This routine presents a novel way to walk ever-decreasing circles. It also includes weaving and 180-degree turns.
AIM
Smoothly carry out a routine walking together in a variety of configurations.
PREREQUISITES
Walking together shoulder-to-shoulder. Smooth ‘Walk On’ and ‘Halt’ Transitions. Click here.
While walking shoulder-to-shoulder, the horse changes direction in response to the handler moving his/her body axis toward the horse or away from the horse. #170 HorseGym with Boots: Body Axis Orientation Signals; Click here.
Weaving. #70 HorseGym with Boots: Only Horse Weaves;Click here.
A work area where the horse is relaxed and confident.
Ideally, the horse can see his buddies, but they can’t interfere.
The horse is not hungry.
Halter and relatively short lead rope (8′).
Rags: I used six rags in this video clip for easier filming and to avoid boring viewers, but you can use as many as you like and make the circle as large as you like.
I like to memorize the sequence of tasks by walking the pattern without the horse and/or with a person standing in for the horse. It also works to visualize the sequence often.
Make the circle a size that suits your horse. We want him to be able to do the weave part easily. As he gets more adepts, you can gradually make the circle smaller to encourage more bend.
I found it a challenge to remember which rag we were going to leave out next as we made the circle smaller. Having different colored rags made it easier.
Boots is now so good about recognizing that the rags are not mats, that I could walk on the rags or inside the rag circle without her stepping on them. If your horse tends to step on the rags, walk on the outside of the rags so he is further away from them.
Use a rate of reinforcement that keeps your horse continually successful. This can be very often when you first introduce the routine. As the horse gets to know the routine, gradually decrease your rate of reinforcement (how often you click&treat).
Be careful not to drill. Multiple short sessions will keep the horse keen to do it again next time.
TASKS
On the horse’s left side, starting from the center of the circle, ask the horse to weave the rags while you remain walking inside the rags.
When you’ve weaved through all the rags, walk a full circle around all the rags.
Walk a second circle leaving out one rag.
Walk a third circle leaving out two rags, and so on, systematically, until you reach your last circle around just one rag.
Walk to the center of the circle for a rest; click&treat.
From the center, walk straight ahead and do a U-turn around the nearest rag and return to the center.
You’re now facing the opposite direction, so choose another rag in front of you, walk toward it and do a U-turn and return to the center.
Use your ‘end of routine’ routine so the horse knows it is the end of the routine. I use a Triple Treat.
Repeat on the horse’s right side. You may want to do something else before you repeat this on the other side because it is such concentrated work.
GENERALIZATIONS
When it feels smooth, work at liberty.
If you are able, set up a big circle and do some of the routine at trot.
Add the task of ever-increasing circles.
Work on a slope if you have one handy.
Use more rags.
Set the rags into a rectangle or a triangle to encourage more variety of movement. Or have one end round and the other end with two right angles.
Horse understands a ‘wait’ signal to stay parked until further notice. Mats: Parking or Stationing and Much More: https://wp.me/p4VYHH-5S9
Handler has developed a clear ‘Zero Intent’ signal so the horse knows when standing quietly is what is wanted. ‘Zero Intent’ and ‘Intent’: https://wp.me/p4VYHH-5RO
ENVIRONMENT AND MATERIALS
A work area where the horse is relaxed and confident.
Ideally, the horse can see his buddies, but they can’t interfere.
The horse is not hungry.
Halter and a lead long enough so you can keep a nice drape in it but not so long it gets in the way. Or work at liberty.
I find it easier to memorize the sequence of tasks like this by walking the pattern without the horse and then visualizing the sequence often. If you have a human friend, take turns being the horse or the handler. Usually, as handler precision improves, horse precision improves.
The aim is to keep the rope with a nice drape or loop as much as possible, so the horse is getting his signals from our body language and signals rather than pressure on the halter. Then it will be easy to morph into working at liberty.
Click&treat at a rate that keeps your horse being successful. As the horse learns a pattern through frequent short repetitions, we can gradually ask for a bit more before each click&treat. For this routine I began with click&treat at each halt, then gradually did a bit more before a click&treat.
TASKS
Handler closest to fence, walk along shoulder-to-shoulder and make a U-turn, staying on the same side of the horse, which will put the horse closest to the fence. Walk to your starting point; halt.
Standing shoulder-to-shoulder with the horse, beside or just behind his withers, ask the horse to back up several steps; halt.
From halt, with the handler on the inside of the turn, make a 90-degree turn and walk 4 or 5 steps, halt. Repeat three more times so that you have walked an entire square with a halt at each corner, ending up where you started.
From halt, walk the first two sides of the square as you did in 3 above, but with no halt at the corner. Halt at the end of the second side. The horse is now parallel to the fence.
Move to face the horse and ask for sidesteps to the fence; halt.
Ask the horse to stay parked with your ‘wait’ signal. Walk up to a couple of meters behind the horse and take up your ‘no intent’ position. Start with only a couple of seconds of ‘wait’ but try to gradually build up to ten seconds. Over multiple sessions gradually increase the distance you move away.
Walk to stand beside the horse’s butt (facing the same way as the horse) and ask for several steps of back-up.
Jackpot on completion of the sequence.
GENERALIZATIONS
Ask for a few more steps during the back-ups (tasks 2 and 7).
Walk a larger square (task 3).
Ask the horse to wait longer when he is parked (task 6).
Walk further away after asking the horse to ‘wait’ (task 6).
Start the exercise with a trot along the fence (task 1).
Ask for the second back-up (task 7) from further and further behind the horse.
Work at liberty or add halter and lead if you started at liberty.
This routine has us alternating frequently between the left and right sides of the horse. The objective is to develop our ‘walk on’, ‘halt’ and ‘turn’ signals to make them as clear and precise as possible.
AIM
To improve handler precision by linking a series of tasks into a sequence.
PREREQUISITES
Smooth ‘walk on’ and ‘halt’ transitions staying shoulder-to-shoulder. (Smooth Walk and Halt transitions: https://wp.me/p4VYHH-5TT)
Handler has developed a clear ‘Zero Intent’ signal so the horse knows when standing quietly is what is wanted. (‘Zero Intent’ and ‘Intent’: https://wp.me/p4VYHH-5RO)
ENVIRONMENT AND MATERIALS
A work area where the horse is relaxed and confident.
Ideally, the horse can see his buddies, but they can’t interfere.
The horse is not hungry.
Halter and a lead long enough so we can keep a nice drape in it but not so long it gets in the way.
Six or more rags marking out a roomy circle. Have an even number of rags.
NOTES
For this routine, it helps if the rags are a different color.
Make the circle as large as you like. It is small in the clips for ease of filming.
I like to memorize the sequence of events by walking the pattern without the horse and then visualizing the sequence often (a good substitute for counting sheep to go to sleep!) If you have a human friend, take turns being the horse or the handler. Usually, as handler precision improves, horse precision improves.
Walk should-to-shoulder with the horse for all the tasks except the last two.
The aim is to keep the rope with a nice drape or loop as much as possible, so the horse is getting his signals from our body language and signals rather than rope pressure.
Click&treat at a rate that keeps your horse being successful. As a horse learns a pattern through frequent short repetitions, we can gradually ask for a bit more before each click&treat.
With the handler nearest the rag and on the horse’s left, stand together beside one of the rags.
Walk a full circle around the rags (anticlockwise).
On completing a full circle, turn into the middle of the circle and halt. Move to the horse’s right side.
Vary how long you stay at the halt each time you halt in the circle’s center. Be clear with your ‘no intent’ body language during the standing together, and your ‘intent’ body language when you want to walk on again.
Walk forward and curve around to circle the rags in the opposite direction (clockwise). Handler walks closest to the rags.
On completing one full circle, turn into the middle again, halt and change to the horse’s left side.
Walk forward and curve into an anticlockwise circle, but this time halt at every second rag. Vary how long you stay parked at the rags.
After one circuit halting at every second rag, turn into the center of the circle again and change to the right side.
Repeat 7 (stop at every second rag) but walking a clockwise circle.
On completing the circle, turn into the middle of the circle and halt.
Ask the horse to back up between two rags, halting when his belly is between the rags. In the clips, I face Boots to ask her to back up, but we could back up shoulder-to-shoulder.
Ask the horse to sidestep either right or left so that one of the rags passes under his belly.
Large Celebration on completion of the sequence.
GENERALIZATIONS
Practice in different venues.
Change the size of your circle.
Add more rags to your circle.
Build in walk-trot-walk transitions.
Repeat each task before changing to the next task.
Add walk-trot-walk transitions.
Add halt-trot transitions.
Add trot-halt transitions.
Play with it at liberty.
Carry out the sequence of tasks in an open area without marker rags. For the three halts along the circle (tasks 7 and 9), halt after each quarter circle.
Photo: Walking concentric circles is part of this routine.
INTRODUCTION
For Movement Routine 3 we are back to using a fence as a focal point to initially build the routine. A fence helps the horse maintain straight movement. It also makes it easy to establish beginning and end points for each circle in this sequence of tasks.
AIMS
Transitions from walking forward into finesse back-ups.
Walking concentric circles.
Stay and Wait.
PREREQUISITES
Smooth ‘walk on’ and ‘halt’ transitions staying shoulder-to-shoulder. (See Related Resources 1 at the end of this post.)
We have taught the finesse back-up. (See Related Resources 2 at the end of this post.)
Handler has developed a clear ‘Zero Intent’ signal so the horse knows when standing quietly is what is wanted. (See Related Resources 3 at the end of this post.)
While walking shoulder-to-shoulder, the horse follows the movement of the handler’s body axis away from the horse to move into a circle. (See Related Resources 4 at the end of this post.)
We have taught the horse to ground-tie. (See Related Resources 5 at the end of this post.)
ENVIRONMENT AND MATERIALS
A work area where the horse is relaxed and confident.
Ideally, the horse can see his buddies, but they can’t interfere.
The horse is not hungry.
Halter and 10′ (3m) or longer lead.
A safe fence or similar. A safe fence or barrier is one the horse can’t put his foot/leg through if he suddenly steps back. Tape fences can work well with some horses – NOT electrified.
Memorize the sequence of tasks by walking the pattern without the horse and then visualizing the sequence often.
The number of steps you take walking forward is not important. I tend to not take many steps when making the video clips to keep the viewing time short. I sometimes suggest a number of steps, but please suit that to your horse and your environment.
However, the number of steps I suggest for moving backwards is significant. Horses don’t naturally do a lot of stepping backwards. We want to stay with only 2-3 steps at first, and gradually, over many short sessions, build it up one or two additional steps at a time. We want to avoid making the horse sore.
While teaching this routine, or revisiting it after a long time, I generally click&treat for each part of each task. When the routine feels familiar, I move the click point along so we are doing more before a click&treat. Each horse will be different and each time doing the pattern will be different. I like to move the click points around a bit to stop the horse anticipating a treat at a specific point every time.
The key to all these tasks is to keep a continuous drape in the lead rope, using halter pressure via the rope only momentarily for additional guidance. Most of our guided shaping comes via our body position, gestures, breathing, energy level and voice signals.
TASKS
On the horse’s left side, with the horse nearest the fence, walk forward maybe ten steps, halt for a second or two, then turn into a finesse back-up – asking for 2-3 steps back. Repeat two more times (three times in total).
Walk a large circle (handler on the inside). At the point along the fence where you began the large circle, switch to walk a medium-sized circle. Reaching the same spot again, carry on walking a small circle. The circle sizes will depend on the space you have and how flexible your horse is. Start with large circles and gradually make them smaller as indicated by the increasing suppleness of the horse.
Ask the horse to HALT alongside the fence, either ground-tied or put the rope over his neck/back. Then ask him to WAIT while you walk away about ten steps with your back to the horse. Turn to partly face the horse and take up your ‘Zero Intent’ body position for x number of seconds. Then walk back to the horse; click&treat. Gradually (over lots of short sessions with this routine) work up to a WAIT of ten seconds or more.
Walk forward shoulder-to-shoulder with the horse, then turn into a finesse back-up without a halt first. With practice this can get lovely and fluid.
Repeat the whole sequence of tasks walking on the horse’s right side.
GENERALIZATIONS
Practice alongside different fences/walls/hedges if you can.
Once the horse shows that he knows the pattern, play with it at liberty along a fence using the same signals you have used all along.
Once the routine is smooth along the fence, play with it out in the open first with a lead rope, then at liberty. Alternate on which side of the horse you begin the routine.
Note that during backing up, horses usually push harder with one hind leg, so their hind end tends to veer away from the stronger leg. You may want to teach a gesture signal that allows you to regain straightness.
Experiment with how your position to the right or the left of the horse’s head affects his backing up.
At one point a friend and I came up with 29 different ways of backing up a horse, including groundwork, long-reining and riding. This Finesse Back-Up is one of my favorites when I am leading a horse and we need a prompt back-up.
I learned the essence of this process from Alexandra Kurland, a true pioneer of equine clicker training. I’ve added the idea of using corners to teach because it arranges the environment so that stepping back makes sense to the horse right from the beginning.
PREREQUISITES:
Horse understands putting his nose on a target results in click&treat. (See Related Resource 1 at the end of this post.)
Horse walks confidently between the handler and a safe fence or similar barrier.
Horse understands ‘Walk On’ and ‘Whoa’ voice and body language signals. (See Related Resource 2 at the end of this post.)
Handler easily slip into and out of ‘zero intent’ so the horse easily knows when he can relax in a ‘wait’ and when he is being asked to move. (See Related Resource 3 at the end of this post.)
Horse understands the handler’s body axis orientation as a signal for bending. (See Related Resource 4 at the end of this post.)
ENVIRONMENT & MATERIALS:
A work area where the horse is relaxed and confident.
Ideally, the horse can see his buddies, but they can’t interfere.
A safe fence or barrier which leads into a safe corner.
Halter and lead.
Mat (optional). A mat can make it easier for a mat-savvy horse to settle into standing in a corner.
AIMS:
Handler uses clear, consistent orientation, body language and voice ‘back up’ signals.
Horse smoothly shifts from walking forward to stepping backwards on request when the handler turns to face him.
Once the horse readily parks calmly in the corner, we can begin to teach the Finesse Back-Up. I call it that because it requires gently running our hand or fingers up the rope toward the halter, until we reach a point of contact to which the horse responds.
Each horse will be different. I had trouble having Boots demonstrate clearly because she knows the task so well that she reads the very beginning of my body language sentence and steps back right away. If we teach this well, the horse will step back as soon as we begin to turn and use our voice signal, so that even our hand on the rope eventually becomes redundant.
This is tricky to explain in words. Hopefully the video clips and still pictures will make it easier to understand.
Two terms explained: Outside hand refers to the hand furthest away from the horse. Inside hand refers to the hand nearest the horse. These obviously change depending on which side of the horse you are on, and whether you are shoulder-to-shoulder with the horse, i.e. both facing the same direction, or you are facing the horse front-on.
SLICES:
A: Getting Comfortable in a Corner
Walk with the horse and halt in a corner set up with a gate or a barrier. The handler is on the open side of the corner. It the horse finds it hard to stand relaxed in the corner, and you have taught him to love standing his front feet on a mat, use a mat for your ‘halt’ position. Click&treat for the halt.
Relax into zero intent and ask the horse to ‘wait’ for a little while in the corner. Click&treat the ‘wait’ task a few times.
Turn the horse 90 degrees toward you so he can walk forward out of the corner. Walk a loop and come back to park in the corner again. Click&treat the halt. (This bit is not on the video clip but when first teaching this, we want the horse totally comfortable standing in the corner. It’s helpful to generalize the task to several corners if you have them available or can build them.)
Teach relaxed standing in the corner on the horse’s left and right sides.
B: The Back-Up Maneuver
To ask for the back-up, you are going to smoothly pivot 180 degrees, so you face the opposite direction to the direction the horse is facing, but you are a bit to one side of him.
BUT: ***In the moment before you pivot…***
Gently reach across your body with your ‘outside hand’ and slide it quietly up the rope to a point of contact to which the horse responds.
At first, this may be right up to the snap on the halter (or if using a rope halter, even beyond the snap to hold the bottom of the halter) so you can give the horse a very direct backwards feel on the halter.
As you pivot to face the horse, what was your ‘outside hand’ becomes your ‘inside hand’ — the one nearest the horse.
Then simply keep a ‘hold’ tension on the rope and bring up your energy and intent for the horse to step back. This stance causes the horse slight discomfort by making him feel unbalanced. We want him to work out that he can regain his balance/comfort by shifting backwards. Our first click point is the moment he thinks of moving back. Because he’s in a corner, his easiest choice is to step backwards to regain his balance.
When first teaching this task, release your ‘hold’ and simultaneously click&treat at the horse’s smallest inclination to shift his weight back. After the treat, walk a circuit, return to the corner, and ask again.
When you can feel the horse readily shifting his weight back, release the rope pressure, but then, right away, slide up the rope again and ‘hold’ a bit longer to get a whole step back. Drop your signaling hand off the rope as soon as you get backward movement. Walk a circuit, return to the corner, and ask again.
As he begins to understand, eventually ask for two steps, then three steps and so on, before the click&treat. The horse will soon know that when you relax your intent and take your signaling hand off the rope, he can stop backing.
Ask for two or three back-ups (of several steps each) in a row, with release, click&treat for each one. Then ask the horse to step forward into the corner again; click&treat.
Build a little dancing rhythm of movement: back up = click&treat. Forward into corner = click&treat. Back up = click&treat, and so on. After about 3 of these, go away for a bit of relaxation or doing other things.
Gradually, over many short sessions, ask for more steps back until the horse willingly offers as many as you like.
Generalizations
Move away from the corner and use just a fence on the far side.
Move away from the fence and use just a low raised rail on the far side.
Repeat with just a ground rail along the far side of the horse.
Check to see how well the horse can back with this signal (turning to face him) out in the open. If you lose straightness at any point, return to using a fence or rail on the far side. If the horse begins to swing his hind end away from you, you can straighten his body by touching his neck to move his head away, which will straighten his body.
Back through increasingly narrow spaces; e.g. two barrels, gates, into and out of stalls, always being careful that the horse does not catch his hip on an upright.
Back through lanes set up with higher sides.
Back along a track or trail.
Back down slopes and up slopes. Start with gentle inclines.
Back into a trailer or trailer simulation.
Weave backwards (you need to create signals to direct his butt to the right, to the left and to keep it straight). If you are asking the horse to back up while you face him front on, moving his head a bit to his left (your right) will cause his butt to move to his right (your left). And vice versa if you move his head a little bit to his right, his butt will move to his left. If you want him to back straight, ask his head to stay straight.
We don’t need fancy or specialized gear to initiate conversations with our horse(s) about foot awareness, signal clarity, precision, synchronization and flexion. We can use a set of rags.
This routine uses a collection of rags. Rags are great to use because they are so easy to carry around and set out in different places and in different configurations. My rags are chunky pieces of old clothing. It’s a great way to use clothes that are no longer favorites to wear and too worn to pass on to other people. Chunky pieces are best if there is wind about.
If your horse loves mats (as I hope he does), our first challenge is teaching that our rags are not the same as mats. The rags take the place of cones, barrels, rails or other items we might use to set out a pattern.
The purpose of this series of ‘Routines’ is to provide a platform that encourages handlers to refine their intent via body language, gesture signals and a clear ‘no intent’ posture. What usually happens is that as the handler’s movements become clearer and more consistent, the horse magically improves.
The more we can take the ‘noise’ out of our communication, the easier it is for the horse to understand our intent. Once they understand our request, most horses are keen to comply to reach the next pause, click&treat, or time of relaxation.
The more time we spend playing with this sort of exercise, which look relatively simple on the surface, the more positive spin-off we’ll notice with other things we do with the horse.
Clicker savvy horses seem to enjoy short routines like this because they quickly work out the order of tasks and know when the last one is finished. If we use a jackpot or triple treat on completion of the little chain of tasks, they are usually keen to follow through the pattern or routine. It’s another form of ‘destination training’. The horse knows the destination (the end of the final task).
With Boots I often do routines we’ve learned in the past, and she seems to remember how each one flows (her memory is probably better than mine!). We vary which ones we do over the days. Sometimes we do two of them separated by other activities.
This morning I was short on time, so I checked to see if Boots wanted to walk with me at liberty. She did, so I decided to play with our May Challenge routine. We’ve done it a few times with halter and lead. To my delight, she remembered all of it and was setting herself up for each task with minimal gestures from me. It probably went well mostly because I had no expectations and I wasn’t filming.
AIM
Smooth execution of the routine walking on either side of the horse: Routine: Walk a circuit around all the rags; circle each rag in turn; halt together beside each rag.
PREREQUISITES
We have stepping on a mat strongly ‘on cue’ or ‘on signal’ or ‘under stimulus control’. (See Related Resources 1 at the end of this post.)
Smooth ‘walk on’ and ‘halt’ transitions staying shoulder-to-shoulder. (See Related Resources 2 at the end of this post.)
Handler has developed a clear ‘Zero Intent’ signal so the horse knows when standing quietly is what is wanted. (See Related Resources 3 at the end of this post.)
Change of direction plus changing side of horse the handler on, is smooth. (See Related Resources 4 at the end of this post.
While walking shoulder-to-shoulder, the horse responds to the handler moving his/her body axis toward the horse or away from the horse. (See Related Resources 5 at the end of this post.)
Have a familiar ‘jackpot’ or ‘triple treat’ procedure for the end of the chain of tasks. (See Related Resources 6 at the end of this post.)
ENVIRONMENT AND MATERIALS
A work area where the horse is relaxed and confident.
Ideally, the horse can see his buddies, but they can’t interfere.
The horse is not hungry.
Halter and 10′ (3 m) or longer lead. The idea is to strive to keep the rope draped at all times.
A set of chunky rags. I use 5 rags and 3 rags in the video clips for easier filming and to avoid boring viewers to death, but you can use as many as you like.
VIDEO CLIPS
#179 HorseGym with Boots: ROUTINE 2 – Rags with halter & lead.
#180 HorseGym with Boots: ROUTINE 2 – Rags at liberty.
NOTES
I like to memorize the sequence of events by walking the pattern without the horse and then visualizing the sequence often (a good substitute for counting sheep to go to sleep!).
At the beginning, have your rags much further apart than shown on the video. We want the tasks to be easy to accomplish. Once the horse knows that rags are not the same as mats, put the rags closer together to increase the skill level.
How often you click&treat depends on where you are with each skill. I always begin with click&treat for each portion of each task. As the horse gets the hang of what we are doing, I move the click point along so the horse does more for each click&treat. I work toward being able to do the whole sequence with one click point at the end, but it doesn’t really matter.
As with everything, I keep the sessions short, tucked in among other things we are doing. I often do it just once, sometimes twice and rarely three times in a row.
Be aware that your body language and gestures may be less clear when you are using the non-dominant side of your body. Think brushing teeth or raking with your non-dominant side.
There is no need to rush through the sequence of tasks. Walk slowly. Give the horse time put the pattern into his mind and from there into his muscle memory.
To begin with, I like to change sides after each segment of this routine because it creates a natural click point. As the horse enjoys his treat, we can move to his other side to organize ourselves for the next part of the task.
To change which side of the horse we are on, we can simply halt a little distance away from the rags and move ourselves to the other side of the horse, or we can do a change of direction and sides in motion as in Related Resources 4 at the end of the post.
Later we can generalize to doing the whole routine first on one side, then again on the other side.
Work on each prerequisite on its own until it feels smooth.
Lay out the rags in a straight line with enough space between them to make it easy for the horse to circle each one. Use as many rags as you like. Three can be good to start with. To extend the routine, add more rags one at a time. Seven rags give a pretty good workout without asking too much. If you listen, the horse will tell you if you’re asking too much too soon.
TASKS
With the handler nearest the rags and on the left side of the horse, walk a circuit around the rags, staying as close to the rags as you can without the horse thinking he needs to stand on them. Make a U-turn at the far end.
Repeat 1) above walking on the right side of the horse (handler closest to rags).
Walk a circle around each rag on the left side of horse. As you come out of the circle from the first rag, move forward to get into position to circle the second rag, and so on.
Repeat 5) above on the right side of horse.
Handler nearest the rags: ‘walk on’ beside the row of rags, as you did in 1), but this time come to ‘halt’ beside each rag. Do one length of the rags walking on the right side of the horse [where you were for 6 above], then change to the left side for the other direction. Stay far enough from each rag to avoid the horse thinking they are mat targets. Once he realizes they are not foot targets, halt right beside each rag or even stand on it yourself for the halt. In the video clip with halter and lead, I did all this task on the horse’s right side.
Finish off with a jackpot or triple treat on completion of the final task in the routine..
GENERALIZATIONS
Generalize by doing more of the routine on one side of the horse until you can do all of it on the horse’s left, and all of it on the horse’s right. Be sure to give both sides attention and spend extra time on the side that feels harder.
Lay out your line of rags in as many different venues as you can find. If you have a route between barn and turn-out, you could lay them out and use them coming from or returning to the paddock.
Once the horse shows that he knows the pattern done on a totally loose lead, play with it at liberty if you have a safe area. Be careful to use the same signals you have used all along. Sometimes I add a neck rope to make it easy to give extra momentary guidance, but if the routine does not stay smooth, I go back to halter and lead (lead kept loose except as used for momentary guidance).
If you find it hard to wean yourself off a lead rope, start with wrapping it around the horse’s neck or draping it over his back. It might be that the handler is more dependent on the rope than the horse is. They key is too keep all body language and gestures the same.
This flexion activity follows on from teaching the 90 and 180-degree turns when the handler is on the inside of the turn. Now we want to develop a smooth turn when the handler is on the outside of the turn; counter turns.
When we are on the inside of a turn, we teach ourselves to slow down but maintain energy to give the horse time to organize his longer body and four legs to negotiate the larger arc of the turn without losing forward motion.
When we are on the outside of the turn, we have to travel a bigger arc than the horse to get around the turn. If we ‘hurry’ our strides it can cause the horse to hurry around the corner too, leaving us behind. Or our ‘hurrying’ may block the horse and he halts or moves away.
Ideally, we want the horse to slow his turn so we can negotiate our wider arc without stress.
Boots and I did a lot of experimentation to get this flowing smoothly. I have new knees, so it is hard for me to hurry myself around the turn. When we started the task in the shoulder-to-shoulder position, I ended up beside her butt after the corner.
It was time to re-think and play with possibilities. Eventually it became obvious that adjusting our leading position, so the horse’s nose was beside my shoulder, made the whole thing much more manageable.
In my book, Walking with Horses, I did a detailed exploration of the eight basic body positions or orientations we use when communicating with our horse. Each of these of course has many nuances of angle. Here are the eight positions:
Walking directly in front of the horse, with our back to the horse.
The horse is beside us with his head at our shoulder.
Shoulder-to-shoulder with the horse.
Walking beside the ribs, just behind the withers, where we would be if riding.
Walking or standing alongside the horse’s rump, as for tending hind feet or brushing tail.
Walking behind the horse as in long-reining.
In front of the horse, facing him.
Facing the horse’s ribs, as in saddling or lunging.
Eventually Boots and I worked out that the first slice we needed for counter turns was to review our signal for staying in Leading Position 2 – where my shoulder stays beside the horse’s head.
Much of our recent work has been using Leading Position 3 – shoulder-to-shoulder, but it didn’t take long to review and update the gesture signal we used for walking together with my head beside her ears.
PREREQUISITES
Horse and handler are clicker savvy.
Horse responds willingly to ‘walk on’ and ‘halt’ signals while keeping his head next to the handler’s shoulder. (See ‘Related Resources’ at end of this post.)
Handler understands the skill of shifting his/her body axis toward the horse as a signal for turning when the horse is on the inside of the turn. Practice this first without the horse. If you have a willing human helper, have them be the horse so they can give you feedback about the clarity of your body orientation signal just prior to navigating each corner. (See ‘Related Resource’.)
Handler understands the skill of navigating the bigger arc of the turn without raising his/her energy so much that it influences the horse to either speed up or stall out. This can also be practiced with another person standing in for the horse.
MATERIALS AND ENVIRONMENT
A work area where the horse is relaxed and confident.
Ideally, the horse can see his buddies, but they can’t interfere.
The horse is not hungry.
Halter and lead (kept draped as much as possible, as we want to use orientation and body language for communication, not rope pressure).
Safe stretches of fence along which you can walk in position beside the ears, keeping the horse between the fence and the handler to encourage straightness.
Four markers. The markers can be anything safe. In the beginning, it’s easiest if the markers are relatively large, so the horse sees the sense in walking around them rather than across or through them. Barrels, tall cones, tread-in posts if working on grass, or if these are not available, cardboard boxes can do the job.
Four rails to set up in a square or rectangular shape with one of the large markers set into each corner.
AIMS
To have the horse and handler execute fluid, smooth counter turns when the horse is on the inside of the turn; handler on the LEFT side of the horse.
To have the horse and handler execute fluid, smooth counter turns when the horse is on the inside of the turn; handler on the RIGHT side of the horse.
VIDEO CLIPS
Clip 1:
Clip 2:
NOTES
What you see Boots doing in the video clips is a result of many very short sessions over a long time. I always strive to improve the timing of my body axis turned toward the horse as a signal for the counter turn.
If the horse has been resting or contained, it is important to walk around for a general overall body warm-up before asking for this sort of flexion. A relaxed road walk or moving over rails and weaving obstacles make great warm-up exercises.
It’s important to teach each slice on both the left and right sides of the horse.
Quite often it is harder for the horse and/or the handler when they are using the non-dominant side of their body. With patience and extra practice on the harder side, it will start to feel more equal.
Signals given with the handler’s non-dominant side are often not as fluid or well-timed as signals given on the dominant side. Once we become aware of this, we can focus on it as necessary.
As with most things, progress without causing soreness is best made by doing a few counter turns every session; never turning it into drilling.
SLICES
Stay with each slice until if feels easy for both handler and horse.
Walk along a safe fence with the horse between the handler and the fence. Keep a nice drape in the lead rope. For this slice, we are not yet focusing on keeping a position beside the ears. Our focus is the horse walking calmly and willingly along the fence. Occasionally ask for a halt; click&treat.
When 1 feels smooth, put yourself into position beside the horse’s ears while you are at the halt; click&treat (still halted). Then ask for ‘walk on’ and see how well you can maintain the shoulder/ear position (I’ll refer to this as just the ‘ear position’ from now on).
If the horse tends to want to walk behind you, he may have been taught to lead mainly by staying behind, so treat this gently. Slow down with him to stay by his ear; click&treat when you achieve the position. Ask for only a couple of steps in ‘ear position’ before you halt; click&treat. We want to gradually have him realize that being in the ‘ear position’ is what elicits the click&treat.
If the horse tends to forge ahead, it makes more sense to me to use a body extension to block the forward surge, rather than to ‘correct’ with pressure on the rope.
A horse with the habit of cutting in front of the person leading is not in a good place in terms of getting along with people. If the horse has been taught to lead by following a hand-held target or walking calmly between stationary targets, this problem may never arise. You may want to go back and work on these skills before continuing with this exercise.
If your horse has been traumatized by stick objects in the past, the prerequisite task now becomes to build his confidence with body extensions before proceeding any further. (See ‘Related Resource’ 6 at the end of this chapter.)
Note: I am a fan of using targets for many things, but they can become a problem when the training does not progress to developing the relevant skills so a target is no longer needed.
In the first video clip, I use my arm to indicate a halt. Eventually this arm signal will no longer mean halt; it will instead be our signal for communicating that we are about to do a counter turn.
If the horse has the habit of surging ahead and is not traumatized by sticks, simply use a stick to put motion energy out in front of him to block his surge, followed by click&treat when he stops surging / stays beside you. This is an example of ‘combined reinforcement’. We use negative reinforcement to help the horse quickly understand the answer we need. The instant he finds the answer, we click&treat. There is no need to touch the horse with the body extension. We only use it to disturb the air in front of the horse by moving it up and down.
If the horse is full of energy, for whatever reason, the way forward is to give him opportunity to run off the energy so he can regain focus on the quieter work you want to do. Every horse is different and every training situation is a new combination of environment and events.
He will learn to keep the ‘ear position’ both while moving and when you ask for the halt. Eventually your raised arm will be enough and the body extension becomes redundant. If you feel your ‘halt’ could be improved, see Getting a Smooth Halt in Many Situations: https://wp.me/p4VYHH-5R9
5. Work with ‘walk on’ and ‘halt’ in the ‘ear position’ until it feels fluid in a variety of places and with the handler walking on either side of the horse.
6. When 5 is smooth, set up your rectangle of ground rails with a bulky object at each corner. Make the square/rectangle as large as you like. The one in the video clip is small for easier filming. As you approach a corner of the rectangle, turn your body axis toward the horse and raise your outside arm as you did previously for the halt.
The horse will feel your energy as you continue to step the arc around the corner and realize you are not stopping. Click&treat as soon as you come around the corner. If the horse does halt when you raise your arm, use some of your ‘walk on’ multi-signals to let him know that you are not stopping.
7. At first, click&treat after each corner. Gradually change to every second corner, and so on. Eventually vary the number of corners done before the click&treat. I don’t often ask for more than four corners in a row before the click&treat.
8. Change direction (and therefore side of the horse) often. This is a fairly concentrated flexion exercise and we don’t want to make the horse stiff.
9. When 7 is going well, remove the rails and use just the corner markers.
10. When 9 is going well, put markers at random throughout the training area Walk toward one and adjust your position so you can ask for a counter turn around it. I couldn’t fit this into the video clip, but it is an easy way to include a few counter turns in any training session.
GENERALIZATIONS
Set out a row of markers to weave for practicing your ‘drive’ and ‘draw’ body axis changes to really consolidate the idea for both of you. (See ‘Related Resources’ 2 and 3 at the end of this post.)
Set out markers around which you can do figure eight patterns, which combines the counter turn with the turn where you are on the inside. (See ‘Related Resource’ 4 and 5 at the end of this post.)
When everything is going smoothly, we can increase the challenge by asking for 180-degree counter turns (U-turns). We achieve this by keeping our body axis turned toward the horse for longer.
These are fairly extreme flexion tasks, so be gentle and only ask for a couple at a time at first. A few done often will certainly increase suppleness but be careful if your horse has (or might have) joint, stifle or arthritis issues. Always make sure the horse is well warmed up.
4. Eventually, we can ask for 360-degree counter turns around a marker. At first, a barrel or cluster of markers may make it easier because the turn is wider. With practice, the horse will get adept with tighter turns, but please note the cautions in 3 above.
5. Freestyle Counter turns: When it feels right, begin to ask for 90-degree counter turns without markers. If these fall apart, you have feedback about which slice to return to in order to regain the horse’s confidence and willingness. Usually we have to ask for less or in other words, raise the rate of reinforcement.
6. Morph the freestyle counter turns into a quiet, relaxed circle with the handler on the outside, then gradually change that into a tidy turn on the haunches. It may look messy at first, but with practice can become lovely and fluent.
7. Back-Up Counter Turns: Ask the horse to back up with you for a few steps, then ask for a counter turn; click&treat. These may also feel messy at first, but once you and the horse get synchronized via many mini-practices, they will become more and more exact. When one of these feels good, ask for two in a row before the click&treat.
Then do three in a row and finally four in a row so you have backed a complete square. I count our steps back and usually do the turn after every third or fourth step. If you are consistent with the number of the steps back before you ask for the turn, you will find that horses are excellent at counting. Teach again on the horse’s other side, which will probably feel quite different due to handler and horse asymmetry.
Horses have an inbuilt action pattern for moving in synchronization with each other. One way to play with this wonderful ability is to devise an exercise where the ‘walk on’ signal balances rhythmically with the ‘back up’ signal.
First, we ensure that our ‘walk on’ and ‘back up’ signals, used individually, give us fluid movement together staying shoulder-to-shoulder. Then we link these two tasks together to form a sequence of dance-like steps.
While walking forward, we pause momentarily before shifting our energy to step backward. The pause gives the horse time to re-organize his body to step back with us. The message to shift gears must travel a lot further in a horse than in our smaller body. Also, the horse has four legs to organize, so it is important to build in a pause long enough for the horse to accomplish the change.
It can look and feel rough at first, but by spending a short time with this exercise often, the shift from forward to reverse gear can become fluid and polished. The two video clips below show the stages of training that Boots and I went through.
PREREQUISITES:
Horse and handler are clicker savvy.
Horse responds willingly to ‘walk on’ signals and walks in a relaxed manner with the handler beside his neck/shoulder. (See ‘Related Resources’ 1 at end of this post.)
Horse responds easily to ‘back-up’ signals and walks backward willingly with the handler staying in position beside his neck/shoulder. (See ‘Related Resources’ 2 at end of this post.)
Horse and handler understand the ‘Zero Intent’ dynamic. (See ‘Related Resources’ 3 at end of this post.)
ENVIRONMENT & MATERIALS:
A work area where the horse is relaxed and confident.
Ideally, the horse can see his buddies, but they can’t interfere.
The horse is not hungry; he’s had ample time to graze or eat hay right before the training session.
Halter and lead (kept draped as much as possible, as we want to use body language for communication, not rope pressure). If the horse already backs up easily with the handler in the shoulder-to-shoulder position, you can teach this task at liberty.
A selection of barriers which we walk toward and ask for a ‘halt’.
A safe fence or similar to work alongside.
Supports and rails to build a dead-end lane.
AIM:
To smoothly change from walking forward ten steps to backing up ten steps in a straight line, staying together in the shoulder-to-shoulder position.
VIDEO CLIPS:
Balancera Clip 1 of 2: #173 HorseGym with Boots
Balancera Clip 2 of 2. #174 HorseGym with Boots
NOTES:
The slice numbers on the clips don’t correspond to the slice numbers below.
Boots’ demonstration on the video is the sum of many short sessions over a long time. When teaching something new, we stay with each slice of the task over as many short sessions as necessary until it feels ho-hum (easy and smooth). Then we move on to the next slice.
SLICES:
Ensure that you can ‘walk on’ together fluidly toward a destination, staying in position shoulder-to-shoulder (as for this whole exercise).
Ensure that you can ‘halt’ together fluidly, staying in position shoulder-to-shoulder.
Set up a lane and walk the horse through it in both directions. The horse walks inside the lane, handler walks on the outside.
When 3 is ho-hum, walk the horse into the lane and ask for a halt about halfway along; click&treat. Do this in both directions.
Repeat 4 above, asking the horse to wait a second longer before the click&treat, until he can comfortably wait 4 or 5 seconds while you relax with Zero Intent.
Block off one end of the lane with a barrier placed about half a horse’s length inside the lane. Walk the horse into the lane and halt at the barrier; click&treat.
Hold the rope in the hand nearest the horse. Lift your rope hand straight up and jiggle the rope lightly to put a distinctive touch signal on the halter. If your horse already understands a voice ‘back’ signal, use this as well. Watch for any movement backwards, even a body shift back; click&treat. If your horse already responds reliably to a back-up gesture and/or voice signal, you can probably teach this at liberty.
Walk the horse into the lane again, to halt at the barrier; click&treat. Repeat 7 above, gradually building up to several steps back.
Block off the lane a little further along so the horse is halting with his whole body inside the lane. Repeat backing out, aiming for a fluid, confident back-up of 5-6 steps. Make sure the handler remains shoulder-to-shoulder with the horse during the backing steps.
Now we want to switch the halter jiggle signal to a hand signal. As you lift the rope-hand straight up to jiggle the rope, also lift your outside hand to the horse’s eye level and make a backward gesture with it. And use your voice signal. Click&treat for any stepping back.
When 10 is good, repeat, using the outside hand and voice signal BEFORE you lift your rope-hand to put jiggle energy into the halter. The moment the horse begins to step back, stop jiggling the rope but ask for another step or two with the outside hand and voice signals.
When the horse moves back readily with your outside hand gesture and voice signal, fade out the rope-jiggle. You have taught what it means, and it is there as a reminding-signal in times of need.
Now we want to combine walk forward, pause, back-up with one click&treat after the whole task. This is the Balancera. Walk into the lane, halt at the barrier, signal for the back-up; click&treat for any back-up that is offered. Because we are introducing new complexity, we relax our criteria for number of steps back.
Gradually, over many very short sessions that always end on a good note, ask for more steps back after the halt before you click&treat. 5-6 steps are good during the learning process.
Practice with a lane of ground rails. Most horses will tend to veer right or left when they back up, due to the natural asymmetry of their bodies. One hind leg pushes off harder, so their hind end veers away from the stronger leg. By frequent backing through a lane of ground rails or between barrels, we help the horse organize his body to stay straighter. I often practice this slice as part of our regular gymnastic work.
Practice with one barrier on the far side of the horse but still halting at a barrier. This gives you another opportunity to note which way his hind end tends to veer.
Work on all the above on both sides of the horse. Each slice has two parts – handler in the left eye and handler in the right eye.
When you feel the time is right, repeat 15 and 16 without a barrier at the end of the lane or along the fence.
Play with halting facing a fence followed by a back-up without the prop of a lane or rails.
When you feel the time is right, ask for a halt away from any barriers, followed by a back-up. Celebrate hugely when you get this. Done with finesse, the horse becomes light and keeps his full attention on your body language so he can maintain the synchronization. I always click&treat after this task.
Gradually build up to 10 steps forward and 10 steps back but vary the number of steps each time you do it. He will be listening for your click to know when he can stop backing.
Whenever it feels ‘broken’, go back to whatever slice the horse feels confident with and work forward from there.
Ask for two ‘forward & back’ repeats before the click&treat.
Ask for three ‘forward & back’ repeats before the click&treat.
GENERALIZATIONS:
Adopt doing the Balancera between two ground rails as a regular part of your gymnastic warm-up and cool-down routines.
Play with this in new venues.
Play with it around new distractions.
Play at liberty.
Play with it to and from paddocks or while out on a walk.
Play with it on slopes, both backing down and backing up the slope.
Play with it long-reining using your voice and hand signal from behind the horse rather than beside him.
If you ride, play with it ridden. You can use the straight upward jiggle of your rope or rein to remind the horse about what you want, along with your voice signal and your body weight shift signal. If you use a cordeo (neck rope) while riding, you have probably already taught a touch signal with that for the back-up. If you begin by riding into a corner, it will easily make sense to the horse that you want him to back up.
This task continues the attention we gave the ‘halt’ and ‘walk on’. We also add a ‘back up’ and pay a bit more attention to ‘wait time’.
There are five different tasks, but since we do them in the horse’s left and right eyes, they are actually ten tasks. Then we consolidate the tasks by doing them in two directions, so we have a total of 20 tasks, or 10 tasks which each have two variations.
Once all the tasks are going smoothly, we can mix them up in any order, which teaches us to be crystal clear for the horse and has the horse watch us carefully to pick up our next signal.
When confusion arises, it is because we are not clear enough. Horses working for a food reward are usually super-observant of all our body language as well as carefully taught voice and gesture signals.
When we use our less dominant side, it’s common for our body language and gesture signals to be less clear until we become more conscious of what we are doing. If you haven’t usually done much on your horse’s right side, there will be a lot of learning going on.
PREREQUISITES:
Horse leads smoothly beside the handler’s shoulder. (See Additional Resource 1 at the end of the post.)
Handler and horse agree on clear ‘walk on’ and ‘halt’ signals. (See Additional Resource 2 at the end of the post.)
Horse and handler agree on a ‘back up’ signal. (See Additional Resources 3 & 4 at the end of the post.)
ENVIRONMENT & MATERIALS:
A work area where the horse is relaxed and confident.
Horse is not hungry.
Ideally, the horse can see his buddies, but they can’t interfere.
Halter and lead or liberty.
A rail. I use a round rail in the clip, but using a half-round rail that doesn’t roll is ideal to teach this. Or we can put blocks under a round rail. In the clip, I put my foot on it to stop it rolling.
One or two of these tasks during one segment of a training session is plenty. If it’s all done quietly with no fuss or drilling, the horse will think on it and remember what behaviors will earn a click&treat. It works best to do a little bit often.
AIMS:
Handler works on smooth ‘walk on’, ‘halt’ and ‘back up’ signals using a single rail as a focal point.
Handler builds small pauses into the work to encourage the horse to relax while waiting for the next set of signals.
Horse develops confidence with standing over a rail under his belly.
Horse has practice to place his feet carefully in response to handler signals.
VIDEO CLIPS:
With halter and lead:
Liberty
NOTES:
In the video clip, I change between left eye and right eye for each task. An option is to teach them all smoothly with the handler on one side of the horse and then teach them again from the other side.
I didn’t film the tasks using a mat destination between repeats of the task, but when first beginning to teach the tasks, it can help to have a familiar mat some distance from the rail and head to it for an extra click&treat between repeats.
For challenges like this with multiple parts, I find it useful to carry a written memo card in my pocket.
SLICES:
Walk right over the rail, halt a few paces beyond the rail (or at a destination mat/target), click&treat.
Halt with the rail under the horse’s belly, click&treat; pause, walk on forward over the rail.
Halt before stepping over the rail, click&treat; pause, walk on over the rail.
Halt after all four feet have stepped over the rail, click&treat; pause, walk on.
Halt with the rail under the horse’s belly, click&treat. Pause, ask the horse to back his front feet over the rail, click&treat; pause, walk on forward over the rail. If you have not taught backing up, add this slice later when the horse already backs confidently in different situations.
GENERALIZATION:
Approach the rail from different directions.
Put the rail in different venues.
Use different rails.
Do it at liberty or add halter and lead if you taught at liberty.
Work on a slope.
Use a similar exercise to get a horse comfortable with stepping into and out of a hoop on the ground with front feet, then with back feet.
This activity makes a nice warm-up or cool-down exercise. It also does wonders for maintaining horizontal flexibility. The bone structure of the horse limits flexion to only three points along the body. They simply are not as sinuous as a cat or even a dog.
A horse’s three flexion points are:
Head alone flexes right and left a little bit.
Base of the neck is the main area of flexion.
A small degree of flexion is possible between the end of the ribs and the hip.
This exercise encourages maintenance of flexion for 2 and 3 above. To make a nice clean 90-degree (right-angle) turn, the horse must flex a little bit at the shoulder and step the inside hind foot forward and under the belly to navigate the turn as elegantly as possible.
It’s a good exercise to note the degree of stiffness or flexibility that a horse has in his body.
If we have a stiff horse, we can set up this exercise so it is relatively easy to accomplish at first. If we consistently do a few repeats of this exercise several times each session, we’ll note that it gradually gets easier for the horse (unless he is incapacitated due to past injury).
As the horse gets smooth with one level of bend, we can gradually ask for a tighter bend.
PREREQUISITES:
Horse and handler are clicker savvy.
Horse responds willingly to ‘walk on’ and ‘halt’ signals when the handler is beside his neck/shoulder. (See ‘Linked Resources’ at end of this post.)
Handler understands the skill of shifting his/her body axis away from the horse as a signal for turning when the horse is on the outside of the turn. Practice this first without the horse. If you have a willing human helper, have them be the horse so they can give you feedback about the clarity of your body orientation signal just prior to navigating each corner. (See the ‘Linked Resource’ about 180-Degree Turns. I teach this before these 90-degree turns.)
Handler understands the skill of maintaining ‘forward energy’ at the same time as slowing down to give the horse time to scribe the bigger arc of the turn. This is also improved by practice with another person standing in for the horse.
ENVIRONMENT & MATERIALS:
A work area where the horse is relaxed and confident.
Ideally, the horse can see his buddies, but they can’t interfere.
The horse is not hungry.
Halter and lead (kept loose as much as possible, as we want to use orientation and body language for communication, not rope pressure).
Four rails (or similar) that clearly outline the shape of a square or rectangle.
Four markers to place beyond the corners of our square or rectangle.
AIMS:
To have the horse and handler execute fluid, smooth 90-degree (right-angle) turns when the horse is on the outside of the handler; handler on the LEFT side of the horse.
To have the horse and handler execute fluid, smooth 90-degree (right-angle) turns when the horse is on the outside of the handler; handler on the RIGHT side of the horse.
VIDEO CLIP:
#171 HorseGym with Boots: SMOOTH 90-DEGREE TURNS.
NOTES:
What you see Boots doing in the video clip is a result of many very short sessions over a long time. I strive to improve the timing of my body axis turned away from the horse as a signal for the right-angle turn.
If you use ‘right’ and ‘left’ turn voice signals, add the relevant one at the same moment as you shift the angle of your body axis away from the horse
If the horse has been resting or contained, it is important to walk around for a general overall body warm-up before asking for these types of flexion. Walking over rails and weaving obstacles make great warm-up exercises.
SLICES:
Ask the horse to walk with you around the shape (box or rectangle), with you walking on the inside of the turn. At first be content with fairly wide, flowing corners. At first, click&treat after each corner. Eventually begin to click&treat only especially well done corners.
Focus on three things;
One: turn your body axis away from the horse just as you approach each corner.
Two: slow down slightly around the corner but keeping your body energy up as you turn in order to give the horse plenty of time to organize his much longer body and four legs. Raising your knees to ‘march on the spot’ is one way to maintain the energy with less forward movement. If you pause your energy through the turn, the horse may also fade out, as he is taking his cues from your energy.
Three: note how efficiently or elegantly your horse is bringing his body around each corner; click&treat turns that seem extra efficient or elegant. Offer the click&treat just after the corner has been navigated, not during the turn.
After a few times around with you on the horse’s left side, change direction so you are on his right side. You may notice that the horse is less flexible on one side. You may notice that you are less flexible and less clear with your body language in one direction.
If you have previously taught voice signals for going ‘around’ something or for ‘left turn’ and ‘right turn’, you can use them here at the same moment you are turning your body axis away from the horse.
When 2 and 3 above feel relaxed and easy, set four markers out from each corner of the square or rectangle as in the photo below. At first, make the gap between the rail and the marker much wider than in the photo. Also note that I’v begun walking inside the square, giving the horse more space to navigate the turn.
Repeat from the beginning with the horse walking inside each corner marker. As you note his suppleness improving day by day, gradually move the markers closer. In the photo above you can see the tracks of our first easy wide turns when I was also walking outside the square. Now Boots is making the tracks close to the rails.
A little bit of this exercise done often, but never ‘drilled’, encourages the horse to flex because a nice turn earns a click&treat. When all the turns feel nice and tight, be sure to still click&treat often – sometimes after 1, 2, 3 or 4 corners and mix up the number of corners done before the click&treat. If you always do the same, the horse will expect you to always do the same. By varying how many corners before the click&treat, he will listen for the click rather than count the turns. Change direction frequently.
GENERALIZATIONS:
Set up more than one rectangle and do a few circuits of each one.
Set rectangles up in different venues, if possible, or change the spot in the same general venue.
Set up rectangles of different sizes.
Set up rectangles using different props, such as tread-in posts or tall cones and tape.
Use parallel rails as your rectangle so you can change which rails you decide to walk between so the horse watches more carefully for the change in your body axis.
Set up a rectangle on a slope.
Eventually you may only need four corner markers as a baseline.
Walk a square or rectangle without any props to see how well you have established the change in body axis orientation to communicate with your horse. Vary the size of these – maybe by counting your steps.
Use your body axis orientation change consistently when doing other exercises such as weaving.
Walk a circle rather than a square, by keeping your body axis turned slightly from the horse as the signal.
Play with it all at liberty if you didn’t already train it all at liberty.
It’s not uncommon for a horse to have bad feelings or mixed emotions about halters and ropes. My book, WALKING WITH HORSES has a detailed section about developing a horse’s willingness to put his nose into a halter. For more details, click on the BOOKS section above. Also, see ‘Willing Haltering‘ in the Further Resources section at the end of this post.
To help horses deal well with captivity, confidence with halter and lead rope needs careful attention. Essentially, putting a halter and rope on our horse is similar to putting on our ‘work clothes’, which will be an outfit or uniform suitable for the type of work we do. When we work for an organization or with other people, we adjust our behavior to what is appropriate at our job.
In the same way, a horse carefully educated about halters and ropes will recognize that he is wearing his ‘uniform’ and relate it to certain ways of behaving. Mainly, it limits his behavior choices. Ideally it also encourages him to pay careful attention to requests made via messages sent along the rope.
We can use the rope to send text messages. But, obviously, we must first carefully teach the horse what the ‘letters’ of our text mean. The lighter the pressure of our ‘texting’, the lighter the horse’s responses can be. In other words, the horse can only be as light in his responses to rope messages as we are light in sending them.
A rope is a way of ‘holding hands’ with our horse, not a tether kept tight to stop the horse escaping our influence. There is nothing so heartbreaking as see a gasping dog at the end of a tight leash or a horse struggling to understand why the tightness of the rope won’t go away, no matter what he does.
The key to lead rope handling is that the rope is always slack except for the brief moments it is sending a message to the horse. The instant the horse complies with our request, the slack is returned to the rope. It is the instant release of rope pressure plus the simultaneous click (and the accompanying treat) that enables the horse to understand which task we are requesting.
PREREQUISITES:
Horse is comfortable wearing a halter.
Horse is comfortable with a lead rope.
Horse and handler are clicker savvy.
Horse has established the behavior of touching his nose to a target to earn a click&treat.
Horse understands standing on a mat with duration.
For the early sessions, it’s helpful to have the horse standing with his butt in a safe corner so that backing up and swinging the hind end away are not options. The first slices will therefore involve making sure the horse is comfortable and relaxed standing in a corner.
ENVIRONMENT & MATERIALS:
A work area where the horse is relaxed.
The horse is not hungry.
Ideally, the horse can see his buddies, but they can’t interfere.
A safe corner the horse can stand in confidently. A safe corner is one where there is no chance of the horse putting a leg through wire or rails if he steps back or sideways. Hedges, sides of buildings or a corner made with barrels or jump stands plus rails tend to be the safest. Even a raised rail or a log behind the horse with a small barrier on the far side of the horse might be enough of a corner.
A familiar mat to ‘station’ or ‘park’ the horse.
A familiar hand-held target.
When using the halter touch signal via the rope, be ready to click&treat for even the tiniest turn of the head at first. If we miss the horse’s first attempt to solve a puzzle, he can think his idea was wrong, and it can take a while for him to try it again.
When we lead, long-rein or ride a horse, it does not take much movement of the head to cause the horse to change direction. What we are doing here is not an extreme flexion exercise. It is an exercise to see how softly we can give what will become our ‘please change direction’ signals once the horse is moving.
AIMS:
To have the horse comfortable standing in a safe corner.
To teach an ‘anchor task’ that precedes our request to turn the head.
Use a target to teach head flexion to right and left; no rope.
Add ‘right’ and ‘left’ voice signals to the task.
Teach soft lateral flexion (turning the head right or left) using gentle touch on the halter via a rope until it feels equally smooth to the right and the left.
Generalize the task to different places and situations.
SLICES:
A: STANDING COMFORTABLY IN A CORNER
Introduce the horse to each corner in small, easy steps. Thin-slice the process to what your horse needs. Use a familiar mat to indicate where you would like his front feet to be . Three kinds of corners are shown in the videos clips.
If the horse readily yields hindquarters and forequarters we can use these to adjust his position.
Or we can lead him through the corner and back him into it.
If using a rail, we can walk him over the rail and halt with the rail behind him .
Play with as many safe corners as you can find or set up, to generalize the ‘corner task’ to different situations.
B: TEACH AN ANCHOR TASK
VIDEO CLIPS 1 & 2 (Right side)
Clip 1:
Clip 2:
In the same way that music is made up of notes and the pauses between the notes, we must have pauses between asking the horse to repeat the same task. Because the horse is at halt for this challenge, the anchor task creates the pauses between our requests.
We begin teaching the anchor task once the horse is comfortable standing in a corner, on a mat, with reasonable duration.
An anchor task is what we do to ‘set the stage’ for what we will do next. For example, when I play with targeting body parts to my hand with Boots, our anchor task is lifting a front knee to my hand. It tells her what game we are about to play.
Another example of a ‘stand quietly waiting’ anchor task might be to hang a special nose target in the spot you would like the horse to stand (park) while you tack up. Used like this, the foot or nose targets become a way that the horse can tell us that he is okay with us to proceed with what we are doing. There is a link to more about this in the Further Resources section at the end of the post.
As an anchor task for this behavior, I’ve chosen to rest my nearest hand lightly on Boots’ withers while she keeps her head forward. It is the position my hand would be if I were resting my reins while not giving a rein signal while riding. You might prefer a different anchor task.
In our case, this is a bit tricky because I use the same anchor position I use when we do belly crunches while standing beside the horse. The handler’s body orientation is often a large part of an anchor task.
I decided that Boots is far enough along in her training to learn to pause in this anchor position and wait for the next signal to find out whether a crunch or head flexion is the hot topic of the moment. You’ll see that we have a couple of conversations about this.
SLICES:
Stand beside horse’s withers.
Lightly rest your near hand on the withers.
Click&treat when the horse’s head is straight, or he is in the process of moving his head into the ‘straight’ position.
Step forward to deliver the treat so the horse keeps his head straight, then step back into position beside the withers.
Repeat until the horse confidently stays facing forward for 3-4 seconds until you click&treat .
C: LATERAL FLEXION TO A TARGET and D. THE VOICE SIGNAL
VIDEO CLIPS 1 & 2 (Left side)
Hold the target out of sight behind your back and review the anchor task.
When the horse stands reliably with his head forward in the anchor position, bring the target forward so he has to turn his head a little bit to touch it: click&treat & step forward so the horse straightens his head to receive the treat, putting the target out of sight behind your back as you step forward.
Step back beside the withers and put your hand back on his withers: click&treat for head forward until that is firmly established again (3-4 seconds). Be patient about establishing (and frequently re-establishing) this step because clever horses will want to skip straight from your anchor (hand on withers) to telling you that they know what to do – turn toward you (as Boots does in Clip Two).
Repeat 2 and 3 above until the horse reliably waits for you to produce the target before turning his head. If he turns without your signal, spend more click&treat on facing forward. Make sure you keep the target out of view behind your back. If turning his head is harder, spend more click&treat on asking for the bend.
ADD VOICE SIGNAL
You will obviously want different voice signals for right and left. Voice signals need to be short, clear, and sound different from other voice signals you use. I use “and Gee” for right. I use “and Left” for left. “Haw” for left sounds too much like “Whoa” which we use a lot. The “and” in front of the key word is a bit of a preparatory signal that lets the horse know a request is coming. My voice emphasis is on the key word.
Some horses do better if you teach something thoroughly on one side, then repeat from the beginning on the other side.
Some horses may cope well with doing a little bit on each side from the beginning.
Some handlers do better when teaching the task thoroughly on one side first.
E. RESPONSE TO ROPE or REINS SIGNALS
VIDEO CLIPS 3 & 4
Clip 3:
Stand beside the horse’s ribs just behind the withers, facing forward, rope in the hand closest to the horse. Keep a drape or ‘smile’ in the rope. Ensure that the horse can stay facing forward with relaxed body language for 3-4 seconds in the presence of the rope: (click&treat).
When 1 above is ho-hum, say your voice signal and gently use both hands to ‘milk’ the rope, putting light pressure on the halter, looking for the slightest ‘give’ of the horse’s nose toward you. Release (click&treat). Step forward to deliver the treat in a way that has the horse straighten his head again.
Work with 1 and 2 above until the horse waits for the touch signal on the halter and willingly yields his nose. If he turns before you give the rope signal, spend more click&treat time on keeping the nose forward.
If he begins to turn his head as soon as you move back into position behind his withers, also go back to click&treat more for a head kept straight.
Some horses catch on very quickly. Others may need multiple short sessions.
Teaching a horse with no rope experience is usually easier than teaching a horse who has had rough treatment with ropes. In the second case, you must adjust your training plan to help overcome any anxiety the horse carries from previous handling.
Clip 4:
F: GENERALIZATION
Some of these are shown in clip 4:
Once the whole task is smooth and ho-hum on both sides of the horse, move away from the corner but still use a mat. Do the task in a variety of different places.
Once 1 above is good in a variety of places, omit the mat and again work in a variety of places and spaces.
Replace the rope/halter touch signal with a distinctive hand signal that can be used to draw the horse right or left at liberty.
Once the horse understands the halter touch signal via the rope, plus the voice signal, the anchor task can morph into just standing quietly together.
Use the touch and voice signals while in motion to change direction, keeping the pressure on the rope as light as possible.
The YouTube playlist called Developing Soft Rein Response (see Further Resources at the end of the post for the link) gives further ideas about how we can generalize the task further using reins but without being mounted.
Building a strong history of response to directional voice signals is most helpful if you are planning to teach long-reining and if you take part in Horse Agility. The following clips suggest ways of strengthening the voice signals.
Photo: Mats laid out in our training area make good destinations to encourage willing movement to the next destination to earn a click&treat. First we can have them close together, then further apart. Once the horse understands the game, we can use small ‘mat’ targets like plastic lids.
Destination Training
Destination training adds an important dimension to a horse’s ability to understand what we would like him to do. We have to remember that the horse is captive to an alien species. Unless we take him through a careful, thin-sliced training program to teach him what we would like him to do, he has no way of knowing what we want.
While we are trying to figure out how to communicate with our horse, he is trying even harder to figure us out, and work out what we want him to do.
Giving the horse destinations helps him to make sense of many of our signals, because he sees a purpose to what we are asking him to do. He is not forever locked into a mystery tour. Like us, to remain confident, horses like to know what is going to happen before it happens.
Photo: Here we have set up a series of white target disks along a track. Boots earns a click&treat for targeting each one with her nose (or foot). Gradually we would spread them out further and further, eventually attach them in appropriate places along a longer walk or ride on a road or trail.
Once the horse eagerly targets hand-held targets, we can tie similar targets around our training area and ask the horse to walk with us from target to target. This gives us many opportunities to seamlessly show the horse that walking with us (being led) is a fun thing because we are always reach a destination that results in a click&treat.
We can ‘stretch the value of each click&treat’ by gradually putting the targets further and further apart and/or in more challenging places. Doing this, we continue to build the horse’s willingness to come along with us because he knows that we know where these magic ‘click&treat spots’ are.
For horses that are barn/buddy sweet (they are not confident about leaving home) we can set out targets in a curve that gently goes away from home and then returns home. As the horse becomes more confident with the game, we can make the curve further and further away from home.
Once the horse is keen to hunt out the next target to earn a click&treat, we can set the targets in a straight line leaving home, being careful to stay within a distance that allows the horse to remain comfortable. We click&treat at each target going away from home and again on the way home. Eventually the targets can be a long way apart.
Once the horse is keen to walk forward to target a familiar object, we can use something like a Frisbee to toss ahead of us, walk to it, target it to earn a click&treat. Then toss it forward again, and so on.
More About Foot Targets
When we introduce mats as foot target destinations, we open up further possibilities for seamless teaching/learning. Once the horse is eager to approach his mats because he knows he will earn a click&treat, the mats can serve the same purpose as the nose targets — desirable destinations.
But that’s not all. When a horse learns to line up his front feet tidily on a mat, he will generalize this to a tidy approach to the mat so he can step on it elegantly. We have given him a reason to line up his body and use it with more precision. An energy conserving horse will be motivated to speed up to reach the mat. A rushing horse will be motivated to calm and collect himself to reach the mat. For teaching the leading positions, the mat helps sustain the horse’s attention and focus. We can also use a mat as a positive destination or ‘relaxation spot’ to visit periodically while we work on more complex tasks.
Once the horse has established the habit of moving on with us to find the next target, we can introduce targeting of natural objects like trees or rocks, bushes, particular fence posts. We can also teach ‘target places’ like corners of paddocks or favorite grazing spots.
Video Clips Available
My video clips are available on YouTube by searching for HorseGym with Boots or Herthamuddyhorse on the YouTube search engine.
In this clip the targets are close together for ease of filming. I eventually tied rags to fences and hedges far apart so we did a lot of walking between a click&treat upon reaching each target.
Clips #3 – #14 of HorseGym with Boots go through the detail of using destinations to give the horse a sense of purpose when we are asking him to walk along with us.
Number 16 in my Blog Contents List (link at the top of this page) will take you the blog that has details about teaching smooth WALK ON and HALT signals.
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