Tag Archives: Horse Agility

Movement Routine 1

Photo: Standing with ‘no intent’ at halt is part of these five chained tasks.

INTRODUCTION

This is the first of a series of movement routines we can do with only a fence and an open working area. The routines put together many of the individual skills and movements that my resources have looked at so far.

The key purpose of these routines is to encourage handlers to work on the precision of their signals in a relaxed manner.  The routines require the handler to pay close attention to refining his/her signals to improve timing, clarity and softness. A horse can only be as precise as we are precise. A horse can only be as soft as we are soft.

Each routine has five elements that are chained together into a pattern of movement. Horses are pattern learners and, like all of us, like to know what will happen before it happens. We tend to forget that horses living natural lives in the wild are totally in control of all their actions.

We can increase the positive feeling of ‘certainty’ by teaching these routines in a light-hearted but methodical way. Boots usually picks up a new pattern after three-six repeats over three days. Some horses will be quicker, and some will take longer.

Other reasons for playing with these routines:

  1. They are a way to keep skills we have already taught current in our repertoire.
  2. They give a way of interacting with our horse when time is short, we don’t have time to set up objects and obstacles, we don’t have access to objects and obstacles, or we are past the point of lugging around heavy rails and other objects.
  3. They include movement tasks we can do between working on stationary tasks, so giving the horse a good mix of activities.
  4. They make excellent cool-down routines after energetic riding or groundwork.

I’ve called them ‘routines’ because gymnasts first learn the individual elements of a performance and then form the elements into a ‘routine’. First each element is mastered emotionally, intellectually and physically. Then the routine is put into brain memory. Then it is practiced until it is also in muscle memory.

All this is a little bit tricky because doing a routine with a horse involves two brains and two sets of muscles.

After jotting down a plan for a possible routine, I try it out with Boots multiple times. The feedback I get from Boots and myself always shows that the initial plan needs a lot of changes. Most of the changes concern my body position plus when and how I give the signal for each part of the action.

AIM

Smooth execution of a series of five individual tasks chained together:

  • ‘Walk on’ and ‘halt’ repeated three times;
  • Change of direction and side of horse (so horse remains nearest the fence);
  • ‘Stay’ while handler backs away from the horse to the end of rope (keeping a drape in the rope);
  • Horse Waits for ___ seconds;
  • Recall.

PREREQUISITES

  1. Smooth ‘walk on’ and ‘halt’ transitions staying shoulder-to-shoulder. (See Related Resources 1 at the end of this post.)
  2. Handler has developed a clear ‘No Intent’ signal so the horse knows when standing quietly is what is wanted. (See Related Resources 2 at the end of this post.)
  3. Change of direction plus changing side of horse the handler is on. (See Related Resources 3 at the end of this post.
  4. Horse and handler agree on clear ‘stay’ signals. (See Related Resources 4 at the end of this post.)
  5. Horse has learned to ‘wait’ until handler gives a new signal or clicks&treats. (See Related Resources 5 at the end of this post.)
  6. Handler and horse agree on a clear ‘recall’ signal. (See Related Resources 6 at the end of this post.)

ENVIRONMENT AND MATERIALS

  • A work area where the horse is relaxed and confident.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • The horse is not hungry.
  • Halter and 10′ (3 m) or longer lead.
  • A safe fence line to work alongside. It can be straight, curved or the inside or outside of a round pen fence.

VIDEO CLIP

https://youtu.be/HqyJA_E7waY

NOTES

  1. Since I don’t find memorizing a sequence of tasks easy, I use a ruler as a fence and practice the movements with my small toy hippopotamus. Then I walk the sequence outside by myself, practicing the signals I will use, accompanied by an invisible unicorn.
  2. While working out the plan with Boots’ help, I’ve usually managed to confuse her to some extent, so once the plan feels right, I wait a few days before starting to do the final version with her. Meanwhile we have been practicing the tasks separately.
  3. For the first task, walk as few or many steps as you like. I walked only a few steps in the video to make it easier to film. Vary how long you stand at halt before asking for the next walk transition. Work to get the ‘walk on’ transition with raising your chest, breathing in deeply plus your voice signal. Work on refining your body language and voice signal for each halt.
  4. How often you click&treat depends on where you are with each skill. I always begin with click&treat for each portion of each task. As the horse gets the hang of what we are doing, I move the click point along so the horse does more for each click&treat. I like to eventually be able to do the whole chain with one click point at the end.
  5. As with everything, we keep the sessions short in among other things we are doing. I often do it just once, sometimes twice and rarely three times in a row.
  6. There is no need to rush through the chain of tasks. Walk slowly. Give the horse time put the pattern into his mind and from there into his muscle memory.
  7. Stay’ means that the horse understands that you can walk away while he stays put. ‘Wait’ means that the horse is able to keep standing still for a specific length of time until you click&treat or give another signal. They may appear to be the same at first glance, but teaching/learning ‘Wait’ with duration is a skill set that goes beyond the idea of ‘stay’ for a short period.
  8. For the ‘wait’ task, gradually work up to ten seconds, but be sure to stay well within the time the horse is comfortable with. Better to recall sooner rather than after the horse moves. If he moves, go back to working on the ‘wait’ task by itself for several days. In the video clip, you will note that on the day we filmed at liberty, Boots found it hard to relax into the ‘wait’. There was a lot of commotion including a huge noisy hedge clipping machine working close by.
  9. The more time we spend playing with exercises like this, which look relatively simple on the surface, the more positive spin-offs there will be to the other things we do with the horse.

SLICES

  1. Memorize the sequence of tasks.
  2. Play with each of the skills separately until you and the horse feel fluent. This might take one session or a long time if some of the tasks are new to you.
  3. Walking with the horse nearest the fence, chain the first two tasks together (3 x walk & halt plus change of direction and sides).
  4. When 3 is smooth, chain the last three mini-tasks together (stay plus wait plus recall).
  5. When both 3 and 4 are going well, chain it all together.
  6. Always adjust your rate of reinforcement (how often you click&treat) to what the horse is able to offer on the day. If he seems unsure, click&treat more of the slices. If he is showing keenness and understanding about what comes next, use your voice to praise and move the click&treat further along the chain.

We can’t expect our horse to be the same every day, just as we are not the same every day. Good training adjusts what we do to what the horse is telling us. Some days it will feel very smooth. Other days parts will feel sticky. This is normal ebb and flow.

The day will come when you do it all with one click and treat at the end, but it may not happen again the day after that. Horses read our tension or relaxation in a nanosecond. Often what is happening with the horse relates to ourselves, our emotional state, and how the horse perceives us that day.

Other times, the horse may be tired or anxious due to rough weather or other changes in his external and/or internal environment.

GENERALIZATIONS

  1. If you usually start walking on the horse’s left side, start instead walking on his right side. Be aware of keeping your signals equally clear on the side you use less often.
  2. Practice alongside as many different fences as you can.
  3. Once the horse shows that he knows the pattern, play with it at liberty along fences using the same signals you have used all along.
  4. Once the routine is smooth along the fence, play with it out in the open, first with the lead rope and then at liberty. Alternate on which side of the horse you begin the routine.

RELATED RESOURCES

  1. Smooth Walk and Halt transitions: https://wp.me/p4VYHH-5TT
  2. ‘Zero Intent’ and ‘Intent’: https://wp.me/p4VYHH-5RO
  3. Changing Sides in Motion: https://youtu.be/3oqPs4LM5AM
  4. Park and Wait (Stay): https://youtu.be/UvjKr9_U0ys
  5. Wait Duration: https://youtu.be/jVn3WBuqpno
  6. Recall Clip 1: https://youtu.be/XuBo07q8g24     Recall Clip 2: https://youtu.be/5BQCB2Fe5RE

 

 

 

 

 

 

 

 

 

 

One Step at a Time

Photo above: Boots gained the confidence to step up on this balance beam by being rewarded for venturing one step at a time. After many short, successful sessions, she felt secure enough to target individual legs to my hand.

INTRODUCTION

The skill of being able to ask your horse to move one specific foot at a time is worthy of time and attention. It is a task that can be used and refined when riding or doing groundwork, including Horse Agility competition. It starts with being able to visualize the pattern in which horses move their feet.

Carefully observe the footfall sequences when horses walk, back-up, trot and canter. Reviewing slow motion video is best. Learn the footfall (foot-rise) for walk and trot, one gait at a time. When they are clear in your mind, add the canter.

Get down on all fours so you can mimic the pattern with your limbs. That helps put the patterns into your deep memory. Once you can easily replay the memory tape for each gait in your mind, you can give your horse much clearer signals.

Perfecting this helps to build the feel you need in order to time your riding or leading signals to the horse’s feet.

This is a great task for teaching us to carefully note the horse’s intent and time our click&treat to the moment a foot is lifting. The ability to see and feel footfall (foot-rise) is a huge bonus in a horse training kit.

It is actually the moment of foot-rise that we need to learn because it is only when the foot is lifted that we can influence where it goes next. Therefore during this exercise we want to click&treat as the foot is lifting.

Directing our horse’s feet one at a time has many uses. For example:

  • Cleaning/trimming feet.
  • Positioning for mounting.
  • Backing into stalls/wash bays.
  • Breed and showmanship classes .
  • Leading through narrow spaces.
  • Trailer loading and unloading.
  • Precision riding or long-reining/driving.
  • Placing a foot for an x-ray.
  • Precise mat or hoop work.
  • Pedestals.
  • Bridges.
  • Water obstacles.
  • Horse Agility obstacles
  • Getting out of tricky situations on the trail.
  • Stepping up and down a pedestal or balance beam or bridge.

PREREQUISITES

  1. Horse and handler are clicker savvy.
  2. The horse responds willingly to light pressure on the halter via the lead rope. (See ‘Related Resource’ 1 at the end of this post.)
  3. We have taught the ‘finesse back up’. (See ‘Related Resource’ 2 at the end of this post.)

ENVIRONMENT AND MATERIALS

  • A work area where the horse is relaxed and confident.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • The horse is not hungry.
  • Halter and lead. A shorter lead is easier to use for this task.

AIM

To create signals for asking the horse to move either front foot one step at a time, both back and forward.

VIDEO CLIP

https://youtu.be/http://A6RUNijvf18

NOTES

  1. Ensure the horse is in a learning frame of mind.
  2. Keep each session working with short – three minutes is plenty. Three minutes of focused work over many sessions will get you the result without lapsing into human or horse frustration.
  3. To lift and move a front foot, the horse must first shift his balance to take the weight off that foot.
  4. Unless the horse is pacing, the hind feet move in unison with the diagonal front foot.
  5. I’m not good with left/right or 3-dimensional thinking so it took me a long time to get these moves firmly into my muscle memory. I had to learn to carefully note where the horse’s feet were and how he was balanced before I asked a foot to move. Then I could decide which way I needed to tilt the horse’s head to move a particular foot.
  6. Remember to click&treat the moment the foot is lifting during this exercise.

SLICES

One Step Back

In order to lift his right front foot, the horse must shift his weight to his left shoulder and slightly back.

  1. Face the horse, slightly to the right side of his head and orientate your belly button toward his nose (when his head is straight).
  2. Hold the rope about an arm’s length from the halter, lightly draped, in the hand nearest the horse’s shoulder (rope hand).
  3. Reach across with the other hand (sliding hand) and slide it gently up the rope toward the halter. If you’ve taught a ‘back’ voice signal, use it as well.
  4. At some stage, you will reach a point of contact to which the horse responds.
  5. When you reach the point of contact tilt his nose/neck slightly to the left and put a bit of backward pressure on the halter. Release immediately when you feel his intent to move back (click&treat). Relax, then ask again.
  6. When you get a whole step, release (click&treat), relax. Maybe rub him if you are not using Clicker Training and he likes to be touched. If you get more than one step, accept it, reward it, and then adjust your signal so it has less energy.

Some horses may at first respond by leaning forward into the backward pressure you are putting on the halter. They are not ‘wrong’ because moving into pressure is a natural horse response. They are also not wrong because they don’t yet understand what you want.

If your horse leans into the pressure:

  1. Take up a power position (feet shoulder-width apart, one slightly ahead, hips dropped).
  2. Hold the rope in the hand nearest the horse, about 2’-3’ from the halter with a bit of slack in it.
  3. Reach across with your other hand and softly run it up the rope toward the halter until you meet resistance from the horse.
  4. At that point, simply ‘hold’ just strongly enough to make the horse feel unbalanced.
  5. The moment he shows the slightest tendency to shift backwards to regain his balance, release the pressure (click&treat).
  6. Repeat. If you are clear and consistent and release (click&treat) promptly, the horse will soon read your body language energy and intent and step back before you can even slide your fingers up the rope.
  7. During multiple short practices, also introduce a voice ‘back’ signal.

When you reach a reliable response as in 6 above, you have created a gesture signal you can use at liberty to ask the horse to step back. Keep the gesture exactly as it was, i.e. running your hand up an imaginary rope.

When you have one step back at a light signal, ask for two steps back. It’s important to ‘release’ the halter pressure slightly after the first step, then increase the pressure slightly to ask again for the second step before a bigger release (click&treat).

Once that is smooth, ask for three steps, then four, and so on until you have as many individual steps as you like. Release the pressure at each step, then apply it again lightly to ask for another step. The horse will soon read the intent in your body language and will step back by reading your ‘intent’.

Pressure on the rope will no longer be necessary except maybe in unusual situations of high stress. In such situations the horse will have an advantage over horses who don’t understand this part of the task because he will remember what the rope pressure means and how to respond to it.

To move his left front foot back, tilt his nose/neck slightly to the right, i.e. always tilt the nose away from the foot you want him to move.

If the horse tends to push forward into the handler, it can help to have a rail in front of the horse or start in a blocked-off lane, so that stepping back is the easiest and common-sense thing to do.

When backing from the halt feels easy, we can expand and generalize the task by walking along beside the horse, halting and smoothly pivoting into position to face the horse and ask him to back up. Teach this first along a safe fence to encourage the horse to back up in a straight line.

One Step Forward

To move one step forward, tilt his nose slightly away from the foot you want to move (to take the weight off it) and put gentle forward pressure on the halter.

GENERALIZATIONS

Be sure to teach ‘one step at a time’ standing on the horse’s left side and on his right side. If he finds one side harder, work at bit more on that side.

Most people find giving signals with their less dominant hand harder as well. When each side feels the same, you’ve reached a big milestone.

When we can use a light signal to ask the horse to glide from walk into a halt, then as we turn to face him, we can ask for an individual step back or forward, we have achieved our task.

Eventually, get him to put a specific front foot on things. Start with a largish item like a doormat or a piece of carpet. Work toward smaller things like paper plates, Frisbees and leaves, then higher things like stumps, steps, pedestals, ramps, balance beams, hoof stands if he doesn’t already know all these things.

Be aware that once the horse is close to the object, he can’t see it, but is working from memory. The area directly under his head/neck is a blind spot.

Be particular but not critical. Always relax, pause and reset if the horse gets confused. After a good effort, go away from the site and do other things the horse already knows.

Then come back to moving one foot until you get another good effort. Don’t drill. After you’ve had two or three good attempts, stop and come back to it another time.

The essence of this teaching is that you create mutually-understood signals that communicate to the horse about moving individual feet.

This clip shows some possible generalizations.

RELATED RESOURCES

  1. Blog: Soft Response to Rope Pressure: https://wp.me/p4VYHH-5Sq
  2. March 2018 Challenge; Backing Up Part 2; FINESSE BACK-UP https://youtu.be/safxxu90lkA

 

Building Task Complexity Using Hoops

INTRODUCTION:

This is a superb flexion exercise because it causes the horse to become super aware of what his feet are doing. It also encourages the horse to pick up his feet and stretch his stride, so it aids muscle lengthening and hock flexion.

It is also an example of how we can gradually build the complexity of a task until eventually the whole task is done with one click&treat at the end.

Sadly, not all horses are aware of exactly where their feet are and what their feet are doing. Horses raised in flat paddocks or those who spend much of their life stabled have not had opportunity to develop good proprioception. Horses who can move freely in rugged country will have a much stronger sense of where their feet are.

We can purposefully teach tasks that encourage foot awareness. See ‘Related Resources’ 8 at the end of this post.

PREREQUISITES:

  1. Horse and handler are clicker savvy.
  2. Horse responds willingly to ‘walk on’ and ‘halt’ signals when the handler is beside his neck/shoulder. (See ‘Related Resources’ 1 at end of this post.)
  3. Horse knows about nose and/or foot targets as destinations where a click&treat occurs each time. (See ‘Related Resources’ 2 at end of this post.)
  4. Horse confidently steps over rails, ropes, logs or similar. (See ‘Related Resources’ 4 and 5 at end of this post.)
  5. Horse confidently walks onto and over unusual surfaces such as tarps, boards, and so on. (See ‘Related Resources’ 6 at end of this post.)

ENVIRONMENT & MATERIALS:

  • A work area where the horse is relaxed and confident.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • The horse is not hungry.
  • Five or six hoops. Make hoops with ropes laid into circles or make hoops using plastic water pipe pieces held together with a strip of large or smaller diameter pipe so the hoop can come apart if the horse gets in a muddle.
  • A destination where the horse will receive a click&treat after negotiating the hoop(s). Put the destination, either a mat or a nose target, at a spot an equal distance from either end of your (eventual) line of hoops so it works in either direction of travel.
  • Halter and lead kept loose as much as possible, as we want to use body language for communication as much as possible, rather than rope pressure.

AIM:

To smoothly walk (and maybe jog) across a series of five (or more) hoops staying together in the shoulder-to-shoulder position.

VIDEO CLIP:

#172 HorseGym with Boots: Building Task Complexity using Hoops

https://youtu.be/h0sVZqLfNI8

NOTES:

  1. Boots’ demonstration on the video is the sum of many short training sessions over a long time. During the teaching or acquisition phase, we played with one hoop for a long time before adding the second hoop. As she gained confidence, we added more hoops one at a time.
  2. It’s good to first build confident stepping over things such as rails and as many other safe objects that you can find.
  3. Remember to keep each session short. We don’t want to drill this. We want the horse to learn that stepping through the hoops cleanly earns him a bonus click&treat.
  4. When we have accomplished the task fully, we will be able to cross a series of hoops cleanly in either direction with the handler on either side of the horse.
  5. Some people like to teach everything on both sides from the beginning. Others prefer to get it all smooth staying on one side of the horse and then teach it again from the beginning on the other side of the horse.
  6. Be careful to keep the shoulder-to-shoulder position intact so you are consistently moving in a synchronized way.

SLICES:

  1. Lay out one hoop and set up your destination (mat or nose target) a good distance away from the hoop so it is not immediately distracting.
  2. Approach the hoop with the horse; click&treat for any interest he shows in the hoop. Allow him to sniff it and paw at it for as long as he wants. Click&treat when he finishes sniffing and/or pawing, walk away from the hoop to the mat or nose target destination; click&treat at the destination.
  3. When the horse is ho-hum about the hoop, ask him to step his front feet into the hoop and halt; click&treat. Walk on to your destination; click&treat.
  4. Ignore any clipping of the hoop with his feet as he steps into it or out of it. Most horse will correct themselves with practice. It is addressed in 8 below.
  5. When 3 above is smooth, ask him to walk through the hoop with his front feet and halt with his hind feet in the hoop; click&treat. Walk on to your destination; click&treat.
  6. Alternate between 3 and 5 above, walking on to your destination each time for a second click&treat.
  7. When the horse feels confident about halting with either his front feet or his hind feet in the hoop, begin to ask him to walk right through the hoop and on to your destination.
  8. At this point, ignore any clipping of the hoop with his feet, BUT when he walks right through CLEANLY, CLICK right after he has cleanly exited the hoop, and deliver the treat. When he does clip the hoop, there is no extra click&treat. You simply move on to your destination; click&treat.
  9. Repeat 7 and 8 until the horse can walk across the hoop smoothly without touching it most of the time. The first time he walks through without touching the hoop, celebrate hugely with a bonus click&treat or a jackpot before walking on to your destination for another click&treat.
  10. When the horse walks across the hoop cleanly almost every time, add a second hoop. Allow him time to investigate if he wants to.
  11. Repeat as above with two hoops, then three hoops, then four hoops, then five hoops, then more if you want.
  12. Be sure to stay with each number of hoops until the horse is super confident and moving across them cleanly almost every time. The easiest way to make it all fall apart is to go too fast or to try to do too much during one session.
  13. By keeping the sessions short and fun, he will be keen to do it again next time.
  14. Ensure that the horse is confident working in both directions.
  15. Ensure the horse is confident with you on his left side or his right side.
  16. When it feels ho-hum to walk across five or more hoops, start the whole process again with one hoop and ask him to jog or trot across it.

GENERALIZATIONS:

  1. Set up hoops in new venues; slopes can make it more challenging.
  2. Set up hoops where there are different distractions.
  3. If you have a friend that trains in the same way, ask them to do the exercise with your horse.
  4. Use the exercise regularly as part of your warm-up or cool-down gymnastics.
  5. See ‘Related Resources’ 7 below for more ways to play with hoops.

RELATED RESOURCES:

  1. Blog: Smooth ‘Walk On’ and ‘Halt’ Transitions: https://wp.me/p4VYHH-5TT
  2. Blog: Using Mats: Parking or Stationing and Much More: https://wp.me/p4VYHH-5S9
  3. Destinations: Video Clip: #3 HorseGym with Boots; Stationary Nose Targets: https://youtu.be/TcRjoAnDYPQ
  4. Video Clips: a) Precision with a Single Rail: https://youtu.be/bJzwDq-NvtE 
  5.                      b) Same task at Liberty: https://youtu.be/kvIso5iv-gA
  6. Unusual Surfaces clips:
    1. Thin-Slicing the One Meter Board: https://youtu.be/pLLqtbQJqMs
    2. Tarp and Water Surface: https://youtu.be/AOhKu6oHdkk
  7. Hoops Playlist: First clip in the playlist: Single Obstacle Challenge Hoops 1 https://youtu.be/AfDIAQSOmE0
  8. Video Clip: Foot Awareness: https://youtu.be/7bEkFk0w_gk

 

SMOOTH 90-DEGREE TURNS – Handler on the Inside

INTRODUCTION:

This activity makes a nice warm-up or cool-down exercise. It also does wonders for maintaining horizontal flexibility. The bone structure of the horse limits flexion to only three points along the body. They simply are not as sinuous as a cat or even a dog.

A horse’s three flexion points are:

  1. Head alone flexes right and left a little bit.
  2. Base of the neck is the main area of flexion.
  3. A small degree of flexion is possible between the end of the ribs and the hip.

This exercise encourages maintenance of flexion for 2 and 3 above. To make a nice clean 90-degree (right-angle) turn, the horse must flex a little bit at the shoulder and step the inside hind foot forward and under the belly to navigate the turn as elegantly as possible.

It’s a good exercise to note the degree of stiffness or flexibility that a horse has in his body.

If we have a stiff horse, we can set up this exercise so it is relatively easy to accomplish at first. If we consistently do a few repeats of this exercise several times each session, we’ll note that it gradually gets easier for the horse (unless he is incapacitated due to past injury).

As the horse gets smooth with one level of bend, we can gradually ask for a tighter bend.

PREREQUISITES:

  1. Horse and handler are clicker savvy.
  2. Horse responds willingly to ‘walk on’ and ‘halt’ signals when the handler is beside his neck/shoulder. (See ‘Linked Resources’ at end of this post.)
  3. Handler understands the skill of shifting his/her body axis away from the horse as a signal for turning when the horse is on the outside of the turn. Practice this first without the horse. If you have a willing human helper, have them be the horse so they can give you feedback about the clarity of your body orientation signal just prior to navigating each corner. (See the ‘Linked Resource’ about 180-Degree Turns. I teach this before these 90-degree turns.)
  4. Handler understands the skill of maintaining ‘forward energy’ at the same time as slowing down to give the horse time to scribe the bigger arc of the turn. This is also improved by practice with another person standing in for the horse.

ENVIRONMENT & MATERIALS:

  • A work area where the horse is relaxed and confident.
  • Ideally, the horse can see his buddies, but they can’t interfere.
  • The horse is not hungry.
  • Halter and lead (kept loose as much as possible, as we want to use orientation and body language for communication, not rope pressure).
  • Four rails (or similar) that clearly outline the shape of a square or rectangle.
  • Four markers to place beyond the corners of our square or rectangle.

AIMS:

  1. To have the horse and handler execute fluid, smooth 90-degree (right-angle) turns when the horse is on the outside of the handler; handler on the LEFT side of the horse.
  2. To have the horse and handler execute fluid, smooth 90-degree (right-angle) turns when the horse is on the outside of the handler; handler on the RIGHT side of the horse.

VIDEO CLIP:

#171 HorseGym with Boots: SMOOTH 90-DEGREE TURNS.

NOTES:

  1. What you see Boots doing in the video clip is a result of many very short sessions over a long time. I strive to improve the timing of my body axis turned away from the horse as a signal for the right-angle turn.
  2. If you use ‘right’ and ‘left’ turn voice signals, add the relevant one at the same moment as you shift the angle of your body axis away from the horse
  3. If the horse has been resting or contained, it is important to walk around for a general overall body warm-up before asking for these types of flexion. Walking over rails and weaving obstacles make great warm-up exercises.

SLICES:

  1. Ask the horse to walk with you around the shape (box or rectangle), with you walking on the inside of the turn. At first be content with fairly wide, flowing corners. At first, click&treat after each corner. Eventually begin to click&treat only especially well done corners.
  2. Focus on three things;

One: turn your body axis away from the horse just as you approach each corner.

Two: slow down slightly around the corner but keeping your body energy up as you turn in order to give the horse plenty of time to organize his much longer body and four legs. Raising your knees to ‘march on the spot’ is one way to maintain the energy with less forward movement. If you pause your energy through the turn, the horse may also fade out, as he is taking his cues from your energy.

Three: note how efficiently or elegantly your horse is bringing his body around each corner; click&treat turns that seem extra efficient or elegant. Offer the click&treat just after the corner has been navigated, not during the turn.

  1. After a few times around with you on the horse’s left side, change direction so you are on his right side. You may notice that the horse is less flexible on one side. You may notice that you are less flexible and less clear with your body language in one direction.
  2. If you have previously taught voice signals for going ‘around’ something or for ‘left turn’ and ‘right turn’, you can use them here at the same moment you are turning your body axis away from the horse.
  3. When 2 and 3 above feel relaxed and easy, set four markers out from each corner of the square or rectangle as in the photo below. At first, make the gap between the rail and the marker much wider than in the photo. Also note that I’v begun walking inside the square, giving the horse more space to navigate the turn.

  1. Repeat  from the beginning with the horse walking inside each corner marker. As you note his suppleness improving day by day, gradually move the markers closer. In the photo above you can see the tracks of our first easy wide turns when I was also walking outside the square. Now Boots is making the tracks close to the rails.
  2. A little bit of this exercise done often, but never ‘drilled’, encourages the horse to flex because a nice turn earns a click&treat. When all the turns feel nice and tight, be sure to still click&treat often – sometimes after 1, 2, 3 or 4 corners and mix up the number of corners done before the click&treat. If you always do the same, the horse will expect you to always do the same. By varying how many corners before the click&treat, he will listen for the click rather than count the turns. Change direction frequently.

GENERALIZATIONS:

  1. Set up more than one rectangle and do a few circuits of each one.
  2. Set rectangles up in different venues, if possible, or change the spot in the same general venue.
  3. Set up rectangles of different sizes.
  4. Set up rectangles using different props, such as tread-in posts or tall cones and tape.
  5. Use parallel rails as your rectangle so you can change which rails you decide to walk between so the horse watches more carefully for the change in your body axis.
  6. Set up a rectangle on a slope.
  7. Eventually you may only need four corner markers as a baseline.
  8. Walk a square or rectangle without any props to see how well you have established the change in body axis orientation to communicate with your horse. Vary the size of these – maybe by counting your steps.
  9. Use your body axis orientation change consistently when doing other exercises such as weaving.
  10. Walk a circle rather than a square, by keeping your body axis turned slightly from the horse as the signal.
  11. Play with it all at liberty if you didn’t already train it all at liberty.

LINKED RESOURCES:

Blog: Smooth ‘Walk On’ and ‘Halt’ Transitions. https://wp.me/p4VYHH-5TT

Blog: 180-Degree Turns. https://wp.me/p4VYHH-5Ug

Clip: #170 HorseGym with Boots: Body Axis Orientation https://youtu.be/mjBwyDsVX6Y

Smooth ‘Walk On’ and ‘Halt’ Transitions

INTRODUCTION:

‘Walk On’ and ‘Halt’ are the foundation of pretty much everything we want a horse to do with us. Even teaching ‘parking’ starts with a solid, confident ‘halt’.

Teaching the basic ‘walk on’ and ‘halt’ is most easily done in position beside the horse’s neck or shoulder. I like to teach these with a ‘multi-signal’ or ‘signal bundle’. In the science literature multi-signals are referred to as “a compound stimulus”.

Using the multi-signals consistently from the beginning means that once the horse knows them well, I can use any one of them, or any combination of them, depending on what best suits the situation. It makes it easier for the horse to recognize the signals when I am walking beside his ribs or behind him (outside his blind spot).

PREREQUISITES:

  1. Horse and handler are clicker-savvy.
  2. Horse readily targets stationary objects with his nose and/or feet. (See ADDITIONAL RESOURCE 5. at the end of this post.)
  3. Horse is comfortable wearing a halter and lead rope.
  4. It’s highly recommended to practice the rope handling mechanical skills to signal ‘walk on’ and ‘halt’ first with a person standing in for the horse. Simulations are a wonderful way to get our body language and rope handling skills organized and smooth before we inflict ourselves on the horse.

MATERIALS AND ENVIRONMENT:

  • Horse in a familiar area where he is comfortable.
  • Other horse buddies in view, but not able to interfere.
  • Horse is not hungry and in a relaxed frame of mind.
  • Halter and lead. A relatively short lead rope is easier to manage.
  • Destination objects. These can be a series of stationary nose targets, mats as foot targets. Alternatively, we can use a Frisbee or old cap thrown out ahead for the horse to target, then thrown forward again.

AIM:

Elegant ‘walk on’ and ‘halt’ transitions with the horse and handler staying shoulder-to-shoulder, with the handler on either side of the horse.

VIDEO CLIPS:

‘Walk on’ signals are illustrated in HorseGym with Boots clip #129.

‘Halt’ signals are illustrated in HorseGym with Boots clip #131.

NOTES:

  1. What you see Boots doing in the video clip is a result many short sessions over a long time.
  2. We can aid the horse’s understanding if we begin teaching this along a safe fence to remove the horse’s option of swinging the hindquarters away from the handler.
  3. We want to strive for consistently staying in the area alongside the horse’s neck and shoulder.

Photo to illustrate Slice 3 below. A ‘halt’ signal without pulling on the halter: hold the rope straight up into the air and jiggle it lightly. We can use this as part of our ‘halt’ multi-signal if necessary. We can also use it during the process of teaching backing up with a hand gesture signal staying shoulder-to-shoulder with the horse. Teach it as a ‘halt’ signal by using it as the horse approaches a fence or other dead-end where it makes total sense for him to halt .

SLICES:

  1. Hold the rope in the hand nearest the horse with no pressure on the halter. If you need to send a ‘halt’ signal with the rope, hold the rope straight upwards and jiggle it. The instant the horse responds, stop jiggling, breathe out and lower your hand.
  2. Halt: Ask the horse to walk beside you toward a familiar mat. As you approach the mat, use the following multi-signals almost simultaneously:
  • Visibly drop your weight down into your hips (like we want the horse to do).
  • Breathe out audibly.
  • Say ‘whoa’ or whatever halt voice signal you decided.
  1. Only if necessary, raise the inside hand holding the rope straight up into the air and jiggle the rope. If the horse is initially taught the ‘rope jiggle’ halt signal using a fence or a blocked-off lane, there will be little need to jiggle the rope. As the horse halts on the mat, immediately relax your body language; breathe out; click&treat.
  2. At first, pause briefly before walking on to the next mat; click&treat. Gradually, over many sessions, teach the horse to wait confidently for up to 10 seconds.
  3. Walk On: Ensure you are holding the rope in the hand nearest the horse with no pressure on the halter. To send a ‘walk on’ signal along the rope, reach across with your outside hand and run it gently up the rope toward the halter. As soon as the horse moves, take away your outside hand.
  4. We use our ‘walk on’ multi-signals almost simultaneously:
  • Look up toward the next destination.
  • Breathe in audibly and raise your body energy. Horses are very conscious about our breathing, so this can become an important signal if we use it consistently.
  • Run your outside hand gently up the rope toward halter to a point to which the horse responds by shifting his weight to step forward. This will eventually become a simple arm gesture without needing to touch the rope.
  • Step off with your outside leg (easier for horse to see).
  • Say ‘walk-on’ (or whatever voice signal you’ve decided). A voice signal is useful later when working at liberty, exercising on a long line, or guiding from behind, as in long-reining.

Our aim is to initiate the first intention of movement, then move in synchronization with the horse. It’s important not to move off without the horse, so losing our position beside the horse’s neck or shoulder.

People often tend to start walking without first inviting the horse to move in sync with them. The whole point of this exercise is to move forward together companionably, staying shoulder-to-shoulder.

  1. Each time you halt, you have another opportunity to practice the ‘walk on’ multi-signals. Each time you ‘walk on’, you have another opportunity to practice your ‘halt’ multi-signals.
  2. Every time you come to a destination marker, drop your hips and your energy, breathe out, say your voice signal and relax; click&treat. Pause, then politely use your ‘walk on’ multi-signal to ask the horse to walk forward with you to the next destination marker.
  3. It won’t take the horse long to realize that each destination marker is a ‘click point’. He will soon begin to look forward to reaching each destination. He will also begin to organize his body to halt efficiently. Horses love to know what will happen before it happens. Remember, they have four legs and a long body to organize, so begin your ‘halt’ signals well before you reach the destination.
  4. Many short sessions will show improvement in suppleness and body management more quickly than occasional long sessions.
  5. Be sure to teach this in both directions and on each side of the horse. Spending a little time on this, over many sessions, will build a lovely habit of walking with you on a loose rope.

In a way, although you have the horse on a rope, you are allowing him to self-shape the most efficient way to set himself up to halt at the next marker ready for his click/treat. Because the horse has worked out his way of halting for himself, he has more ‘ownership’ of the task.

Over time, walking together companionably will become a strongly established habit. As mentioned in Generalization 2. below, we can gradually introduce the ‘whoa’ as our click point, which means we can phase out using destination targets. The horse will comfortably walk with us until we signal for a ‘halt’. Of course, we must reliably reinforce each halt request with a click&treat.

GENERALIZATIONS:

  1. Gradually increase distances between destinations.
  2. Gradually introduce ‘whoa’ as the click&treat indicator to replace nose or foot targets. Start by asking for ‘whoa’ between destinations. (See ADDITIONAL RESOURCE 2. below.)
  3. Add objects and obstacles to your training spaces to walk through, across, over, weave among. (See ADDITIONAL RESOURCES 3. & 4. below.)
  4. Walk together at liberty. (See ADDITIONAL RESOURCE 1. below.)
  5. Walk together in different venues including public places with slopes, water, trees.

ADDITIONAL RESOURCES:

  1. Clip: Walking Together at Liberty: https://youtu.be/fD5lWQa6wmo
  2. Clip: 20 Steps Exercise with halter & lead: https://youtu.be/kjH2pS1Kfr8
  3. Clip: Precision Leading: https://youtu.be/2vKe6xjpP6I
  4. Clip: Walk & Hock Gym: https://youtu.be/R62dP1_siaU
  5. Blog about mats: https://wp.me/p4VYHH-5S9

 

 

 

 

 

 

 

 

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What is Equine Clicker Training?

Clicker training is also called Positive Reinforcement Training.  It is a way of establishing 2-way communication with a horse.

When the horse presents a behavior that we want to encourage, we use a special sound followed right away with a small food treat that the horse really likes.  Like all of us, horses will seek to re-create a behavior that gives them a positive result.

The special sound can be made mechanically with a ‘clicker’ or it can be a ‘tongue click’ or a special sound/word that we never use any other time.  Often a mechanical clicker is useful to first teach a new behavior.  Then it is easy to change to a tongue click or our chosen sound/word.  This makes it easier because working with horses we usually need our hands free to use ropes and body extensions.

Since horses are designed to eat much of the time, a food treat is usually appreciated as long as we make sure it is something they really like.  It’s important to keep each treat very small and to include the treats in the horse’s daily calorie intake.

A good way to learn clicker training skills is to start with the Target Game.  Before communication can start, the horse has to understand the connection between the marker sound and the treat that will follow.  Some people call this  ‘charging the clicker’.  It just means that the horse has learned that if he hears that particular sound, a treat will always follow.

Target Game:

It’s a good idea to first practice the mechanics of this with another person standing in as the horse.  Well-timed food delivery is a key to success with this way of training. It is easier for the horse if the handler had muddled through the learning of  the mechanics of treat delivery. At the beginning it can feel a bit like tapping ones head and rubbing ones belly at the same time.

Ideally have the horse in view of his friends, but separated from them.  He will learn best if he is not hungry or thirsty and if he is in a relaxed frame of mind. I always ensure that the horse has been grazing or had access to hay before I train.

We’d like the horse to put his nose on a ‘target’ that we present near his nose.

The handler’s task is to:

  1. Have a hand ready on the clicker, if using one.
  2. Have a safe barrier between you and the horse.  Present the target – gently to one side of his nose, not thrust directly at him.  A plastic drink bottle or a safe object taped onto a stick is good to start with.
  3. Wait patiently until the horse touches the target with his nose or whisker at which point CLICK, move the target down out of the way
  4. And promptly reach into a pocket or pouch to get out a treat.  Use a pocket or pouch that allows the hand to smoothly slip in and out.  Be careful never to reach into the pocket or pound until after you’ve clicked.  This gets important later.
  5. Present the treat to the horse in a firm, totally flat hand so it is easy for him to retrieve the treat.  For some horses it may work better at first to toss the treat into a nearby familiar food bucket.  The skill of taking a treat politely from the hand can be learned later.  If he pushes your hand down, gently push upwards with equal pressure.
  6. When he’s eaten his treat, present the target again.

If we keep each targeting session short (3-4 minutes) and are able to repeat them 2 or 3 times in a day, the horse will learn quickly and look forward to each session.

The Target Game is a good one to start with because when you finish you simply put the target away.  Using the Target Game will let you decide whether Clicker Training (Training with Positive Reinforcement) is something you’d like to carry on with. It can be done alongside anything else you do with your horse.

The little clip below shows the beginnings and how it might develop over time.  The horses in the clip are already clicker-savvy. Be aware that at first we should always present the target in the same place.  When the horse consistently gets 10/10 for that, we can change to holding it higher up.  Then eventually lower down and to the side and requiring the horse to move to reach it.  But it’s important to get 10/10 for each of these, before we make a change.

Clip: Starting Equine Clicker Training