wait’ thoroughly, as well as backing up with me behind her. She also has a strong history of backing out of narrow dead-end lanes as part of trailer loading preparation, which is how we started training this task. I simply added the barrel on one side and me on a mounting block on the other side.

Example Three

Boots earns an unshelled peanut for our line-dancing move while I’m on the right side of the horse and another while I’m on her left side. We’ve been doing this for only a few months. She already understood yielding the shoulder to touch or gesture as well as targeting her shoulder to my hand before we started. She had also learned to target her knee to my hand, so I had to be careful about developing a distinctly different hand signal. For a long time, I asked for only one repeat before the click&treat. We are now gradually building in more repeats before the click&treat.

Video Clip:

#163 HorseGym with Boots: Gaining Fluidity without Drilling.

In Addition:

If our first attempt at a task is a bit sketchy, we do a quiet reset and try again, looking for improvement, click&treat for the improvement and usually we don’t repeat it again until later in the session or next day.

Instead, we go on to one of the other things we are working on, or just do activities that are well-established.

It seems that after a few weeks of repeating a complex task once daily, the horse often begins to look forward to doing it, knowing that a higher-value treat follows.

Cherishing each mini-objective set for the day’s session and rewarding it with a higher-value treat keeps alive the fresh desire to do it again tomorrow.

Extra:

If you are really keen, you can watch the whole filmed video series from which I took example two in the clip above, showing Boots backing eight steps to end up between a barrel and me on a mounting block. This is what we did for the first 30 days. During days 31-38 we practiced Boots backing up to stand between two barrels when I stood in front, facing her.

I filmed each of the first 30 training sessions. Over 38 days we trained an average of 5 minute on this task per day, so the total training time was 3 hours, 10 minutes.

She already knew about backing up when I stood behind her, so we were adding more detail to the task. She had to learn to stay straight and to target her withers to my hand.

The clips clearly show how we were both learning stuff each day. I was learning how to be clearer in my teaching and she was figuring out exactly what she had to do to earn the click&treat. Before and after each short session we did other things.

This is the first clip in the series. They all follow in a playlist called Backing Up to a Mounting Block.  Each clip is quite short.

ADDITIONAL RESOURCE:

The Four Stages of Learning: https://wp.me/p4VYHH-5SO

TARGET SHOULDER TO HAND

INTRODUCTION:

In the photo above Boots is leaning her weight toward me to connect with my hand which I held a small distance away from her shoulder.

Teaching the horse a signal to target his shoulder to our hand fits in nicely after we have taught him a signal to yield his shoulder away from us.

PREREQUISITES:

  • Horse and handler are clicker savvy.
  • Horse is mat-savvy.
  • Horse is comfortable standing ‘parked’ with the handler standing alongside. To review, check out my ‘Using Mats’ blog.
  • Handler has developed his/her ‘zero intent’ and ‘intent’ body language. To review, see the clip #153 HorseGym with Boots: Zero Intent and Intent toward the end of this blog or check out the ‘Zero Intent’ and ‘Intent’ blog.

ENVIRONMENT & MATERIALS:

  • A work area where the horse is relaxed and confident.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • The horse is not hungry.
  • Halter and lead (kept loose) and a safe, enclosed area for working at liberty, if possible.
  • Mat.
  • For generalization, a hoop, ground rail, mounting block or similar.

AIM:

Horse confidently moves his left or right shoulder toward the handler’s ‘outstretched hand’ gesture signal.

Video Clip:  #160 HorseGym with Boots: TARGET SHOULDER TO HAND

 

Note:

When we request the shoulder to yield away, we project energy at the horse’s shoulder from our body’s core at the belly-button which causes our posture to be upright.

When we request the shoulder to move toward us, it is important to pull our belly-button back so that we create a ‘draw toward me’ energy with our whole body. Horses are so sensitive to advancing and receding energy from another body, that they easily read the intent of our posture as long as we are totally consistent and not sloppy.

SLICES:

Stay with each slice until it feels ho-hum and smooth for both of you.

Make each session extremely short, 2-3 minutes. The magic is not in the final result as much as it is in the process of helping the horse figure it out.

  1. Ask the horse to park squarely; click&treat.
  2. Take up a position shoulder-to-shoulder with the horse and relax; click&treat. Work up to standing together quietly for five seconds before the click&treat, on each side of the horse.
  3. Reach out the flat back of your hand to lightly touch the horse’s shoulder; click&treat the moment your hand makes contact.
  4. Take up the ‘no intent’ or ‘zero intent’ body position and wait to see if the horse is okay for you to carry on. If he continues to stand in a relaxed manner, he is probably okay to carry on, or you may have sorted out one or more ‘okay to proceed’ signals.

ZERO or ‘NO’ INTENT POSITION

  1. Repeat 3 and 4 above, watching for any weight shift the horse makes toward your hand as you move it toward his shoulder. If he does, celebrate hugely with happy words and a jackpot or triple treat. Avoid the urge to see if he will do it again. Wait until your next session.
  2. When you feel the time is right, hold your hand a tiny distance away from touching the shoulder and WAIT for the horse to shift his weight to make the contact; click&treat. Some horses may step toward you to make the contact right away. For either one, celebrate hugely once again. Maybe do it once or twice more to consolidate the idea.
  3. It took Boots a couple of weeks of daily mini-sessions before she consistently leaned toward my hand to make the contact. Then it took more days before she confidently stepped toward my hand when I held it further away.
  4. Decide whether you want to continue teaching on the side you started with, or if you want to teach slices 1-6 on the other side of the horse before proceeding.
  5. When 6 is ho-hum, gradually hold your hand a little bit further away so the horse must take a sideways step to contact your hand; click&treat.
  6. Whenever the response seems slow or unsure (or is missing), go back to touch the shoulder; click&treat. Then work forward again at a rate that keeps the horse being continually successful as much as possible.
  7. When starting a new session, always introduce the task with a shoulder touch; click&treat, to let the horse know which game you are playing.
  8. Work to having the response equally smooth on either side of the horse.
  9. If the horse is mat-savvy, lay a mat beside the horse to act as a destination. Place the mat so the horse takes one step over to reach it. Gradually increase the distance to get two steps, then three steps.

GENERALIZATIONS:

  1. Turn on the haunches: ask the horse to step around to complete one/quarter of a circle (90 degrees). When that is smooth, work toward 180 degrees, and finally a full turn on the haunches (360 degrees). It can take a while to build confidence to do more than a quarter or half circle keeping the hind feet relatively in one place.
  2. Repeat 1 above on the other side of the horse. Because our bodies and the horse’s body are asymmetrical, one side is usually easier. It helps to do a bit more on the harder side until, after lots of short sessions, both sides feel smooth.
  3. Add a hoop (made so it comes apart if it catches on the horse’s leg) to the turn on the haunches exercise. This increases the level of difficulty, so start at the beginning with just one step and work up very gradually. Be careful not to make the horse feel wrong if he steps out of the hoop with a hind foot. If he does step out, quietly walk away together and return for a reset. The video clip demonstrates where I got too greedy, wanting too much, and it blew Boots’ confidence for a while.
  4. Keep each session super short and celebrate each new success hugely. This exercise enhances foot awareness.
  5. Stand the horse with his hind end nearer the mounting block than his shoulder, step on the block and ask him to bring his shoulder over so he is in the mounting position.
  6. If you want to focus on the horse moving toward you in a straight line, rather than in a circular pattern as above, stand the horse over a rail and see if he will bring his hind end along. If not, leave moving straight for now until you teach the ‘ribs toward me’ lessons.
  7. When shoulder to hand is smooth, start again at the beginning with ‘ribs to hand’. Follow the exact same procedure but start with a touch to the center of the ribs instead of the shoulder.

 

THE FOUR STAGES OF NEW LEARNING

Acquisition, Fluidity, Generalization and Maintenance

Acquisition

Acquisition includes getting our head around how we will ask for a unique behavior and then explaining what we want to the horse.

The way we first present new material to the horse is crucial. As much as possible, we want the horse to be continuously successful.

It’s helpful to practice our ideas and techniques first on a person standing in for the horse. If you are lucky enough to have an experienced horse, it also helps to work out techniques with him before moving on to a novice horse.

Even a well-educated, experienced horse appreciates learning new things in small slices. This allows him to build confidence and expertise with each step toward being able to carry out the whole task smoothly with one click&treat at the end.

We always begin with low-key experimentation to see what the horse can already offer. We may find that some of the basic elements in our Individual Education Program  are missing or not quite good enough. We might find some major training holes that need to be addressed.

For example, before we can teach our horse to weave a series of objects, have we taught him to confidently walk with us on a loose lead rope? Does he easily stay beside us, stepping off when we step off, halting when we halt and turning when we turn?

Gentle experimentation may also lead us to discover that the horse already has a solid foundation on which we can easily build a new task.

How we first present the halter to a horse and the way we handle the rope will have a huge influence on how confident the horse will be about joining in with activities that include the halter and lead.

 

Fluency

Once we have created an Individual Education Program and carefully taken the horse through it, we have acquired the ability to carry out a specific behavior together.

If the task is part of daily general care and recreation, such as safety around gates, the horse will have ample opportunity to use the new behavior often and receive reinforcement for it. His response to the signal will become more fluent as long as the handler’s signals are consistent.

If, on the other hand, the new behavior is for a specific purpose, such as loading onto a trailer or trotting through a tunnel for Horse Agility, we have to set up special training opportunities to allow the horse to become fluent.

Thin-slicing the many skills required for trailer-loading leads to fluency. Here we are using a trailer simulation to build duration while standing in a closed-off spot.

In my experience, if we train a new behavior to the point of fluency, the horse tends to remember it forever.

If a behavior is unreliable, it was not originally taught to the point of fluency and was not adequately generalized or maintained.

GENERALIZATION

Once the horse understands a new task or a new skill, it is important to take it out into the world. Through generalization, the horse gains further fluency with a task.

Generalization includes:

  1. Asking for the behavior in different places but still at home.
  2. Using different props.
  3. Working at different times of the day.
  4. Asking for the behavior away from home.
  5. Working with unusual distractions.
  6. Working at a different gait.
  7. Handler using a different body orientation.
  8. Fading out a signal and replacing it with a new one.
  9. Requesting more repeats or duration before the click&treat.
  10. Working with a different handler (who uses the same signals).

Generalization helps the horse put the new learning into his long-term memory. Each time we quietly repeat the task, we help build the horse’s confidence. If the horse is unable to do the task in a specific situation or context, it gives us vital information about where we are in our Education Program* with this horse for this task.

Once the horse confidently jumps simple obstacles, we generalize the skill to different-looking obstacles and obstacles in different venues.

MAINTENANCE

As already mentioned under Fluency, some behaviors become and remain fluent because we use them a lot, for example, putting on and taking off a halter or cleaning out the feet every day.

Other behaviors are specialized, and we have to create a plan to refresh and use them occasionally so that they stay in our repertoire. Vet procedures usually come into this category.

If we teach our horse to flex toward the prick of a toothpick, so his muscles are loose rather than taut, we need to do such needle simulations on a regular basis. Likewise, if we want the horse to be confident with a worming tube, we can practice with applesauce as frequently as we like.

Hoof trimming, whether we do it ourselves or hire someone, can cause anxiety for a horse if it suddenly happens out of the blue. It’s much easier for us and the horse if we pick up feet regularly and move the feet into trimming positions to make it a normal request. We can also introduce the horse to a variety of different people who are allowed to touch him and handle his legs and feet.

My friend Bridget helping Boots get used to other people handling her feet.

 

Chaining Behaviors

INTRODUCTION:

Chaining behaviors refers to linking together individual tasks into a flow of activity. The photo above shows how we chained repetitions of the task, “Go touch the cone” in order to build confidence walking down the road away from home. Once the horse understands this game, the cones can be put further apart, less in number and eventually phased out and replaced with items naturally found along the route to use as click&treat spots.

We might aim for one click&treat at the end of a series of behaviors. Alternatively, we might click for each specific behavior in the chain, or for two or three behaviors within the chain that easily link into each other.

We can also back-chain, where we begin with the last behavior in the series, and gradually link in each previous behavior. If we specifically want the horse to do a series of behaviors with only one click&treat at the end, this method can work well.

People who have spent more time studying ‘chaining’ in detail prefer to start with a concept called ‘sequencing’.  They then describe different kinds of sequences.

Tandem Units – when each part of the sequence is exactly the same. Examples are  the ‘cone-to -cone’ exercise in the photo above and the 20 Steps Exercise outlined below.

Conjunctive Units – when there is a sequence to be done, but they could be done in any order. For example, if we have a selection of obstacles set out to do gymnastic exercises with our horse, we can do them in any order.

Chained Units – step one of the sequence must occur before step, 2, step 2 before step 3, and so on. For example, saddling or harnessing a horse. Another example might be walking into the pasture, haltering the horse, walking back to the gate with the horse, opening the gate, asking the horse to walk through the gate, closing the gate, which is outlined in one of the clips below.

When we train by splitting a goal behavior into its smallest teachable units (slices), we link the slices together as the horse becomes competent with each bit of new learning. In most cases, the sequence is important, so each slice is part of a chained unit. The example below about Head Rocking illustrates.

Something like a dressage test, horse agility course, jumping course or western equitation course is made up of discrete units or behavior (conjunctive) but the competition requires them to be done in a strict order, so they become ‘chained’. We can train each unit in a ‘conjunctive’ context, then present them in the required chain for the competition.

CHAINING FORWARD TO CREATE DURATION (A sequence of ‘tandem units’)

This clip clearly shows how we can create a chain of ‘duration’ of the same behavior (tandem units). 20 Steps Exercise

 

This clip is the same as the one above but done with halter and lead and a handler new to the exercise. #30 HorseGym with Boots: Leading Position Three Duration Exercise. Increasing duration of a behavior is basically increasing the number or duration of ‘tandem units’ before we click&treat. The units might be steps, as in this exercise, or they might be increasing time staying parked or they might be the number of times your horse paws if you are teaching him to count.

CHAINING THIN-SLICES TO CREATE A COMPLEX TASK

This clip shows how we first train, then chain, tiny components of a task (slices). As the horse understands each slice, we ask for a bit more or a new variation before the next click&treat. This clip is an introduction to building confidence with pushing through pairs of horizontally set pool noodles. We start with the simplest unit and gradually work up to more complexity, so this is an example of mostly chained units

 

This clip is an introduction to head rocking. The slices are quite tiny and are steadily chained together to accomplish the final task. Since the order or units matters, it is a true chained sequence.

CHAINING A SERIES OF TASKS THAT OCCUR IN A PARTICULAR ORDER

This clip looks at how we chain a series of tasks when we do something like bringing our horse in from a paddock. Usually I would do the whole process with one click&treat after putting on the halter, and another when I take off the halter. The horse has previously (separately) learned each of the tasks that make up this chain of events.

 

The clip below looks at using a mat to help chain a series of tasks. #12 HorseGym with Boots: CHAINING TASKS. This could be seen as an ‘artificial’ chain because we have decided on the order of the tasks. They could be done in any order making it a conjunctive chain.

 

The clip below shows a series of more difficult tasks. Each task is individually taught to a high standard. Then I forward chain or back-chain them according to the requirement of that month’s competition.The order of the tasks has been arbitrarily set for the competition, so this too is an ‘artificial’ chain made up of a series of unrelated tasks.

TRAINING PLAN FOR BACK-CHAINING ROPE-FREE CIRCLE WORK

Back-chaining simply means that we begin with the final behavior in a series and work backward toward the eventual starting point.

PREREQUISITES:

  • Horse and handler are clicker savvy.

ENVIRONMENT & MATERIALS:

  • A work area where the horse is relaxed and confident.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • The horse is not hungry.
  • Halter and lead to introduce the idea to the horse.
  • Safe, enclosed area for working at liberty.
  • Objects to create the circle outline, as in the video clip or set up a raised barrier.

AIMS:

The horse moves willingly on the outside of a circle of objects, firs to  mat destination, later listening for a ‘whoa’ signal.

Back-Chaining Circle Work with a Mat (see video below)

If we want to teach a horse to move in a circle around the outside of a round pen, we can use a mat as the horse’s destination and back-chain a whole circle at walk and a whole circle at trot (energetic horses may offer a canter).

The set-up requires a round pen of ground or raised rails or tape on uprights or a collection of items to outline the circle. The horse walks around the outside of the barrier and the handler walks on the inside of the barrier.

SLICES:

Note: Keep the sessions very short – just a few minutes. We never want to turn anything into a drill. Five minutes a day over a few weeks will give a lot of results.

Stay with each slice until both you and the horse are totally comfortable with it.

With halter and lead:

  1. Lead the horse around the circle and have him target the mat with his feet; click&treat. Repeat until the horse has a strong association with the mat due to always receiving a click&treat there.
  2. Walk the horse and halt a few steps away from the mat. (Horse is on the outside of the barrier, handler on the inside.)
  3. With a looped rope (or unclip the rope if you are in a safe, enclosed area) ask the horse to ‘walk on’ to the mat; click&treat. Snap on the lead rope, walk around the circle and repeat 2 at the same distance until the horse keenly heads to the mat. Walk along with the horse, at the horse’s pace, inside the barrier.
  4. Gradually halt further from the mat before asking the horse to go target the mat. If he loses confidence, return to a smaller distance. Better to increase the distance by very small increments rather than ask for too much too soon. Click&treat each arrival at the mat.
  5. If the horse offers a trot at any time (or a canter) and stays on the circle, celebrate hugely. Such willingness is precious.
  6. When the horse willingly offers a whole circle, celebrate large with happy words and a jackpot or triple treat.
  7. When it is good in one direction, teach it again, from the beginning, walking in the other direction.
  8. Make the task more interesting by putting the mat in different places on the circle.
  9. Once you have whole circles, and you are in a safe area where you can work without the lead, leave it off. This allows you to gradually walk a much smaller circle as the horse stays on his big circle on the outside of the barrier. Click&treat each time the horse reaches the mat. He will soon realize that even if you are a distance away from him when you click, you will quickly walk to him to deliver the treat. Some horses get anxious when they can’t stay right next to the handler.
  10. Play with 9 until you can just rotate in the center of the circle as the horse walks around.
  11. If you’d like to work with trot, and the horse has not already offered it, start again with slice 2 and use your body energy to suggest a trot. If your horse knows a voice ‘trot’ signal, use that too. Celebrate if he trots to the mat.
  12. If you like, gradually make your circle larger.

This is back-chaining because you have shown the horse the final result which will earn the click&treat (targeting the mat) and then added in the previous requirements, which in this case were increasing distances from the mat. In the final behavior, the mat is both the starting point and the end point.

If you are wondering about how we can get multiple circles this way, we can eventually use our ‘halt’ signal to replace the mat and ask the horse to do more than one circle (in gradual increments) before asking him to halt for his click&treat.

 

Example 2:  Back-chaining a 10-task Horse Agility Course (based on the clip before the one immediately above)

  1. Consolidate the final task: Trot through the plastic bottles and halt on the tarp for a click&treat.
  2. Back up seven steps, halt, then trot over the plastic bottles and halt on the tarp for a treat.
  3. Trot through the curtain, back up seven steps, halt, then trot over the plastic bottles and halt on the tarp for a treat.
  4. Trot through the z-bend, trot through the curtain, back up seven steps, halt, then trot over the plastic bottles and halt on the tarp for a treat.
  5. Through the pool noodles, trot through the z-bend, trot through the curtain, back up seven steps, halt, then trot over the plastic bottles and halt on the tarp for a treat.
  6. Trot through scary corridor of flags, through the pool noodles, trot through the z-bend, trot through the curtain, back up seven steps, halt, then trot over the plastic bottles and halt on the tarp for a treat.
  7. Drag the bottles, trot through scary corridor of flags, through the pool noodles, trot through the z-bend, trot through the curtain, back up seven steps, halt, then trot over the plastic bottles and halt on the tarp for a treat.
  8. Weave five markers, drag the bottles, trot through scary corridor of flags, through the pool noodles, trot through the z-bend, trot through the curtain, back up seven steps, halt, then trot over the plastic bottles and halt on the tarp for a treat.
  9. From halt, trot off the tarp, weave five markers, drag the bottles, trot through scary corridor of flags, through the pool noodles, trot through the z-bend, trot through the curtain, back up seven steps, halt, then trot over the plastic bottles and halt on the tarp for a treat.
  10. Walk onto the tarp and halt, trot off the tarp, weave five markers, drag the bottles, trot through scary corridor of flags, through the pool noodles, trot through the z-bend, trot through the curtain, back up seven steps, halt, then trot over the plastic bottles and halt on the tarp for a treat.

Back-chaining works well when we want/need to consolidate the place and time for the click&treat at the very end of a sequence of events.

 

Willing Haltering

Willing Haltering

One horse may learn to sniff his halter (click&treat) and put his head in the halter (click&treat) in less than two minutes.  Another horse may take weeks of short sessions to just approach a halter lying on the ground or hanging on a fence.  An Individual Education Program (IEP) for such a horse might be sliced to include click&treat for each of the slices outlined below.

We stay with each slice until the horse is ho-hum with it.

One main element of teaching like this is that the handler maintains a relaxed attitude and observes the horse closely to see when he’s had enough for one session. The sessions are usually very short – maybe three minutes. Ideally three sets of two-three minutes among other things being done with or around the horse during any one visit.

A second main element is for the handler to keep a relaxed, consistent body position, orientation and way of presenting the halter (hoop) during the teaching/learning stage. Our focus is on what the horse CAN do (click&treat), not on what he can’t do YET.

We start with teaching the most basic prerequisite behavior.  When the horse clearly understands our request for that behavior (which could take a couple of minutes or up to many, many sessions), we add in the next ‘slice’ of behavior that will lead to our ultimate goal.

We can and should move on when:

  • The way we give the signal is consistent and clear (e.g., put our right arm over his neck and hold the halter open so the horse can put his nose into it).
  • The horse presents the behavior we want 99% of the time (when we hold the halter open, he puts his nose into it).
  • The horse does not add in any unwanted behavior (e.g. running away first, chewing on the halter).

If the situation becomes confused, it is usually because we have not cut the whole task into thin enough slices. Although we have an ultimate goal, the ultimate goal is not where we put our attention. Our attention is directed at each ‘slice’ or mini-skill.

Mastering these one by one and linking them together, as the horse is ready, will seamlessly bring us to our ultimate goal – the whole task that we thin-sliced at the beginning is performed smoothly with one click&treat at the end.

When confusion arises (in either the horse or the handler or both), it is essential to return to previous work until we find the ‘slice’ at which both the horse and the handler can regain their confidence. Then we simply work forward again from that point. This is Mastery Learning. Each small part is mastered before moving on to the next part.

By slicing the overall goal small enough, we can gradually create a positive association with a halter.

We want to teach the horse to be proactive about putting his nose into the halter/hoop. Something like a small hula hoop is easier to hold into position to teach the idea of dropping the nose into the hoop/halter.

#168 HorseGym with Boots illustrates an early lesson using a hoop to introduce the idea or something moving around the head, across the eyes and over the ears.

#65 HorseGym with Boots illustrates starting with a hoop and moving on to a halter.  In this clip I cut out the chewing and waiting time between trials to make the clip shorter, but didn’t really like the result as much as if I had left them all in, which would give a better overview of the pace of the session.

It’s easier to hold a small hoop when we first teach the horse to drop his head into an opening. This will eventually be the nose-piece of a halter. I also have to  build confidence about having my right arm lying across the horse’s neck.

SLICES

If the horse is wary about the look of a halter, for whatever reason, use a small hula hoop or similar made with a piece of hose.

Stay with each slice of the task until your body language and orientation are consistent and the horse is ho-hum with what you are doing.

  1. The horse looks toward the halter/hoop.
  2. The horse steps even the tiniest step toward the halter/hoop (Note that for very anxious horses, we can provide encouragement by putting the halter/hoop beside a familiar dish of feed or a pile of hay. In other words, we use complementary motivating environmental signals to help initiate a response that we can click&treat).
  3. He confidently touches his nose to the halter/hoop.
  4. As 3. when the halter/hoop is in different places.
  5. As 3. when the halter/hoop is in a person’s hand.
  6. Confidence when the halter/hoop in the hand is moved.
  7. Confidence with allowing himself to be touched on the neck with the halter/hoop.
  8. Confident with the halter/hoop touching his face.
  9. Confident with the handler putting and resting one arm up over his neck.

Eventually we can click&treat the following slices.

  1. When the horse moves his head toward the hoop.
  2. When the horse moves his head to the left and drops his nose into the hoop.
  3. When we can lift the hoop up toward his eyes and take it away again.
  4. When we can lift the hoop up over his eyes and take it away again.
  5. When we can lift the hoop past his ears and take it away again.
  6. When we can lift the hoop over his ears and lay it on his neck and take it away again.
  7. When we can do the steps above with a halter rather than a hoop.
  8. When we can slip on the halter and lay the halter strap behind his ears and take it away again.
  9. When we can hold the halter strap in position for longer.
  10. When we can do up the halter strap and undo it again and take the halter off.
  11. When we can put on the halter and leave it on for a short time.
  12. When we can put the halter on and take it off two or three times in a row.

 

Step Aerobics

 

INTRODUCTION:

This exercise developed from something my horse offered when I was in the tack room where there is a wooden platform in front of the door. While I was in the tack room getting organized, Boots would step up onto the wooden platform to see what I was doing.

I recognized the beneficial gymnastic effect when I asked her to back off the platform and step up again in a rhythmic pattern. It became one of her favorite things to do. Interestingly, she never seems to have enough of it, and I have to be the one to suggest that we should do something else.

This Step Aerobics task has become our go-too exercise when time is limited but we want a bit of a warm-up before cleaning her feet or doing other tasks. When it’s too wet or hot or windy for much else, it’s a fun way to build some movement into our time together.

Step Aerobics, just like the human version, is an exercise that requires whole-body movement and flexion of all the joints, so it is an ideal task to do often in short bursts.

Items with an asterisk (*) are training plans covered in detail in my book, Precision Horse Training with Positive Reinforcement: 12 Thin-Sliced Groundwork Plans, available as e-book or paperback via Amazon.

PREREQUISITES:

  • Horse and handler are clicker savvy.
  • Horse has a strong history of positive reinforcement for placing his front feet on a mat, so he is keen to stand on a mat whenever we put one out. #124 HorseGym with Boots: Free-Shaping Mat Targets* illustrates: https://youtu.be/xMaZWt5gK2o
  • Handler has developed his/her ‘zero intent’ and ‘intent’ body language. #153 HorseGym with Boots: Zero Intent and Intent* illustrates: https://youtu.be/3ATsdPvld4Q
  • The ‘Finesse Back-Up’ exercise is ideal to teach a reliable back-up while we are facing the horse. The description and two clips below show how we evolved it.
  1. Working across a barrier, using a hand-held target for stepping forward, and using body language, breathing, intent and voice signals for backing up.
  2. Adding a halter and rope signal to the back-up so we can use it anywhere. Once the horse knows the task, the rope pressure signal usually isn’t needed because the horse responds to the breathing, body language, voice and distinct orientation signals.
  3. Once voice, body language, intent and orientation signals are well established, we have a reliable back up at liberty while we are facing the horse.
  4. To the signals in 3 above, we add a clear ‘raised fingers’ gesture signal to the back-up while we are facing the horse, allowing us to communicate clearly from further away.

Back-Up Part 1*:  https://youtu.be/6YYwoGgd_0Y

Back-Up Part 2*:  https://youtu.be/safxxu90lkA

  • The other part of Step Aerobics is a recall signal. Teaching and consolidating a recall signal are outlined in these video clips.

Recall Clip 1: https://youtu.be/XuBo07q8g24

Recall Clip 2: https://youtu.be/5BQCB2Fe5RE

My ‘recall’ gesture signal in this context is a movement where I shrink backwards and drop my energy and make a circle with my arms.

ENVIRONMENT & MATERIALS:

  • A work area where the horse is relaxed and confident.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • The horse is not hungry.
  • Halter and lead (as minimal pressure as possible on the lead, but enough to be effective) and a safe, enclosed area for working at liberty.
  • Materials to build a simple lane (one side can be a safe fence) and to block off one end of it.
  • Different mats familiar to the horse.
  • A pedestal or a step-up situation safe for the horse. A step-up trailer is an option, or setting up the trailer ramp as a step.

AIM:

Boots has taken herself to stand on a tire-pedestal while I organize the camera.

Horse steps up onto a pedestal (or step), then steps backwards down again, in a rhythmic pattern repeated several times.

SLICES:

A simple lane made with two rails, blocked off at one end with two tall cones, and a mat in the lane, demonstrating Slice 4 of the training plan.

Video Clip: #159 HorseGym with Boots: STEP AEROBICS

  1. Set up a simple lane. My lane in the video is two ground rails. You may want to begin with a higher-sided lane to make the behavior option we want as clear as possible for the horse. One side can be a safe fence.
  2. Ensure that the horse can walk right through the lane confidently; click&treat each time he calmly passes right through the lane. Handler walks on the outside of the lane. Walk a loop with the horse to repeat.
  3. Set a target mat near the end of the lane. Walk the horse into the lane and ask him to halt with his feet on the mat; click&treat. Walk him out of the lane forward, making a circuit to repeat targeting the mat.
  4. When 3 is done reliably with confidence, block off the lane at the end nearest the mat. Ask the horse to walk into the lane and target the mat; click&treat. Position yourself facing the horse, a bit to one side.
  5. Review the ‘Finesse Back-Up procedure as outline in the prerequisites. Click&treat for one or two steps back on request.
  6. When you no longer need to run your hand up the rope because the horse responds to your body language, inward breath, intent, and voice signals, begin holding your hands up higher until eventually your gesture signal morphs into your fingers held up beside your ears waggling to suggest backward movement; click&treat and celebrate hugely when he does (triple treat or jackpot or special treat). Keep a non-influencing loop in the rope or lay the rope over the horse’s neck out of the way.
  7. We want the raised fingers to become a main ‘back up please’ gesture. But at this point we still emphasize our inward breath, posture expressing intent and voice along with the gesture.
  8. If the horse comes forward to target the mat again right away, accept this with a click&treat the first time, but ideally, we want him to wait to be asked to move forward. You may, at first, need to invite him forward again very quickly after delivering the treat for backing up. If you have taught him a ‘wait’ signal, you can use it here. The October 2017 Challenge: Park and Wait* illustrates creating duration with the ‘wait’;
  9. Use your recall signal to ask the horse to come forward onto the mat again; click&treat. My recall signal as shown in the clips is a movement where I shrink backwards and drop my energy and make a circle with my arms. I learned it from Sharon Wilsie’s book, HorseSpeak.
  10. Alternate the back-up (click&treat) with the recall (click&treat). The aim is to smoothly get a series of these one after the other.
  11. Eventually, when 10 is really solid, you can ask for a back-up and a recall before the click&treat. Or ask for a recall followed by a back-up before the click&treat, moving toward the horse to deliver the treat.
  12. Once 10 is smooth, practice with a barrier on only one side of the horse.
  13. When 12 is smooth, practice with no barriers.
  14. When 13 is smooth, practice with a variety of mats and in a variety of different places.
  15. When 14 is smooth, introduce a pedestal or step. If the ‘step up’ idea is new to your horse, it can be helpful if you place a familiar mat on the pedestal the first time you ask.
  16. For some horses, it may help to begin with a relatively low ‘step up’ situation, such as a plank or thick board before asking for a higher step.
  17. At first be careful about asking for too many repeats. For some horses it will be an unaccustomed way of using their joints. Three repeats at one time is plenty to start with. Doing a little bit often is ideal. Once you are doing it at liberty the horse will probably let you know if he’s done enough.

GENERALIZATIONS:

We can use the back or sides of a trailer ramps as our ‘step’. I have used a solid piece of timber under the end of the ramp to create a step-up situation.

  • If you’re able to move your pedestal, move it to different locations. I have three ‘tire-pedestals’ set up in different parts of our training areas.
  • A step-up trailer is another option.
  • If you have a trailer with a ramp, and there are no jagged bits on the sides of the ramp, use the sides of the ramp as a ‘step-up’ spot.
  • If you ride or walk with your horse out in the countryside, look for spots that create a natural safe step. I’ve used our concrete front door step in the past.
  • Some people fill different-sized tires giving different heights for a step or build a series of pedestals.
  • If your pedestal is large enough, or you have a spot like the one in the photo below, ask the whole horse to step up and step down again.

I’ve asked Boots to step up with all four feet, then step back down again. The wooden lip and uneven ground make it more challenging.

I look forward to hearing and seeing  how you get on if you take up this challenge.

‘Zero Intent’ and ‘Intent’

Left Photo: ‘Zero Intent’ posture for staying parked: energy drained from my body, hands lying on my bellybutton, hips relaxed, one knee cocked, shoulders down, looking nowhere.

Right Photo: ‘Intent’: I’ve lifted my torso, breathed in and am activating my fingers into our signal for Boots to move her shoulder over.

INTRODUCTION:

A key way to make it easier for our horse to understand what we would like him to do, is to refine our own body language. The horse can only be as precise in his responses as we are precise with our body language.

We want to be as clear as possible when we ask the horse to do something, and equally clear when we want him to stand quietly or walk with us in a relaxed manner.

If we reliably assume a distinct stance and put our hands in a certain position to indicate that we don’t need anything to happen, the horse soon realizes that our posture is meaningful for him.

It is a bit like the computer binary system of zero and one. Either we want the horse to stand (or walk with us) in a relaxed manner or we want him to begin moving part of his body or his whole body in a particular way.

‘Zero Intent’ (sometimes called ‘neutral’) means that we want the horse to keep on doing what he is doing. On the ground, this might include:

  • Standing ‘parked’.
  • Walking beside us at a steady pace in a relaxed manner.
  • Maintaining the gait we have asked for if we are lunging the horse.

VIDEO CLIP:  #153 HorseGym with Boots: Zero Intent and Intent illustrates. On the video clip I use ‘No Intent’ to mean the same as ‘zero Intent’. The clip demonstrates a variety of tasks that begin with the ‘parked’ position.

Viewing the video clip makes it easier to get an overall picture. It can be helpful to practice visualizing changes from ‘zero intent’ to ‘intent’ during our day’s general activity away from the horse.

We express ‘Intent’ with signals we have taught the horse. When we first teach a new task, we can make our intent clearer if we engineer the horse’s environment to make the behavior we want more likely to happen. Once the horse does the desired behavior reliably, we can add voice and gesture signals.

For example. If our intent is to have the horse confidently walk onto a tarp, we can put a favorite treat on the tarp, so it becomes the horse’s idea to put his feet on the tarp in order to reach the treat. We are still free-shaping the behavior of walking onto a tarp, but we are helping it along by setting up an environment that increases the chances of it happening.

Behaviors that start and end with the horse standing parked with us in a relaxed manner are ideal for improving our ‘Zero Intent’ and ‘Intent’ body language. For example:

  • Touch a hand-held target which we then put behind us ‘out of play’ as we deliver the treat
  • Halt-walk transitions followed by walk-halt transitions.
  • Backing up from halt.
  • Yielding forequarters.
  • Yielding hindquarters.
  • Head down.
  • Picking up a foot.

We begin with zero intent, signal the horse with intent, click&treat when the horse carries out our intent, then return to zero intent.

When we practice this consciously, we remove much of the ‘noise’ and unnecessary energy or tension we hold in our bodies, which confuses horses because they are extremely sensitive to body language.

If there is no consistency in our body language, horses tend to regard all of it as meaningless and tune it out.

PREREQUISITES:

  • Horse and handler are clicker savvy.
  • Horse has learned a few tasks that he can do from a parked position.
  • Handler has practiced awareness of his/her ‘zero intent’ posture away from the horse. If you can, use another person as a ‘sounding board’ for your changes in body language. Using a mirror will help. Things to work with for zero intent are:
    1. Energy deflated from body with a deep breath out.
    2. Shoulders relaxed down.
    3. Breathing slow and quiet.
    4. Hands lying quiet on bellybutton.
    5. Hips relaxed.
    6. Maybe one knee cocked.
    7. Eyes soft and away from the horse (e.g. gazing at the ground – looking nowhere).
  • Then practice coming out of ‘zero intent’ posture into the body language and gesture signals for the behavior that you would like the horse to do.

ENVIRONMENT & MATERIALS:

  • A work area where the horse is relaxed and confident.
  • Horse is not hungry.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • If halter and lead are necessary, avoid pressure on the lead.

AIMS:

  • Handler becomes super-aware of (and consistent with) moving into and out of ‘zero intent’ body language.
  • Horse becomes super-aware of the difference between ‘intent’ and ‘zero intent’ in the handler’s body language.

SLICES:

Before you begin, visualize what tasks you will ask the horse to do with your ‘intent’ signals.

Here are some possibilities:

  • Present a hand-held target, then remove it out of sight behind you as you deliver the treat. Wait for a while before presenting the target again. Start with waiting for one second only. When that is good, wait for two seconds. Increase the wait duration one second at a time.
  • From halt to walk toward a mat destination to halt again.
  • From halt to back-up to halt again.
  • From halt to move forequarters to halt again.
  • From halt to move hindquarters to halt again.
  • From halt to target one of: chin, knee, eye, ear, cheek, shoulder to hand.

GENERALIZATION:

  • The ’20-Steps Exercise’  is another context to help become fluid with the ‘intent’ and ‘no intent’ dynamic.
  • Once the horse stays parked reliably, we can begin to move into different positions around him, taking up the ‘no intent’ body language so he easily understands that nothing is required of him except to remain parked. The skill is to maintain our ‘zero intent’ while we move into different positions around the horse. This video clip demonstrates.

  • Focus on developing ‘no intent’ body language when walking with your horse beside you. By walking in a relaxed posture, with a drape (smile) in the lead rope, breathing evenly, the horse has the opportunity to mirror your ‘at ease’ demeanor. Just as horses are conscious of any tension we hold in our bodies, so they are conscious when we let go of the tension.
  • As we become more aware of our body language, it gets easier and easier to apply our ‘zero intent’ postures to let the horse know that nothing is required of him at the moment except to stand or walk with us quietly.

The ‘no intent’ position sitting down.

Sidestepping

 

INTRODUCTION

To teach sidestepping, we carefully and quietly add the forequarter yield and the hindquarter yield together until the horse is able to move sideways in a straight line.

Teaching willing hindquarter yields on request is one of the essentials for safety around horses. Anything unexpected can cause serious harm around the most benign horse. A willing hindquarter yield eases daily care and husbandry, especially around gates, stables, or any tight space.

Teaching the forequarter yield makes it easy to ask our horse to stand in the best position for foot care, grooming or saddling. Teaching these yields on both sides of the horse aids in strengthening proprioception.

Proprioception is an animal’s clear perception about where various body parts are, what they are doing, and the amount of energy needed to carry out a specific activity.

Sportspeople tend to have much better proprioception than people who spend most of their times sitting. Horses raised in flat paddocks and stables lack the proprioception evident in horses who grew up moving extensively in rugged, hilly country.

When our horse can co-ordinate the front-end and hind-end yields to smoothly sidestep on one plane, his proprioception will have improved considerably. Some horses almost fall over when first asked to step across sideways with a front foot, so we have to be gentle and take the time it takes with short, frequent sidestepping sessions.

In horse language, yielding the quarters seems to be an appeasement action. The horse is willing to shift his personal space away from you. Horses with a relatively timid or anxious nature are usually quick to grant you this space.

Horses with a bold or exuberant nature may be less willing (or extremely resistant) when this task is first introduced. They are more prepared to ‘stand their ground’. Who moves whose feet is highly significant in the horse word. Much the same is true for people.

How readily a horse sidesteps on request depends on his innate nature, his opinion of the handler and how he is being (or has been) taught the tasks.

PREREQUISITES:

  • Handler has taught or revised clear ‘Yield Forequarters’ and ‘Yield Hindquarters’ signals with touch, gesture and body language intent.
  • Horse responds readily and confidently to ‘Yield Forequarters’ and ‘Yield Hindquarters’ signals.

Forequarter Yield: April 2018 Challenge: https://youtu.be/eSlin8ZYcRA

Hindquarter Yield: May 2018 Challenge: https://youtu.be/AkjIT8Tjxw0

ENVIRONMENT & MATERIALS:

  1. Work area where the horse is relaxed.
  2. Ideally, the horse can see his buddies, but they can’t interfere.
  3. Safe fences or other barrier to inhibit forward movement and to generalize the task.
  4. Ground rails and raised rails for generalizing the task.
  5. Depending on what you choose to do: halter and lead or safe enclosed area for working at liberty.
  6. Horse warmed up with a few active tasks before asking for these yields.

AIM:

To have the horse willingly yield six to eight steps sideways away from the handler, in a variety of contexts.

GETTING STARTED WITH A BARRIER IN FRONT:

SLICES (Illustrated in Clip 1)

Click here for Clip 1.

  1. Ask the horse to halt facing a safe fence: click&treat.
  • Repeat a few times until you are both comfortable and confident doing this.
  • If you can, practice at a variety of different fences or other barriers to generalize this first part of the task and make it ho-hum.
  • Teach all the slices on both sides of the horse. One side is often easier. Do a bit more with the harder side until both sides feel the same.
  1. When 1 above is easy and relaxed, while the horse is standing facing the fence:
  • Focus strongly on his hip. Use touch or gesture to quietly ask the horse to yield the hindquarters one step: click&treat.
  • Try to click the moment the near hind leg passes in front of the far hind leg.
  • Walk away from the fence together to a relaxation spot (mat, hoop, nose target): click and treat.
  • Repeat a few times, walking to the relaxation spot after each yield, or walk to another barrier and repeat the task there.
  1. When 2 is easy and relaxed, repeat the procedure but this time ask the horse to yield his forequarters: click&treat.
  • Clearly direct your focus plus touch or gesture signal toward his front-end. Click&treat for one step over. Ideally click just as the near foot crosses in front of the far foot.
  • Walk away for a break or head to a different barrier to repeat, as you did in 2.
  1. Start with either 2 or 3 above, whichever feels better for you and your horse.
  • Some horses may do these yields smoothly after one session.
  • Others may take many sessions over many days.
  1. When 2 and 3, done individually, are smooth and ho-hum, we can begin to put them together.
  • Vary which end you ask to yield first.
  • We still click&treat for each yield, but right after the click&treat for the first yield, we ask for the other end to yield (click&treat).
  1. Now we will ask for front end plus hind end BEFORE the click&treat. This part is illustrated at the beginning of Clip 2.
  • Stay with this slice for several short sessions until you are sure the horse is comfortable with it – often there is a bit of tail swishing, blinking and chewing as the horse is figuring something out.
  • After a good effort, it pays not to do it again right away. A triple treat or a wee break walking to a target or a spot of grazing helps the horse realize that what he did was what you wanted.
  • Be sure not to ‘drill’. We don’t want to lose the horse’s interest or enthusiasm to do it again.
  1. Once we have the horse easily moving both ends on request, with one click&treat after both have moved, we can begin to ask for additional steps sideways.
  • Ask for two sets of sideways steps before the click&treat. Stay with this slice until it is smooth.
  • Ask for three or four sets of sideways steps. Stay with this slice until it is smooth.
  • This is hard work for the horse, so build up his strength to do more sidestepping gradually until he can easily do six to eight steps.
  • Sidestepping is a great suppling exercise when the horse is warmed up.

GENERALIZATIONS

Clips 2, 3 and 4 look at generalizations

Click here for Clip 2.

Click here for Clip 3.

Click here for Clip 4.

  • The first generalization was to ensure that the horse could stand comfortably in front of a variety of barriers.
  • The generalizations after achieving part 7 above all serve to help the horse become more fluid with the sidestepping task and to put it into his long-term muscle memory.
  • With each new generalization, start right at the beginning with a high rate of reinforcement. Gradually work toward the point at which the horse easily does 6-8 sidesteps with one click&treat at the end.
  • It’s important to be consistent with our gesture, voice, touch and body language signals, despite the different obstacles in use. Once the horse understands what I am asking, I add a voice signal, which for us is “Across” because we use “Over” for jumping things.

Generalizations on the video clips include:

  1. Between two rails.
  2. Rail under the horse’s belly.
  3. Half-barrels under the horse’s belly.
  4. Toward a barrier such as tall cones, (or a fence, a wall, the side of a horse trailer).
  5. Toward a mat or a hoop.
  6. Toward a mounting block.
  7. Without a barrier in front.
  8. With handler face to face with the horse.
  9. Around a square of rails (possibilities are: front feet in box, hind feet in box, no feet in box, whole horse in box).
  10. Straddle a rail.